The Handmaiden

The Handmaiden (Korean: 아가씨; RR: Agassi; lit.'"Lady"') is a 2016 South Korean psychological thriller film directed by Park Chan-wook and starring Kim Min-hee, Kim Tae-ri, Ha Jung-woo and Cho Jin-woong. It is inspired by the 2002 novel Fingersmith by Welsh writer Sarah Waters, with the setting changed from Victorian era Britain to Korea under Japanese colonial rule.

The Handmaiden
Theatrical release poster
Hangul
Revised RomanizationAgassi
Directed byPark Chan-wook
Written by
  • Park Chan-wook
  • Chung Seo-kyung
Based onFingersmith
by Sarah Waters
Produced by
  • Park Chan-wook
  • Syd Lim
Starring
CinematographyChung Chung-hoon
Edited by
Music byJo Yeong-wook
Production
companies
  • Moho Film
  • Yong Film
Distributed byCJ Entertainment
Release dates
Running time
144 minutes[1]
CountrySouth Korea
Languages
  • Korean
  • Japanese
Budget
Box officeUS$38.6 million[3][4]

The Handmaiden was selected to compete for the Palme d'Or at the 2016 Cannes Film Festival. It was released in South Korea on 1 June 2016, to critical acclaim, and grossed over US$38 million worldwide. At the 71st British Academy Film Awards, the film won the category of Best Film Not in the English Language.

Plot

Part 1

In Japanese-occupied Korea, a con man operating under the sobriquet of "Count Fujiwara" plans to seduce a Japanese heiress named Lady Hideko, then marry her and commit her to an asylum to steal her inheritance. He hires a pickpocket named Sook-hee to become Hideko's maid and encourage Hideko to marry him.

Hideko lives with her Uncle Kouzuki, a Korean man who helped the Japanese take over his country in exchange for a gold mine. Kouzuki then uses this wealth to feed his obsession with rare books, selling forgeries to accumulate further money and books. Sook-hee's main job is to help Hideko prepare to read for Kouzuki's guests. Returning frustrated from a reading, Hideko demands Sook-hee sleep next to her. The two end up making love, under the pretext of preparing Hideko for her married life with the Count. Sook-hee begins expressing reluctance about the plan, but when Hideko herself suggests she loves someone other than the Count, Sook-hee insists on the marriage. Hideko slaps her and violently throws her out of the room.

When Kouzuki leaves on business for a week, Hideko and Fujiwara elope. After cashing out Hideko's inheritance, it is revealed that Hideko's naïveté was part of the con. She and Fujiwara double-crossed Sook-hee and convinced the asylum that she was the "Countess" to have her committed in Hideko's stead.

Part 2

A series of flashbacks show that Hideko's "reading practice" was Kouzuki teaching her to erotically read sadistic pornography erratically since she was five years old. The flashbacks show a regimen of psychological and physical abuse that gradually degrades the sanity of Hideko's aunt, who is eventually found hanging from a tree in the yard, and so Hideko takes over as the reader for the auctions. When Hideko questions the description of hanging in a book she has to read, Kouzuki tells her that he murdered her aunt using torture devices in the basement after she attempted to run away.

In the more recent past, the Count realizes seducing Hideko would be impossible and instead includes her in the plan to elope and then split her inheritance. When Hideko expresses her fear of her uncle, the Count bribes her with a vial of opium with which to commit suicide so that she can never be taken to the basement alive, calling it a "wedding present". Hideko demands the Count find her a girl to hire as a maid, to commit to an asylum in Hideko's place.

While being instructed by the Count, who takes advantage of Sook-hee's illiteracy, Hideko unexpectedly falls in love with her. Hideko tries to confess her love, but when Sook-hee insists the marriage go forward, Hideko throws her out of the bedroom and then tries to hang herself. Sook-hee saves her, and both admit to their plots. Hideko helps Sook-hee write a letter to her family to say she has teamed up with Hideko, asking for their help in carrying out a plot to get Hideko and Sook-hee away from the men who have been manipulating them. Hideko shows Sook-hee the books she was forced to read, and Sook-hee begins destroying the library. Hideko calls Sook-hee "her savior" and joins in destroying her uncle's collection.

Part 3

After leaving Sook-hee at the asylum, Fujiwara and Hideko eat together at a high-class hotel, where he tells her of his past and asks her to marry him again, this time as Sook-hee, as they have switched identities. He also reveals that Sook-hee will be dead within a few days, causing Hideko to question Fujiwara's desires. Sook-hee's friend Bok-soon sets a fire at the asylum and poses as a firefighter to rescue her. Hideko doses Fujiwara's wine with drops from the opium vial, causing him to pass out and allowing her to leave with her money. The women reunite and flee together, disguising Hideko as a man to avoid detection.

Kouzuki captures Fujiwara after receiving a letter from Hideko detailing Fujiwara's deception. He tortures Fujiwara in his cellar with his collection of antique bookmaking tools and presses him for sexual details about his niece. Fujiwara makes up a story about making love on their wedding night, while a flashback shows that he watched Hideko masturbate before cutting her hand with a knife to stain her sheets with blood, refusing to consummate the marriage. When Kouzuki presses for more details, Fujiwara convinces him to give him one of his cigarettes, after which he disgustedly refuses to give further details. Kouzuki notices the cigarettes are producing blue smoke, and Fujiwara reveals that his cigarettes are laced with mercury, and the toxic gas in the smoke kills them both.

