Maureen Lipman

Lipman worked extensively in the theatre following her début in a stage production of The Knack at the Palace Theatre, Watford. In order to get the post, she pretended that a documentary producer wanted to follow her finding her first job – this was a lie but it seemed to work.[9][10]

Lipman was a member of Laurence Olivier's National Theatre Company at the Old Vic from 1971 to 1973 and of the Royal Shakespeare Company for its 1973 Stratford season.[11]

Lipman has continued to work in the theatre for over fifty years, playing, among other roles, Aunt Eller in the National Theatre's Oklahoma!.[10][12]

From November 2005 to April 2006 she played Florence Foster Jenkins in the Olivier Award-nominated show Glorious! at the Duchess Theatre in London's West End.[13]

From October 2010 to February 2011, Lipman starred in a production of J.B. Priestley's When We Are Married at the Garrick Theatre. In 2012 she directed and appeared in a production of Barefoot in the Park on tour and starred in Old Money at the Hampstead Theatre. In 2013, she starred in Daytona at The Park Theatre followed by a tour, and in 2014 a season at the Theatre Royal Haymarket. In 2015, she starred with James Dreyfus in Mary Chase's play Harvey at Birmingham Rep, on tour and at the Theatre Royal Haymarket. In 2016, she starred in My Mother Said I Never Should at the St. James Theatre. In 2017, she starred with Felicity Kendal in a revival of Lettice and Lovage at the Menier Chocolate Factory. In 2018, she starred with Martin Shaw in The Best Man at the Playhouse Theatre, as well as returning to the Edinburgh Festival Fringe for the first time in fifty years with a one-woman show of jokes and storytelling called Up For It.[14]

After early appearances in the sitcoms The Lovers, and Doctor at Large, and a role in The Evacuees (1975),[15] Lipman first gained prominence on television in the situation comedy Agony (1979-81), in which she played an agony aunt with a troubled private life. In her role as Stella Craven in Smiley's People (1982), Lipman appeared with Alec Guinness.

She performed the Joyce Grenfell monologue The Committee for the first time on The Green Tie on the Little Yellow Dog, which was recorded 1982, and broadcast by Channel 4 in 1983.[16]

She played the lead role in the television series All at No 20[17] (1986–87) and took on a range of diverse characters when starring in the series of comedy plays About Face (1989–91).[18] She is known for playing Joyce Grenfell in the biographical show Re: Joyce!,[19] which she co-wrote with James Roose-Evans.

In 1996 she appeared in the BBC comedy drama Eskimo Day, written by husband Jack Rosenthal and directed by Piers Haggard, about the trials and tribulations of three young would-be students as they arrive with their families at Queens' College, Cambridge, on interview day.[20][21][22] There was a sequel, Cold Enough for Snow, in 1997.

She appeared as snooty landlady Lillian Spencer in Coronation Street for six episodes in 2002. The character was employed by Fred Elliott (John Savident) to run The Rovers Return Inn.[23] She re-joined the cast of Coronation Street in August 2018, this time playing Evelyn Plummer, the long-lost grandmother of Tyrone Dobbs (Alan Halsall).[24]

In 2003 she appeared in Jonathan Creek in the episode "The Tailor's Dummy". Lipman played Maggie Wych in the children's television show The Fugitives broadcast in 2005. She has narrated two television series on the subject of design, one for UKTV about Art Deco and one about 20th-century design for ITV/Sky Travel.

She performed as a villain, The Wire, in the 2006 series of Doctor Who in the episode entitled "The Idiot's Lantern".[25]

She has also appeared on Just a Minute,[26] The News Quiz,[27] That Reminds Me, This Week and Have I Got News for You.[28] In 2007, Lipman appeared as a celebrity contestant on Comic Relief Does The Apprentice to raise money for Comic Relief. The show saw her helping to run a funfair. Later in 2007, she made a guest appearance in Casualty; this was followed by an appearance in a December 2011 episode of the Casualty spin-off Holby City, playing a different character.

In May 2008, she appeared in the BBC documentary series Comedy Map of Britain.[29] On Sunday 11 January 2009, BBC Four was devoted to a "Maureen Lipman Night".[30] On 5 February 2009, she appeared in the third series of teen drama Skins, in the episode entitled "Thomas" as Pandora Moon's Aunt Elizabeth.

She played Irene Spencer in the ITV3 comedy Ladies of Letters, in which she starred alongside Anne Reid. The show's first series started in 2009, and it returned for a second series in 2010.

