Antiques Roadshow

Paul Atterbury examines an antique cricket bat

The programme began as a BBC documentary that aired in 1977, about a London auction house doing a tour of the West Country in England. The pilot roadshow was recorded in Hereford on 17 May 1977 and presented by contributor Bruce Parker, a presenter of the news/current affairs programme Nationwide, and antiques expert Arthur Negus, who had previously worked on a similarly themed show, called Going for a Song. The pilot was so successful that it was transmitted and the format has remained almost unchanged ever since, though fewer and fewer antiques are featured in recent series, being replaced with Lego, Barber Dolls, modern ceramics, Star Wars and other film memorabilia. Negus appeared on Antiques Roadshow until 1983. In the original BBC programme, various towns or famous places are advertised as venues. The show has since visited a number of other countries (including Canada in 2001 and Australia in 2005) and has been imitated by other TV production companies around the world.

In the United Kingdom, annual children's Christmas specials aired from 1991 until 2006, under the title Antiques Roadshow: The Next Generation (except for the 1991 edition, which was titled Antiques Roadshow Going Live) and used a specially reworked version of the regular theme music. However, there was no children's special in 2007; instead an edition was devoted to "antiques of the future" dating from the 1950s to the present day. Since then individually themed specials have been aired, though not every year.

A spin-off programme, 20th Century Roadshow, focusing on modern collectibles, aired between April and June 2005. It was hosted by Alan Titchmarsh. Two other spin-off programmes, Antiques Roadshow Gems (1991) and Priceless Antiques Roadshow (2009–10), revisited items from the show's history and provided background information on the making of the show and interviews with the programme's experts.

The most valuable item to ever appear on the show featured on 16 November 2008. This was an original 1990s maquette of the Angel of the North sculpture by Antony Gormley, owned by Gateshead Council, which was valued at £1,000,000 by Philip Mould.[3] Glassware expert Andy McConnell later valued a collection of chandeliers at seven million pounds (their actual insurance value), noting as he did so that this beat Mould's record; however these were fixtures of the building in which the show was being filmed (Bath Assembly Rooms) rather than an item that had been brought in. In reality, the two most expensive objects to be sold as a result of being discovered on the show are the 1932[4] camera found by Marc Allum, which realised over $600,000 (US) in 2013 and the Christofle et Cie Japonisme jardiniere filmed by Eric Knowles, which sold for £668,450 (including buyers premium).

Conversely, many items brought before the experts are without commercial value, if not outright counterfeits. They are seldom shown in the broadcast episodes, to spare embarrassment for the individuals involved,[5] although counterfeit objects are sometimes included, to give experts an opportunity to explain the difference between real and fake items. Value is not the only criterion for inclusion; items with an interesting story attached, or of a provenance relevant to the show's location, will often be featured regardless of value. Items directly related to The Holocaust may have their stories featured, but are not given valuations. An episode commemorating the end of the First World War and featuring personal mementoes, included no valuations. All items are appraised, although most appraisals take place off-camera, with only the most promising items (around 50 on an average day) being filmed, of which about 20 appear in the final programme.

The Artist's Halt in the Desert by Moonlight, watercolour, by Richard Dadd

Some significant items have been acquired by museums after being sold once their owners were appraised of their true value. An example is the watercolour painting The Artist's Halt in the Desert by Richard Dadd, discovered and shown by Peter Nahum in 1986 and purchased the next year by the British Museum[6] for £100,000.[7] Another such item, later dubbed "Ozzy the Owl", is a Staffordshire slipware jug, valued by Henry Sandon on a 1990 show at £20,000 to £30,000,[7] and subsequently acquired by Potteries Museum & Art Gallery.[8]

The original theme music was Bach's Brandenburg Concerto No. 3 (for several years in a Moog synthesiser version by Wendy Carlos), but was changed in the early 1990s to an original piece. This theme was written by Paul Reade and Tim Gibson and published by Air Edel.[9]

Visitors (predominantly from the area being visited by the show) bring along their possessions to be evaluated for authenticity and interest (especially related to the venue) and an approximate valuation is given. The production team selects the items whose appraisal is to be televised. Often, the professional evaluators give a rather in-depth historical, craft, or artistic context to the item, adding a very strong cultural element to the show. This increases the show's appeal to people interested in the study of the past or some particular crafts, or certain arts, regardless of the monetary value of the objects. At the core, however, the focus of the production is on the interplay between the owner and the evaluator.

Antiques Roadshow has been hosted by:

Antiques Roadshow has a team of experts numbering over 60. Many have areas of speciality, some of them are long tenuring experts on the programme.[11]

• Bargain Hunt (2000–present)
• Cash in the Attic (2002–2012)
• Flog It! (2002–2020)
• Dickinson's Real Deal (2006–present)
• Antiques Road Trip (2010–present)
• Fake or Fortune? (2011–present)

• Antiques Roadshow at BBC Online
• Antiques Roadshow at epguides.com
• Antiques Roadshow at IMDb