On a ferry to Shanghai, China, Sook-hee and Hideko celebrate their newfound freedom by making love once again.

Cast

Production

In December 2014, it was reported that Kim Min-hee, Kim Tae-ri, Ha Jung-woo and Cho Jin-woong signed on for the film.[5] Kim Tae-ri was selected from 1,500 candidates to play the role.[6] Shooting for the film began in June 2015 and concluded in October 2015.[7][8]

The books The Dream of the Fisherman's Wife and Jin Ping Mei were featured in the film.[9]

Locations

The film was shot in both Japan and Korea. Kouzuki's mansion with combined elements of Japanese and British architecture was filmed in Kuwana in Mie prefecture in Japan, using the exterior of the Moroto Seiroku Mansion and CGI to augment exterior details.[10] Known as Rokkaen (Japanese: 六華苑), it was designed by British architect Josiah Conder and built in 1913.[11] The interior of the library and the staircase leading to Hideko's bedroom were built as interior sets. The cherry tree from which Hideko's aunt is found hanged was in the gardens of the hospital on Sorok Island in Jeolla, South Korea.

Release

In February 2016, CJ Entertainment announced that The Handmaiden was pre-sold to 116 countries, including to Amazon Studios for the US.[12] The film premiered in competition at the 2016 Cannes Film Festival, where it received a standing ovation, and Ryu Seong-hee won the Vulcan Award of the Technical Artist for her art direction work on the film.[13][14][15] The film was also screened in the Special Presentations section of the 2016 Toronto International Film Festival, where The Playlist named it as one of the 15 best films of the festival.[16] In South Korea, the film was released on 1 June 2016 and sold more than 4 million tickets.[17][18][19]

In the United States, the distribution of the film was handled by Amazon Studios and Magnolia Pictures. The film opened in limited release across five cinemas in New York City and Los Angeles,[20][21] and played in 140 additional cinemas in the following weeks.[22] Eventually, the film grossed more than US$2 million in the United States theatrically;[23] the film outgrossed Stoker and became the highest-grossing Park Chan-wook-directed film in the United States.[24] It was released on DVD in the US on 24 January 2017 and Blu-ray on March 28, 2017.[25][26]

In the United Kingdom, the distribution of the film was handled by Amazon Studios and Curzon Artificial Eye. The film grossed more than US$1.8 million in the United Kingdom theatrically, and became the highest-grossing foreign-language film in the UK in 2017.[27]

The original theatrical cut of the film runs 144 minutes. An extended cut, running 168 minutes, was later given a limited theatrical release in the UK and has also been released on home video in some international markets.[28]

Home media

In the United Kingdom, it was 2017's fifth best-selling foreign language film on home video, and the year's third best-selling Korean film (behind Operation Chromite and Train to Busan).[29]

Reception

Critical response

The Handmaiden received critical acclaim. On Rotten Tomatoes, the film has an approval rating of 96%, based on 225 reviews, and an average score of 8.3/10. The site's critical consensus reads, "The Handmaiden uses a Victorian crime novel as the loose inspiration for another visually sumptuous and absorbingly idiosyncratic outing from director Park Chan-wook."[30] On Metacritic, the film holds a weighted average score of 85 out of 100, based on 40 reviews, indicating "universal acclaim".[31] The Economist described the film as a masterpiece.[9] Benjamin Lee of The Guardian ranked it four out of five stars and described it as "a hugely entertaining thriller".[32]

The film's numerous sexually explicit scenes between the two main female characters were criticized by Laura Miller at Slate, who described the scenes as "disappointingly boilerplate" and featuring "visual clichés of pornographic lesbianism, [the actresses'] bodies offered up for the camera’s delectation."[33] However, The New Yorker's Jia Tolentino said that "the women know what they look like, it seems—they are consciously performing for each other—and Park is deft at extracting the particular sense of silly freedom that can be found in enacting a sexual cliché."[34]

Top ten lists

The Handmaiden was listed on numerous critics' top ten lists.[35]

In 2019, The Guardian ranked The Handmaiden 41st in its 100 best films of the 21st century list.[38] In 2020, The Guardian also ranked it number 1 among the classics of modern South Korean Cinema.[39]

