Ātman (1975 film)

Ātman
Ātman
Directed by	Toshio Matsumoto
Cinematography	Hiroshi Yamazaki[1]; Kenji Takama[1];
Music by	Toshi Ichiyanagi[1]
Release date	1975;
Running time	11 minutes
Country	Japan

Ātman (Japanese: アートマン, Hepburn: Ātoman) is a 1975 Japanese experimental short film directed by Toshio Matsumoto.[2] The film depicts a figure sitting in an outdoor environment and wearing a robe and a Hannya mask.[3][4] The film features receding and shifting images captured in a frame-by-frame manner; though these shots resemble zooms and pans, they were actually derived from positioning the camera on a series of a points.[4][5]

A frame from Ātman

Reception

In 1978, a writer for the Millennium Film Journal called Ātman "an intricately constructed film", and compared it to Michael Snow's Wavelength (1967) and Hollis Frampton's Travelling Matte (1973).[4]

The techniques Matsumoto used in this film were influential on his student Takashi Ito.[6]

References

Bouhours, Jean-Michel (1996). L'art du Mouvement: Collection Cinématographique du Musée National d'Art Moderne, 1919-1996 (in French). Musée National d'Art Moderne. Retrieved 16 June 2021.
King, Loren (14 April 2013). "Circle of life". The Boston Globe. Boston, Massachusetts. p. N13. Retrieved 17 January 2023 – via Newspapers.com.
Belina & Kožul 2005, pp. 149: "Maska s dva kratka roga ic zvana Hannya predstavlja ženskoga demona ljubomore i gnjeva, kojeg c se često koristilo u nô drami".
"Millennium Film Journal". Millennium Film Journal. No. 2. 1978. p. 88. Retrieved 16 June 2021.
Belina & Kožul 2005, pp. 149: "Čak i ako se djevojka ne pomiče, vidimo pretjerano kretanje slika na ekranu. Dojam toga pokreta stvoren je kamerom sličicu po sličicu".
Nishijima, Norio (1996). "The Ecstasy of Auto-machines". In Bouhours, Jean-Michel (ed.). L'art du mouvement: Collection cinématographique du Musée national d'art moderne, 1919–1996 (in French). Centre Georges Pompidou. ISBN 978-2858509027. Retrieved 5 May 2022.

Bibliography

Belina, Mirna; Kožul, Marina (2005). 25 FPS Internatnacionalni festival eskperimentalnog filma i videa, Zagreb, 21-25/09/05 (in Croatian). 25 FPS udruga za audio-vizualna istraživanja. ISBN 9789539518804. Retrieved 16 June 2021.

External links

Ātman at IMDb

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[Musée_National_d'Art_Moderne_1996-1] Bouhours, Jean-Michel (1996). L'art du Mouvement: Collection Cinématographique du Musée National d'Art Moderne, 1919-1996 (in French). Musée National d'Art Moderne. Retrieved 16 June 2021.

[2] King, Loren (14 April 2013). "Circle of life". The Boston Globe. Boston, Massachusetts. p. N13. Retrieved 17 January 2023 – via Newspapers.com.

[FOOTNOTEBelinaKožul2005149:_"Maska_s_dva_kratka_roga_ic_zvana_Hannya_predstavlja_ženskoga_demona_ljubomore_i_gnjeva,_kojeg_c_se_često_koristilo_u_nô_drami"-3] Belina & Kožul 2005, pp. 149: "Maska s dva kratka roga ic zvana Hannya predstavlja ženskoga demona ljubomore i gnjeva, kojeg c se često koristilo u nô drami".

[Millennium_Film_Journal_1978-4] "Millennium Film Journal". Millennium Film Journal. No. 2. 1978. p. 88. Retrieved 16 June 2021.

[FOOTNOTEBelinaKožul2005149:_"Čak_i_ako_se_djevojka_ne_pomiče,_vidimo_pretjerano_kretanje_slika_na_ekranu._Dojam_toga_pokreta_stvoren_je_kamerom_sličicu_po_sličicu"-5] Belina & Kožul 2005, pp. 149: "Čak i ako se djevojka ne pomiče, vidimo pretjerano kretanje slika na ekranu. Dojam toga pokreta stvoren je kamerom sličicu po sličicu".

[6] Nishijima, Norio (1996). "The Ecstasy of Auto-machines". In Bouhours, Jean-Michel (ed.). L'art du mouvement: Collection cinématographique du Musée national d'art moderne, 1919–1996 (in French). Centre Georges Pompidou. ISBN 978-2858509027. Retrieved 5 May 2022.