Agaate Veeber

Agaate Veeber's first public exhibition was in 1926 at Tallinn's Harjumäe Park Pavilion. By the mid-1920s, she had largely abandoned painting and concentrated on graphic art: drawing, and printmaking in mezzotint, drypoint, aquatint, woodcutting, and monotyping.[4] In 1927, she accompanied her husband, painter Kuno Veeber, to Venice on a grant he received from the Estonian Cultural Endowment Fine Arts Foundation to copy works by the Old Masters.[5]

Veeber had a number of exhibitions throughout the 1930s in Estonia, as well as in Rome, Antwerp, and Budapest. Early graphic pieces from Veeber include portraits, monuments, and cityscapes (several drawings and prints of Tallinn's St. Nicholas' Church) in peaceful and meditative black and white tones. In 1939, she also began illustrating books, including an edition of early Baltic German writer Count Peter August Friedrich von Mannteuffel's 1838 Estonian language book Aiawite peergo walguse, and from 1940 until 1941, worked as an illustrator for several Tallinn newspapers.[6][7]

Following the Soviet occupation and annexation of Estonia in 1944 during World War II, Agaate Veeber fled as a war refugee, first to Vienna, where she completed courses at the Institute of Graphic Arts, Academy of Fine Arts Vienna on a scholarship in 1944. Afterwards, she lived in a number of displaced persons camps in Germany, including Geislingen DP Camp, from where she was able to immigrate to the United States, arriving in New York City in 1948. Following her arrival in the United States she often used and was credited by the name Agathe Veeber.[8][9]

Shortly after arriving in the United States, Veeber illustrated the first edition of Estonian author and fellow exile Henrik Visnapuu's 1948 novel Mare Balticum. The following year, she illustrated the published poetry compilation of Juhan Liiv's Valitud luuletused. Veeber's oeuvre while in exile in the U.S. became more stark; the black and white prints were often more rough and jarring than her prior work in Estonia and explored nature motifs, harbor cities and animals. In 1964 and 1965, she illustrated Henrik Vinsapuu's collection of two volumes of poems Kogutud luuletused I–II and in 1968, she illustrated exiled Estonian poet Marie Under's collection of poems Porkuni preili. Veeber also continued to exhibit throughout her life, with personal exhibitions at the Columbus Museum of Art (1960); the Estonian House in New York (1961, with Arno Vihalemm); the Peetri Church Hall of Toronto (1963, with Endel Kõks), and the Art Museum of Estonia at Kadriorg Palace (1984). Exhibitions of Veeber's work after her death have been held at the Art Museum of Estonia at the Adamson-Eric Museum (2002) and the Art Museum of Estonia at the Kumu (2018).[10] Veeber was a member of American Graphic Artists Association (SAGA).[11]

The Art Museum of Estonia currently holds more than 600 works of art by Agaate Veeber. Other institutions in possession of works by Veeber include the Metropolitan Museum of Art in New York, the Brooklyn Museum, The New York Public Library Print Collection, the Cincinnati Museum of Art, and the Albright–Knox Art Gallery in Buffalo.[12]