Četverored

Četverored is 1999 Croatian film directed by Jakov Sedlar. Based on the novel of the same name by Ivan Aralica, the plot of the film deals with the Yugoslav death march of Nazi collaborators. It was the first film to deal with the subject, formerly a taboo topic under the Communist government. Četverored was aired on television only a week after its theatrical release in Zagreb, in what was widely characterised as an electoral ploy to support the ruling Croatian Democratic Union, which subsequently lost the elections.[1]

Četverored
Directed byJakov Sedlar
Written byIvan Aralica
Produced byJakov Sedlar
StarringIvan Marević
Ena Begović
CinematographyIgor Sunara[1]
Edited byZdravko Borko
Ivica Drnić[1]
Music byZlatko Tanodi[1]
Release date
  • 7 December 1999 (1999-12-07)
Running time
136 minutes[1]
CountryCroatia
LanguagesCroatian (smaller parts in Serbian, Slovene, English and Russian)

Četverored was the last film role of Ena Begović before her death in a car accident in August 2000.[2]

Cast

The cast also includes Luka Peroš best known for his role of Marseille in Money Heist.[3]

Critical reception

The Croatian Cinema Database website's entry for the movie gives the film a largely negative review, noting that screenwriter Ivan Aralica and director Jakov Sedlar "turned the film into an expression of caricatured intolerance towards (Serbian and Montenegrin) partisans" and that its "hate speech and utter nonsense" overshadows any potential it has.[1]

Historian Jelena Batinić writes that, despite the film's high production value and prominent Croatian actors, it "rarely rises above the level of a propaganda pamphlet with crude ethnic stereotyping" as the mostly Serb Partisans are portrayed as vicious murderers and Croat prisoners as innocent victims.[4]

Professor Dijana Jelača of Brooklyn College lists Četverored as among the post-Yugoslav nationalist revisionist films which use events of the past, reconstructing them in order to "warn generations to come" of the never-ending threats to nationhood. In this case, communism is presented as being on equal footing, if not worse, than fascism.[5] Film scholar Dino Murtic describes the film as "perhaps the most inglorious example of the cinema of self-victimisation" made during the 1990s as Yugoslavia had disintegrated.[6]

References
  1. "Četverored". hrfilm.hr (in Croatian). Croatian Film Association. Retrieved 2 August 2016.
  2. "Sahranjena Ena Begović". net.hr. 19 August 2000. Retrieved 6 January 2020.
  3. "Luka Peroš Filmography". imdb.com. Retrieved 23 April 2020.
  4. Batinić, Jelena (2015). Women and Yugoslav Partisans: A History of World War II Resistance. Cambridge University Press. p. 255. ISBN 9781107091078.
  5. Jelaca, Dijana (2016). Dislocated Screen Memory: Narrating Trauma in Post-Yugoslav Cinema. Springer. p. 151. ISBN 9781137502537.
  6. Murtic, Dino (2020). "Self-Portrait of a Victim in Newly Established National Cinemas". In Lewis, Ingrid; Canning, Laura (eds.). European Cinema in the Twenty-First Century: Discourses, Directions and Genres. Springer. p. 112. ISBN 9783030334369.


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