Aerophone

An aerophone (/ˈɛəroʊfoʊn/) is a musical instrument that produces sound primarily by causing a body of air to vibrate,[1] without the use of strings or membranes (which are respectively chordophones and membranophones), and without the vibration of the instrument itself adding considerably to the sound (or idiophones).[2]

Flutes are aerophones

According to Sachs,[3]

Aerophones or 'air instruments' include what are usually called 'wind instruments,' with the addition of a few instruments with a different acoustical principle called 'free aerophones.'
A wind instrument has two essential factors: a tube enclosing a column of air, and a device for setting that air into vibration by interrupting into pulsations the steady breath of the player (or the wind of a bellows).

These may be lips, a mechanical reed, or a sharp edge. Also, an aerophone may be excited by percussive acts, such as the slapping of the keys of a flute or of any other woodwind. A free aerophone lacks the enclosed column of air yet, "cause a series of condensations and rarefications by various means."

Overview

Aerophones are one of the four main classes of instruments in the original Hornbostel–Sachs system of musical instrument classification, which further classifies aerophones by whether or not the vibrating air is contained within the instrument. The first class (41) includes instruments which, when played, do not contain the vibrating air. The bullroarer is one example. These are called free aerophones. This class includes (412.13) free reed instruments, such as the harmonica, but also many instruments unlikely to be called wind instruments at all by most people, such as sirens and whips. The second class (42) includes instruments which contain the vibrating air when being played. This class includes almost all instruments generally called wind instruments — including the didgeridoo, (423) brass instruments (e.g., trumpet,[4] french horn, baritone horn, tuba, trombone), and (421 & 422) woodwind instruments (e.g., oboe,[4] flute,[4] saxophone, clarinet[4]).[5] The wind factor is not only provided by the players' lungs function. The organ and the mouth harmonica are also aerophones, both supplied with free reeds, that are blown by a mechanical system.

Additionally, very loud and impulsive sounds can be made by explosions directed into, or being detonated inside of resonant cavities. Detonations inside the calliope (and steam whistle), as well as the pyrophone might thus be considered as class 42 instruments, despite the fact that the "wind" or "air" may be steam or an air-fuel mixture.

Other cases of aerophones with impulsive sounds are the boomwhackers and the so-called thongophones, made up of cylindrical pipes that are struck on the sides (boomwhackers) or extremes (thongophones), thus generating percussive aerophonic tones.

History
Neolithic bone flute

According to Ardal Powell, the flute is a simple instrument found in numerous ancient cultures. There are three legendary and archeologically verifiable birthplace sites of flutes: Egypt, Greece and India. Of these, the transverse flute (side blown) appeared only in ancient India, while the fipple flutes are found in all three. It is likely, states Powell, that the modern Indian bansuri has not changed much since the early medieval era.

Identifying the origin of the aerophone is difficult, though it is believed that Americans and their descendants developed the largest diversity of aerophones, and they are understood to have been the major non-vocal, melodic instruments of Native America.[6] Archaeological studies have found examples of globular flutes in ancient Mexico, Colombia and Peru, and multiple tubular flutes were common among the Maya and Aztec. The use of shells of Conches as an aerophone have also been found to be prevalent in areas such as Central America and Peru.[7]

Examples of aerophone type instruments in China can be dated back to the Neolithic period. Fragments of bone flutes can be found at the burial sites of the Jiahu settlements of ancient China, and they represent some of the earliest known examples of playable instruments. The instruments were typically carved from the wing bone of the red-crowned crane, and had five to eight holes. The flutes were efficient enough to produce sound in a nearly accurate octave, and are thought to have been used ceremonially or for ritualistic purposes.[8][9] Examples of flutes made out of bamboo in China date back to 2nd Century BC. These flutes were known as Dizi's or simply Di (笛) and typically had 6 holes for playing melodies that were framed by scale-modes.[10]

Flutes including the famous Bansuri, have been an integral part of Indian classical music since 1500 BC. A major deity of Hinduism, Krishna, has been associated with the flute.[11][12] Some early flutes were made out of tibias (shin bones). The flute has also always been an essential part of Indian culture and mythology,[13] and the cross flute is believed, by several accounts, to originate in India[14][15] as Indian literature from 1500 BCE has made vague references to the cross flute.[16]

Types

Free

Free aerophones are instruments where the vibrating air is not enclosed by the instrument itself.

