Ada Calhoun

St. Marks Is Dead was published by W.W. Norton & Company in 2015. Calhoun wrote an op-ed that fall that explained her anti-nostalgic feelings about cities and change:[15]

When I asked nostalgic people to name the street’s golden era, they cited a range of years—often falling between 1960 and 1982, but sometimes 1945, or 1958, or 2012. A Vassar student told me that St. Marks Place died with the fairly recent closing of the Starbucks at Cooper Union. "I came back from break," he said, "and it was gone. We used to hang out there and get cups and fill them with strawberry champagne and feel glamorous. There’s no room for life to be lived there now." I began to notice a pattern: The years people said the city was at its best almost always coincided with when they themselves were at their hottest.

St. Marks Is Dead was a New York Times Editors’ Pick, Amazon Book of the Month, and named one of the best books of the year by Kirkus Reviews,[16] The Boston Globe,[17] Orlando Weekly,[18] the New York Post. The Village Voice called it "The Best Nonfiction Book About New York, 2015," and said, "With St. Marks Is Dead, Ada Calhoun just became the most important new voice on old New York."[19]

The Atlantic wrote: "Timely, provocative, and stylishly written …Calhoun’s book serves as a welcome corrective to that rallying cry [that gentrification is bad], and to the tendency to romanticize New York City in the 1970s, when the city was far more riotous and permissive than it is now. … Her aplomb, in fact, is precisely what the discussion needs. Her portrait of neighborhood resilience might suggest more temperate proposals for an increasingly polarized debate."[20]

The New York Times Book Review said, "Calhoun, who grew up on St. Mark’s Place, is careful not to romanticize any one era of the East Village (which serves as a suitable proxy for much of New York City during the past century). St. Marks Is Dead is an ecstatic roll call."[21]

Wedding Toasts I’ll Never Give is a memoir about marriage. It was inspired by the success of her "Modern Love" column in The New York Times, "The Wedding Toast I’ll Never Give,"[22] which the paper named one of its most-read stories of 2015.[23] The book was released on May 16, 2017, by W. W. Norton & Company.[24]

In the book, Calhoun presents seven personal essays, framed as "toasts", that discuss topics such as infidelity, existential anxiety, fighting in rental cars, and the "soulmates" ideal.

Wedding Toasts I’ll Never Give was praised in pre-publication reviews. Publishers Weekly called it "A humorous, realistic, and loving look at marriage....Each essay mixes components of memoir and self-help, drawing on insight from Calhoun’s own marriage as well as the wise thoughts of clergymen and lessons learned from long-married couples." Library Journal said, "Alternating between hilarious personal anecdote and sobering professional insight, this memoir conveys perhaps the simplest lesson ever given about learning to make a marriage last: just don’t get divorced. Her other great contribution to the literature on marital happiness might be her explanation of why fights in cars are the worst: you cannot storm off."[25] The book received blurbs from Molly Ringwald, Susannah Cahalan, Karen Abbott, Phillip Lopate, Carlene Bauer, Davy Rothbart, Leah Carroll, Kathryn Hahn, Gretchen Rubin, Emma Straub, and Rebecca Traister.[26]

Reviews in the New York Times Book Review, The Washington Post, and elsewhere, were overall positive.[27] The New York Times "Modern Love" column published the first serial excerpt on April 23, 2017, as "To Stay Married, Embrace Change."[28] The book was featured on Today.[29] In the "By the Book" column of The New York Times Book Review, Tom Hanks replied to the question "What was the last book that made you laugh?" with: "Ada Calhoun’s Wedding Toasts I’ll Never Give. I mean, underlining and yellow marker bust-out laughs."[30]

Calhoun at the 2022 Texas Book Festival.

Why We Can't Sleep: Women's New Midlife Crisis is about Generation X women and their struggles, sometimes leading to a midlife crisis, including divorce, debt, unstable housing, and career development.[31] It builds upon her popular essay for O, The Oprah Magazine, "The New Midlife Crisis for Women".[32] Calhoun interviewed more than 200 women across America about their experiences and was fascinated how Gen-X women responded and coped with these struggles physically and mentally, inspiring her to understand why with research from the Center for Economic and Policy Research and Harvard’s Equality of Opportunity Project.[33] The book was released on January 7, 2020, by Grove Atlantic.[34]

Reviews were mixed. The New York Times Book Review’s Curtis Sittenfeld called Calhoun "a funny, smart, compassionate narrator…taking women’s concerns seriously" but also "wished Calhoun had included fewer women’s stories but gone into those stories in greater detail."[35] The Wall Street Journal's Emily Bobrow found many of the book's "grumbles reassuringly familiar" but called it "a little whiny" and said Calhoun is "not above cherry-picking statistics."[36]

Also A Poet is a memoir about Calhoun's relationship with her father, as well as their shared interest in poet Frank O’Hara. In advance of publication, it received starred reviews from Publishers Weekly,[37] Kirkus Reviews,[38] Booklist,[39] and Library Journal.[40] It was published by Grove Atlantic on June 14, 2022,[41] and was one of the best-reviewed books of the season, according to Literary Hub.[42] The New York Times's Alexandra Jacobs called it "a grand slam of a new memoir" and wrote that it "is packaged as a love triangle: father, daughter and O’Hara. It’s actually a tetrahedron from which all kinds of creative characters pop forth. It’s a big valentine to New York City past and present, and a contribution to literary scholarship, molten with soul."[43]