A. David Lewis

Lewis was raised in Framingham, Massachusetts. He graduated from Brandeis University with a B.A. in English and Psychology in 1999.[6] He earned his M.A. in English Literature from Georgetown University.[7] He earned his PhD in Religion and Literature from Boston University.[8]

Lewis's 2005 work, The Lone and Level Sands (written by Lewis, and illustrated by Marvin Mann and Jennifer Rodgers), won a Howard E. Day Prize and has been nominated for three Harvey Awards in 2007.[9] His 2002 creation, Mortal Coils, was named one of the winners of the 2003 Cinescape Literary Genre Competition,[10] and in 2004 it was given the Paper Screen Gem Award for Mystery/Suspense.[11] It was republished as a hardcover, color edition by Archaia Comics; Mann and Lewis collaborated again through Archaia with Some New Kind of Slaughter, or Lost in the Flood (and How We Found Home Again): Diluvian Myths from around the World in 2009.

In the late 2006, Lewis started a PhD program studying religion and literature at Boston University.[12] There he also helped organize the "Graven Images: Religion in Comic Books and Graphic Novels Conference"[13] and co-edit its later text Graven Images: Religion in Comic Books and Graphic Novels published in 2010.[14] He completed his PhD in 2012 and revamped his dissertation work into the book American Comics, Literary Theory, and Religion: The Superhero Afterlife published in 2014 by Palgrave Macmillan.[15]

In 2011, Lewis became co-editor of Muktatafaht: A Middle East Comics Anthology initially through the Harvard University Center of Middle East Studies' Outreach Center but, due to administrative circumstances,[16] shopped elsewhere. He is also the organizer of the Chain World Freeform Comics Experiment and its customized book The Tome, and, in 2014, a founding member of Sacred and Sequential, an organization of religion & comics scholars.[17]

In 2015, Lewis's co-edited volume with Christopher Moreman, entitled Digital Death: Mortality and Beyond in the Online Age, was a winner of the Ray at Pat Browne Award for "Best Edited Collection",[18] and his American Comics, Literary Theory, and Religion: The Superhero Afterlife was nominated for "Best Scholarly/Academic Work" in the Will Eisner Comic Industry Awards.[19]

In 2017, Lewis edited and contributed to essays on Islamic representation and Muslim characters in superhero comic books and graphic novels.[20]

In a 2018 interview with Nicholas Yanes of Sequart Organization, Lewis stated that his next work would focus on an academic manuscript of the depictions of cancer battles in comics, to tentatively be called: Cancer in Comic Books.[21]

In 2023, he was named as one of the six national judges for that year's Eisner Awards.[22][23]

Lewis was the founder and president of Comics for Youth Refugees Incorporated Collective (CYRIC), a 501(c)(3) nonprofit organization in Massachusetts dedicated to producing free comic books based in Syrian folklore for refugee children. By 2019, the organization had sent over 1000 copies of their Haawiyat anthologies overseas to camps and schools along the Turkish border in partnership with NuDay Syria (for which Lewis is also a board member).[24]

• "Alabaster Cities" in 9-11: Emergency Relief (Alternative Comics, 2001)
• Mortal Coils (Red Eye Press & Caption Box, 2002–2005)
• The Lone and Level Sands (with art by Marvin Perry Mann and Jennifer Rodgers, Caption Box, 2005; Archaia Studios Press, 2006) [25]
• Empty Chamber (with art by Jason Copland, Silent Devil Entertainment, 2007)
• "Res Libero" in Postcards: True Stories That Never Happened (with art by Danielle Corsetto, Villard, 2007) [26]
• Some New Kind of Slaughter, or Lost in the Flood (and How We Found Home Again): Diluvian Myths from Around the World (with writing and art by Marvin Perry Mann, Archaia Studios Press, 2008) [27]
• Kismet, Man of Fate (with art by Noel Tuazon, colors by Rob Croonenborghs, and letters by Taylor Esposito, A Wave Blue World, 2017–2022)[28]
• The Prophet: A Graphic Novel Adaptation (with art by Justin Rentería), Graphic Mundi, 2023[29]

• Graven Images: Religion in Comic Books and Graphic Novels as co-editor with Christine Hoff Kraemer (Continuum, 2010)
• Digital Death: Mortality and Beyond in the Online Age as co-editor with Christopher Moreman (Praeger, 2014)
• American Comics, Literary Theory, and Religion: The Superhero Afterlife (Palgrave, 2014)
• Muslim Superheroes: Comics, Islam, and Representation as co-editor with Martin Lund (Mizan, 2017)