Abby Williams Hill

Abby Williams Hill (1861-1943) was an American plein-air painter most known for her landscapes of the American West.[1] Hill also advocated for children's rights, attended the 1905 Congress of Mothers in Washington, D.C., and founded the Washington (state) Parent-Teacher Association.[2]

Hills' painting of a gorge in Chelan County, Washington that was one of 24 of her paintings exhibited at the 1904 World's Fair.
Abby Williams Hill
Portrait of Abby Williams Hill, taken in Grinnell, Iowa.
Born
Abby Rhoda Williams

1861
Died1943
NationalityAmerican
EducationArt Student's League
Known forLandscape painting

Early life and education

Hill was born Abby Rhoda Williams, the daughter of Henry W. and Hanett Hubbard Williams, in Grinnell, Iowa. Early on, she received encouragement in art from her parents and later her stepmother, Mary, and instruction as a child from her aunt, Ruth Hubbard. Later, she studied with Henry F. Spread at the School of the AIC (1883). Following a teaching assignment at a girls seminary at Berthier-en-haut, Quebec (1884-1886) and a return to Grinnell, she studied art at the Art Students' League (ASL) in New York where she came to study with William Merritt Chase. In 1888, she and her husband, Frank Hill, a homeopathic doctor,[3] settled in Tacoma, Washington[4] and nearby Vashon Island, until 1910. They had one son and adopted three daughters.[5]

Career

In the early 1900s, the Great Northern Railway and the Northern Pacific Railway commissioned Hill to paint landscapes of the northwestern United States to promote tourism.[6] The commission required that Hill produce 22 paintings in just 18 weeks, and that she produce them en plein air.[7] Accompanied by her four children, Abby Hill took prolonged camping trips for the purpose of painting scenery in places such as Yosemite National Park and Yellowstone National Park.[4] Her works were exhibited at the 1904 World's Fair in St. Louis and the 1905 Lewis and Clark Centennial Exposition in Portland. Over the course of her career, Hill achieved her goal of painting in every national park in the Western United States.[4]

Her husband became incapacitated by psychotic depression in 1911, so the family moved to the small isolated community of Laguna Beach, California, for the benefit of the mild, sunny climate. Abby Hill was one of several early-20th-century American artists who built studios in Laguna Beach and transformed it into an artist community.[1] She became a founding member of the Laguna Beach Art Association.[1] She and her husband lived there until 1922, eventually returning to Tacoma, Washington and California while he was a patient at various California hospitals. Upon his release in 1924, she purchased an automobile and, for the next seven years, she and the family wintered in Tucson, AZ, travelling during the summers to the Deep South and to many locations in the West.

Following the death of her husband in 1938, Abby Hill became bedridden. She died in Laguna Beach in 1943.

Collection

A permanent collection of her works and papers is held by the University of Puget Sound.[8]

See also

References

  1. Kovinick, Phil; Yoshiki-Kovinick, Marian (January 1998). An encyclopedia of women artists of the American West. American Studies. University of Texas Press. ISBN 9780292790636.
  2. Hanson, Linda (June 30, 2005). "A century of advocating for children". Seattle Post Intelligencer. Retrieved 14 October 2013.
  3. "Abby Williams Hill Biography". Collins Memorial Library: Abby Williams Hill Collection. University of Puget Sound. Archived from the original on 13 January 2019. Retrieved 17 January 2014.
  4. Farr, Sheila (July 20, 2007). "Abby Williams Hill: unfettered in life and art". Seattle Times. pp. Visual Arts. Archived from the original on 12 August 2014. Retrieved 12 October 2013.
  5. "Historical Note". Guide to the Abby Williams Hill Papers 1880s-1930s. NWDA. 2011. Retrieved 12 October 2013.
  6. Huberman, Bond (October 2, 2009). "A Woman in Love with the Great Wide Open". City Arts. Tacoma: Encore Media. Archived from the original on 2011-06-25. Retrieved 12 October 2013.{{cite web}}: CS1 maint: unfit URL (link)
  7. Hishimoto, Molly (10 April 2009). "A Woman Lured West: Abby Hill's Legacy of Art & Conservation". Chattermarks. North Cascades Institute. Retrieved July 30, 2014.
  8. "Abby Williams Hill Digital Collection". University of Puget Sound. 2013. Archived from the original on 13 March 2013. Retrieved 12 October 2013.

Further reading

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