Displacement

The air-stream meets a sharp edge, or a sharp edge is moved through the air.

Interruptive

The air-stream is interrupted periodically.

Plosive

Also known as percussive aerophones, plosive aerophones are percussion instruments sounded by a single compression and release of air.[17] An example of a plosive aerophone is the scraper flute which has tubes with ridged or serrated edges so that they can be scraped with a rod to produce sound.[18][19]

Another example of percussive aerophone is the so-called thongophone, consisting of a cylindrical pipe that is struck by a special mallet, somehow equivalent to a flip-flop (thong). A thongophone may sound as an open-open pipe, if the mallet is quickly removed after striking the pipe's extreme. Also, it may sound as an open-closed pipe, if the mallet remains closing the pipe after the attack. In the first situation (open-open), the first resonance mode will have a wavelength that corresponds to two times the pipe length, approximately. It is called by acousticians as a "half-wavelength" air column. In the second situation (open-closed), the first resonance mode will have a wavelength that corresponds to four times the pipe length, approximately. Acousticians call it as "quarter-wavelength" air-column.

Non-free
Further information: Wind instrument

Non-free aerophones are instruments where the vibrating air is contained within the instrument. Often called wind instruments, they are typically divided into two categories; Woodwind and Brass. It is widely accepted that wind instruments are not classified on the material from which they are made, as a woodwind instrument does not necessarily need to be made of wood, nor a brass instrument made of brass. Woodwind instruments are often made with wood, metal, glass or ivory, with examples being flute, oboe, bassoon, clarinet, recorder and the saxophone. Brass instruments are often made with silver, copper, ivory, horn, or even wood. Examples include the trumpet, cornet, horn, trombone and the tuba.[20]

Flute
Main article: Flute

A flute is a type of aerophone, as is the Eunuch flute, also referred to as a mirliton.[4] A flute is an aerophone or reedless wind instrument that produces its sound from the flow of air across an opening, usually a sharp edge. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. Aside from the voice, flutes are the earliest known musical instruments. A number of flutes dating to about 43,000 to 35,000 years ago have been found in the Swabian Alb region of Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.[21][22]

  • Flute aerophone examples
  • A Carnatic eight-holed bamboo flute
    A Carnatic eight-holed bamboo flute
  • An eight-holed classical Indian bamboo flute.
    An eight-holed classical Indian bamboo flute.
  • Example of a Eunuch flute
    Example of a Eunuch flute

Reed
Main article: Reed aerophones
Further information: Free reed aerophone

A reed aerophone is a musical instrument that produces sound by the player's breath being directed against a lamella or pair of lamellae which periodically interrupt the airflow and cause the air to be set in motion. Reed aerophones can be further sub-divided into two distinct categories: single-reed and double-reed instruments. The former includes clarinets and saxophones, while examples of the latter are oboes and bassoons.

Brass
Main article: Brass instrument

A brass aerophone is a musical instrument that produces sound by sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips. Brass instruments are also called labrosones, literally meaning "lip-vibrated instruments".[23] There are several factors involved in producing different pitches on a brass instrument. Slides, valves, crooks, or keys are used to change vibratory length of tubing, thus changing the available harmonic series, while the player's embouchure, lip tension and air flow serve to select the specific harmonic produced from the available series. Unlike all other aerophones, brass instruments can be "muted", in other words, their sounds can be somewhat suppressed as one would use a silencer on a firearm. A variety of mutes exist for these instruments, ranging from those made of plastic to others made of metal, and in various shapes.