Lipman made an early film appearance in Up the Junction (1968).[12] She played the title character's mother in Roman Polanski's film The Pianist (2002).[12]

In the 1999 film Solomon & Gaenor, the character she played spoke Yiddish throughout.[10]

In 1987,[31] she was cast as the character "Beatrice Bellman" ("Beatie/BT"), a Jewish grandmother in a series of television commercials for British Telecom,[10] a role which became sufficiently well known to launch a book You Got An Ology in 1989,[32] and which was still referred to 25 years later by politicians.[33]

After her husband died in May 2004 she completed his autobiography By Jack Rosenthal, and played herself in her daughter's four-part adaptation of the book, Jack Rosenthal's Last Act on BBC Radio Four in July 2006.[12] Her anthology, The Gibbon's In Decline But The Horse Is Stable, is a book of animal poems which is illustrated by established cartoonists, including Posy Simmonds and Gerald Scarfe, to raise money for Myeloma UK, to combat the cancer to which she lost her husband.

She also wrote a monthly column for Good Housekeeping magazine[10] for over ten years,[12] which formed the basis for several autobiographical books, including How Was It For You?, Something To Fall Back On, Thank You For Having Me, You Can Read Me Like A Book and Lip Reading. Lipman has also contributed a weekly column in The Guardian in the newspaper's G2 section.

She writes for The Oldie[12][34] and is on the editorial advisory board of Jewish Renaissance magazine.[35]

Lipman supports the work of the Burma Campaign UK,[12][39] Europe's largest NGO regarding Myanmar (Burma). Lipman supports the process of democratisation in the country. Lipman also supports the work of Prospect Burma, a non-political charity that offers Burmese students the opportunity to study at university overseas. Lipman spoke on behalf of Prospect Burma in the BBC Radio 4 Appeal, broadcast in September 2009.[40]

Lipman supported Israel during the 2006 Israel–Hezbollah conflict. On 13 July 2006, in a debate on the BBC's This Week, she argued that "human life is not cheap to the Israelis, and human life on the other side is quite cheap actually, because they strap bombs to people and send them to blow themselves up." These comments were condemned by columnist Yasmin Alibhai-Brown who said "Brutally straight, she sees no equivalence between the lives of the two tribes".[41] Lipman responded to Alibhai-Brown's accusation of racism by arguing that the columnist had deliberately misrepresented Lipman's comments as generalisations about Muslims rather than specific comments about terrorists.[42]

In The Jewish Chronicle, Lipman argued that media reporting of the conflict was "heavily distorted":

There is rarely any film of rockets being fired into Israel, nor any mention of the damage, nor of the 250,000 refugees who have fled to the centre of Israel, nor of rockets targeting Israel every day since it withdrew from Gaza, nor the damage done by 100 Hezbollah rockets a day...

More people are being killed in São Paulo, Somalia and Darfur than in this conflict. Where is the coverage? It is as if the Iraq War has completely stopped while this blanket coverage in Lebanon goes on and on and on... I sometimes think Israel should ban the press as Zimbabwe has. They are a democracy, though, and behave accordingly...

I respect freedom of speech, but I'm contemptuous of the 300 signatories [to the anti-Invasion Times advert and the Independent letter]. To English, assimilated, sometimes self-despising Jews such as Gerald Kaufman and Harold Pinter, I say: where are you going to go when the shit hits the fan? It doesn't matter if you stand in Parliament or marry into the aristocracy, there will be no Israel to receive you, as they have received so many before. Why didn't they put their ad in an Israeli newspaper? Because it is more important to impress their fellow Englishmen than to effect change in the situation. Where are their signatures against Burma, Nepal, Tibet and Zimbabwe?...[43]

In May 2015, Lipman joined pro-Israel groups including the Zionist Federation in a protest outside the London premiere of a Palestinian play, The Siege, at Battersea Arts Centre.[44]

In an interview with The Guardian on 18 August 2020, Lipman inaccurately asserted that Hezbollah had claimed responsibility for the 2020 Beirut explosion, stating: "I'm very grateful that Hezbollah said they did it". She intimated that she would not be prepared to work alongside some pro-Palestinian actors, citing Maxine Peake and Miriam Margolyes as examples, the latter of whom she worked with repeatedly in the 1980s and 1990s in the series of adverts she did with BT.[45]

In a January 2015 interview on LBC Radio, Lipman said she was considering emigrating to the United States or Israel in response to perceived increased antisemitism in the UK.[46][47]

Lipman previously supported the Labour Party[48] but declared in October 2014 that she could no longer do so due to the then-leader Ed Miliband's support for a parliamentary motion in favour of recognising the State of Palestine.[49][50][51]

In April 2018, Lipman criticised Labour Party leader Jeremy Corbyn for antisemitism in the Labour Party and the party's reputed failure to address the issue. Lipman attended a protest outside the Labour Party head office and said she attended the protest "as a disenfranchised socialist". She identified with a placard reading "Corbyn made me a Tory".[52][53][54] In a 2020 interview, she described herself as a "Labour luvvie" under the tenure of Tony Blair, as opposed to a "party member". However, she also said she'd have to be "stark raving mad to support Boris Johnson".[45]