Abe Gubegna

የሮም አወዳደቅ (The Fall of Rome) is Abe's first play, although it was never staged. It portrays how the nobility's extravagance and self-indulgence brings about the fall of Rome through their exploitation of the poor. The play was published two months before the attempted 1960 coup and was clearly written to mirror the Ethiopia that Abe saw under Haile Selassie.[8]

የፓትሪስ ሉሙምባ አሳዛኝ አሟሟት (The Tragic Death of Patrice Lumumba) was Abe's next play. In his preface Abe notes that the publication of several his books was being delayed, which most likely refers to the government censorship, but that he had no patience to wait any longer for this one.[9]

The play condemns the plot against Lumumba in the Republic of the Congo. Abe portrays Lumumba as a freedom fighter and as a martyr to his people, while blaming the racism of Western governments and the complicity of Joseph Kasa-Vubu and Moïse Tshombe for his assassination. The play ends by calling for the execution of Kasa-Vubu and Tshombe. It appeared at a time when Ethiopia was attempting to mediate rifts that the Congolese crisis had created at the Third All African Peoples’ Conference in Cairo and was therefore censored heavily.[10][11]

In 1962 Abe published አልወለድም (I Will Not Be Born). The novel was banned and burnt after 800 copies were sold.[10][11]

The story is set in the fictional kingdom of Izraelos. The use of a fictional setting, which Abe returns to in many of his works, appears to have been an unsuccessful attempt to avoid government censorship.[12][13] The unnamed central character, still in his mother's womb, tells her he will not be born into a world without freedom. Despite his efforts, she delivers her baby in hospital, only for him to criticise the doctors for bringing him into a world of suffering.

As an adult he finds employment and incites the workers to strike before being fired by his employers. He goes on to establish an agricultural utopia with his friends, which is destroyed when a government official lays claim to their land. As this occurs the government is overthrown in a military coup. The new government adopts a more progressive approach, before quickly becoming more oppressive than the previous regime. He then becomes involved in a revolution that overthrows the military. He declines a role in the new government and returns to his utopia. But he is soon accused of sedition, arrested and sentenced to death. Before his execution is carried out he declares that he wants to be buried in the open and not in church grounds alongside liars and cheats.[14]

Poet and critic Debebe Seifu considered the novel both politically naïve and lacking in literary style, with its obvious allusions to mid-twentieth century Ethiopia providing its value.[15]

The Savage Girl is Abe's first and only play in English. It is an allegory of Ethiopian history that takes place over three acts and is partly in verse.[16] It has never been staged.[17][18]

The Savage Girl was poorly received, with critics citing that too little thought was given to dramatic production and the use of verse was badly constructed.[19] Debebe identified similar flaws in Abe's use of language and production.[20]

In 1968 Abe published አንድ ለናቱ (His Mother's Only Child) a 688-page novel based on the life of Emperor Tewodros II. Abe's interest in Tewodros was far from unique, with novels about the Emperor also written by Makonnen Endelkachew, Berhanu Zerihun and Sahle Sellassie Berhane Mariam.[21]

The novel traces Tewodros’ life from birth until death, with most attention given to the years leading to his coronation.  Abe's idealised view of Tewodros is made plain in his introduction, stating: “When all other aspects of Tewodros have been found to be controversial only his bravery has been undisputed". But as with much of his work, this position was also made in opposition to Haile Selassie, who fled the country during a time of crisis, while Tewodros died at the Battle of Magdala.[22] Debebe regarded it as a phenomenal work, albeit one that at times reads like a history textbook.[14]

In 1973 Abe attended the International Writing Program at the University of Iowa.[23] He was the third Ethiopian author to attend the program after Daniachew Worku and Solomon Deressa. Peter Nazareth, who participated in the program in the same year, recalled how Abe was hostile towards Americans because he saw their government as supporting the rule of Haile Selassie. Nazareth also recalled how Abe was confrontational towards other writers, including arguments with Kole Omotoso and Ashokamitran, and that he tried to strangle a female Japanese author. Ultimately, Nazareth believed that writers on the program began to fear Abe.[24]

Defiance portrays the Italian occupation and is Abe's only novel in English. The manuscript was considered for Oxford University Press’ Three Crowns series but was eventually only published for the local market.[25] The novel tells the story of an old Fitawrari and his family during the years of the Italian occupation.

ፓለቲካና ፓለቲከኞች (Politics and Politicians) is a play published in 1976 or 1977 after it was performed at the Hager Fikir Theatre the previous year. It is a satire depicting what the author saw as the opportunistic behaviour of leftist politicians.

Farada, the protagonist, ridicules the educated elite for their claims that they were the source of the revolution in the country. He decries the jargon that has emerged and appears to indirectly criticise the Derg. The dissatisfaction with both the previous and new government is clear.