List of aerophones
Main article: List of aerophones by Hornbostel–Sachs number

See also

References
  1. Randel, D.M. (1999). The Harvard Concise Dictionary of Music and Musicians. Harvard University Press reference library. Belknap Press. p. 12. ISBN 978-0-674-00084-1.
  2. "aerophone — OnMusic Dictionary". Connect for Education Inc. December 4, 2014. Retrieved December 4, 2014.
  3. Sachs, Curt (1940). The History of Musical Instruments, p.457 and 459. W. W. Nortan & Company, Inc. ISBN 0-393-02068-1
  4. Nzewi, M.; Nzewi, O. (2007). A Contemporary Study of Musical Arts: Informed by African Indigenous Knowledge Systems. A Contemporary Study of Musical Arts: Informed by African Indigenous Knowledge Systems. Centre for Indigenous Instrumental African Music and Dance (Ciimda). pp. 98–106. ISBN 978-1-920051-62-4.
  5. von Hornbostel, Erich M.; Sachs, Curt (1914). "Abhandlungen und Vorträge. Systematik der Musikinstrumente. Ein Versuch.". Zeitschrift für Ethnologie (in German). Vol. 46. Berliner Gesellschaft für Anthropologie, Ethnologie und Urgeschichte. pp. 582–590. Retrieved April 12, 2015.
  6. Malena Kuss (July 5, 2010). Music in Latin America and the Caribbean: an encyclopedic history. University of Texas Press. p. 262. ISBN 978-0-292-78840-4.
  7. Dale Olsen; Daniel Sheehy (December 17, 2007). The Garland Handbook of Latin American Music. Routledge. pp. 42–43. ISBN 978-1-135-90008-3.
  8. Jiahu (ca. 7000–5700 B.C.)
  9. "Brookhaven Lab Expert Helps Date Flute Thought to be Oldest Playable Musical Instrument" Archived February 10, 2021, at the Wayback Machine. Brookhaven National Laboratory.
  10. Howard L. Goodman (2010). Xun Xu and the Politics of Precision in Third-Century Ad China. BRILL. pp. 225–226. ISBN 978-90-04-18337-7.
  11. "Bansuri Bamboo Flute". Brindavan Gurukul. Archived from the original on July 28, 2010.
  12. Leifer, Lyon (2005). How to Play the Bansuri: A Manual for Self-Instruction Based on the Teaching of Devendra Murdeshwar. Rasa Music Co. ISBN 0-9766219-0-8.
  13. Hoiberg, Dale; Ramchandani, Indu (2000). Students' Britannica India. Mumbai: Popular Prakashan. p. 125. ISBN 0-85229-760-2.
  14. Chaturvedi, Mamta (2001). How to Play Flute & Shehnai. New Delhi: Diamond Pocket Books (P) Ltd. p. 7. ISBN 81-288-1476-1.
  15. Morse, Constance (1968). Music and Music-makers. New Hampshire: Ayer Publishing. p. 7. ISBN 0-8369-0724-8.
  16. Arvey, Verna (2007). Choreographic Music for the Dance. London: Read Country Books. p. 36. ISBN 978-1-4067-5847-4.
  17. Hopkin, Bart (1996). Musical Instrument Design: Practical Information for Instrument Making. See Sharp Press. p. 85. ISBN 978-1-884365-08-9.
  18. Bart Hopkin. "Scraper Flutes". Archived from the original on April 7, 2015. Retrieved April 29, 2015.
  19. Bart Hopkin (January 1, 1996). Musical Instrument Design: Practical Information for Instrument Making. See Sharp Press. p. 86. ISBN 978-1-884365-08-9.
  20. Adam Carse (2002). Musical Wind Instruments. Courier Corporation. pp. 1–2. ISBN 978-0-486-42422-4.
  21. Wilford, John N. (June 24, 2009). "Flutes Offer Clues to Stone-Age Music". Nature. 459 (7244): 248–52. Bibcode:2009Natur.459..248C. doi:10.1038/nature07995. PMID 19444215. S2CID 205216692.. Citation on p. 248.
  22. Higham, Thomas; Basell, Laura; Jacobi, Roger; Wood, Rachel; Ramsey, Christopher Bronk; Conard, Nicholas J. (2012). "Τesting models for the beginnings of the Aurignacian and the advent of figurative art and music: The radiocarbon chronology of Geißenklösterle". Journal of Human Evolution. 62 (6): 664–76. doi:10.1016/j.jhevol.2012.03.003. PMID 22575323.
  23. Baines, Anthony (1993). Brass instruments: their history and development. Dover Publications. p. 300. ISBN 0-486-27574-4.

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