Ēvī Upeniece

Ēvī Upeniece was born Ēvī Upeniece on 22 August 1925 in Riga to Eduards Upenieks, a Latvian foreman of a veneer factory in Sarkandaugava, and an Estonian mother, Leida Upeniece (née Oinas).[2] Her husband is sculptor Vladimirs Rapiķis.[3]

Upeniece studied at Riga School of Fine Arts (1944-1946) and graduated Art Academy of Latvia with diploma work Portrait of Arturs Frinbergs (1952) under the guidance of sculptor Teodors Zaļkalns.[2]

Upeniece worked at the combine Art (1952-1980) and was a teacher of the ceramics group at Riga 45th secondary school (1964-1977). She has been participating in exhibitions since 1953 and is a member of the Artists Union of Latvia since 1957. Her works have been presented at the republican, USSR exhibitions and abroad. In 2021, she was awarded with the Order of the Three Stars, V Class.[2]

Upeniece works mainly in statuary and decorative sculpture. Her works are characterized by lyricism and an intimate chamber atmosphere. She realized her ideas using bronze, marble, caper forge, porcelain and fireclay. The sculptural forms of the works are generalized, smooth. Their surface is often ground or polished; decoratively expressive textures are sometimes used for contrast. She has created portraits depicting mainly women (Astrakhan Fisherwoman, 1960; Bust of a Young Woman, 1963; Astrīda Kairiša, 1975; Maija Tabaka, 1976; Ausma Kantāne, Vija Artmane, 1977; Olga Lisovska, 1979; Elza Radziņa, 1981).[2]