Adam Gottlob Moltke

In 1730, immediately after his accession, Frederick made Moltke Lord Chamberlain and showered him with honours: He was made a privy councillor, was granted the estate of Bregentved in 1747 and created him a count in 1750.

Ordre de l'Union Parfaite

As the companion of the king, Moltke's influence grew to the point that foreign diplomatists declared he could make and unmake ministers at will. Especially notable is Moltke's attitude towards the two distinguished statesmen who played the leading parts during the reign of Frederick, Johan Sigismund Schulin and The Elder Bernstorff. Schulin he revered, but Bernstorff irritated him with his affected airs of superiority. But though a Prussian intrigue was set up for the supersession of Bernstorff by Moltke, the latter, convinced that Bernstorff was the right man in the right place, supported him with unswerving loyalty.[2]

Count Moltke's appointment as Lord Chamberlain, an office that had previously been a mere court post, was now an outstanding position that gave Moltke opportunity as the king's confidential friend to be around him from morning till night, with the king talking to him about whatever was on his mind, which enabled Moltke to make his influence felt in all areas where he pleased. One of his main tasks was to take care that his dissolute Majesty didn't damage the Royal household's reputation with his constant orgies.[3]

Moltke was less liberal in his views than many of his contemporaries. He looked askance at all projects for the emancipation of the serfs, but, as one of the largest landowners of Denmark, he did service to agriculture by lightening the burdens of the countrymen and introducing technical and scientific improvements, which also increased production. His greatest merit, however, was the guardianship he exercised over the king.[2]

On the death of Queen Louisa, the king would have married one of Moltke's daughters had he not peremptorily declined the dangerous honour. Moltke then arranged a new marriage for the king to Duchess Juliana Maria of Brunswick-Wolfenbüttel, daughter of Ferdinand Albert II, Duke of Brunswick-Lüneburg and sister-in-law to Frederick the Great of Prussia. The marriage took place at Frederiksborg Palace on 8 July 1752.

On the death of Frederick, who died in his arms on 14 January 1766, Moltke's influence came to an end.[4] The new king, Frederick's son, Christian VII, could not endure him, and exclaimed, with reference to his lanky figure: "He's stork below and fox above". At that time Moltke was also unpopular, because he was, wrongly, suspected of enriching himself from the public purse.[2] Therefore, in July 1766, Moltke was dismissed from all his positions and retired to his estate at Bregentved.

On 8 February 1768, through the interest of Russia, to whom he had always been sympathetic, he regained his seat in the council, but his renewed influence was to be brief. As Christian VII's reign was marked by mental illness,[5][6] he was heavily influenced by his personal physician Johann Friedrich Struensee. Struensee had risen steadily in power and from 1770 to 1772, was de facto regent of the country.[7]

On 10 December 1770, Moltke was again dismissed without a pension for refusing to have anything to do with the liberal Struensee.[2] In short order, Struensee issued no fewer than 1,069 cabinet orders abolishing torture, unfree labour (corvée), censorship of the press, noble privileges, etiquette rules at the Royal Court, and banned slave trade in the Danish colonies.[8] In addition, he instituted criminalisation and punishment of bribery, university reforms, assignment of farmland to peasants, and re-organization and reduction of the army[9] After losing support of the people, partially as a result of his abolition of censorship of the press,[8] Struensee was deposed by a coup in 1772, after which the country was ruled by the King's stepmother, Juliane Marie of Brunswick-Wolfenbüttel, his half-brother Frederick and the Danish politician Ove Høegh-Guldberg. [7]

Amalienborg, Moltke's Palace in 1756

From 1748 to 1749, the district of Frederiksstaden was founded by King Frederick V to commemorate the tercentenary of the Oldenburg family's ascent to the throne of Denmark. While the development was the idea of Danish Ambassador Plenipotentiary in Paris, Johann Hartwig Ernst, Count von Bernstorff, Moltke, along with the royal architect, Nicolai Eigtved, spearheaded the construction.[13] The project consisted of four identical mansions, built to house four distinguished families of nobility from the royal circles, placed around an octagonal square. Moltke's mansion, which was erected in 1750–54, was the most expensive of the four palaces at the time it was built, and had the most extravagant interiors. It's Great Hall (Riddersalen) featured woodcarvings (boiserie) by Louis August le Clerc, paintings by François Boucher and stucco by Giovanni Battista Fossati, and is acknowledged widely as perhaps the finest Danish Rococo interior. The mansion formally opened on 30 March 1754, the King's thirtieth birthday.

On 26 February 1794, the Royal Family found itself homeless after the Christiansborg Palace fire. As the Moltke and Schack families were willing to part with their mansions for promotion and money,[13] the royal family, headed by the King Christian VII, acquired the first of the four palaces in the course of a few days, and commissioned Caspar Frederik Harsdorff to turn it into a royal residence. The family occupied the new residence December 1794. These mansions (now called Palaces) form the modern palace of Amalienborg.[13]

Statue of Frederick V on horseback by Jacques Saly at the centre of the Amalienborg Palace Square. It was commissioned by Moltke, as Director of the Danish Asiatic Company.

In 1753, Moltke, as Director for the Danish Asiatic Company, commissioned an equestrian statue of King Frederik V from French sculptor Jacques-Francois-Joseph Saly. The foundation stone was laid in place in 1760 at the 100-year celebration of political absolutism in Denmark. The statue was finally unveiled in 1771, five years after King Frederik V's death in 1766.

In 1766–1769, he commissioned Caspar Frederik Harsdorff to build a memorial chapel for himself at Karise Church in Faxe, which had been begun Harsdorff's former teacher, architect Nicolas-Henri Jardin.[14]

Moltke owned a large art collection which was displayed in his palace; this was later opened to the public. In 1885 a catalogue was published of the collection, which consisted mostly of Dutch masters.[15] He was elected a Fellow of the Royal Society in 1764.[16] His memoirs, written in German and published in 1870 are of considerable historical importance.[2]