Accolades

List of awards and nominations
Year Award Category Recipient(s) Result
2016 Alliance of Women Film Journalists[40][41] Best Non-English-Language Film Park Chan-wook Won
Austin Film Critics Association[42][43] Best Film The Handmaiden 4th Place
Best Director Park Chan-wook Nominated
Best Supporting Actress Kim Min-hee Nominated
Best Adapted Screenplay Park Chan-wook and Chung Seo-kyung Nominated
Best Cinematography Chung Chung-hoon Nominated
Best Foreign Language Film The Handmaiden Won
Blue Dragon Film Awards Best Film The Handmaiden Nominated
Best Director Park Chan-wook Nominated
Best Actress Kim Min-hee Won
Best New Actress Kim Tae-ri Won
Best Cinematography Chung Chung-hoon Nominated
Best Art Direction Ryu Seong-hee Won
Best Music Jo Yeong-wook Nominated
Technical Award Jo Sang-kyeong (costume design) Nominated
Boston Society of Film Critics[44] Best Cinematography Chung Chung-hoon Won
Best Foreign Language Film The Handmaiden Won
Buil Film Awards Best Film The Handmaiden Nominated
Best Director Park Chan-wook Nominated
Best Actress Kim Min-hee Nominated
Best New Actress Kim Tae-ri Won
Best Cinematography Chung Chung-hoon Nominated
Best Art Direction Ryu Seong-hee Won
Best Music Jo Yeong-wook Nominated
Buil Readers' Jury Award Park Chan-wook Won
Busan Film Critics Awards Best New Actress Kim Tae-ri Won
Cannes Film Festival Palme d'Or Park Chan-wook Nominated
Queer Palm Park Chan-wook Nominated
Vulcan Award Ryu Seong-hee Won
Chicago Film Critics Association[45] Best Film The Handmaiden Nominated
Best Director Park Chan-wook Nominated
Best Adapted Screenplay Park Chan-wook and Chung Seo-kyung Won
Best Cinematography Chung Chung-hoon Nominated
Best Foreign Language Film The Handmaiden Won
Best Art Direction The Handmaiden Won
Critics' Choice Awards[46] Best Foreign Language Film The Handmaiden Nominated
Dallas–Fort Worth Film Critics Association[47] Best Foreign Language Film The Handmaiden Won
Director's Cut Awards Best Actress Kim Min-hee Won
Best New Actress Kim Tae-ri Won
Florida Film Critics Circle[48] Best Foreign Language Film The Handmaiden Runner-up
Best Cinematography Chung Chung-hoon Runner-up
Korean Association of Film Critics Awards Top Ten Films of the Year The Handmaiden Won
Best Cinematography Chung Chung-hoon Won
IndieWire Critics Poll[49] Best Film The Handmaiden 7th Place
Best Director Park Chan-wook 5th Place
Best Original Score or Soundtrack The Handmaiden 8th Place
Best Cinematography The Handmaiden 4th Place
Best Editing The Handmaiden 8th Place
Los Angeles Film Critics Association[50] Best Production Design Ryu Seong-hee Won
Best Foreign Language Film The Handmaiden Won
Melbourne International Film Festival Most Popular Feature Film The Handmaiden Runner-up
New York Film Critics Online[51] Best Foreign Language Film The Handmaiden Won
San Diego Film Critics Society[52][53] Best Foreign Language Film The Handmaiden Nominated
San Francisco Film Critics Circle[54][55] Best Adapted Screenplay Park Chan-wook and Chung Seo-kyung Nominated
Best Foreign Language Film The Handmaiden Won
Best Production Design Ryu Seong-hee Won
St. Louis Gateway Film Critics Association[56] Best Production Design Ryu Seong-hee Won
Best Foreign Language Film The Handmaiden Runner-up
Toronto Film Critics Association[57] Best Foreign Language Film The Handmaiden Runner-up
Vancouver Film Critics Circle[58] Best Foreign Language Film The Handmaiden Nominated
Washington D.C. Area Film Critics Association[59] Best Foreign Language Film The Handmaiden Nominated
Women Film Critics Circle[60] Best Foreign Film by or about Women The Handmaiden Won
2017 Apolo Awards[61][62] Best Film The Handmaiden Nominated
Best Director Park Chan-wook Nominated
Best Adapted Screenplay Park Chan-wook, Chung Seo-kyung Nominated
Best Cinematography Chung Chung-hoon Nominated
Best Editing Kim Jae-bum, Kim Sang-bum Nominated
Best Production Design Ryu Seong-hie Won
Best Sound Jung Gun, Kim Suk-won Nominated
Best Song "The sound of you coming (임이 오는 소리)" (Gain and Minseo) Won
Best Ensemble Cast Ha Jung-woo, Kim Min-hee, Cho Jin-woong, Kim Tae-ri, Moon So-ri, Kim Hae-sook Nominated
Best New Actress Kim Tae-ri Won
Asian Film Awards[63][64] Best Supporting Actress Moon So-ri Won
Best Newcomer Kim Tae-ri Won
Best Screenplay Park Chan-wook and Chung Seo-kyung Nominated
Best Production Designer Ryu Seong-hee Won
Best Editor Kim Jae-bum and Kim Sang-bum Nominated
Best Costume Designer Jo Sang-kyeong Won
Baeksang Arts Awards[65][66] Grand Prize Park Chan-wook Won
Best Film The Handmaiden Nominated
Best Director Park Chan-wook Nominated
Best Actress Kim Min-hee Nominated
Best Supporting Actor Cho Jin-woong Nominated
Best New Actress Kim Tae-ri Nominated
Best Screenplay Park Chan-wook and Chung Seo-kyung Nominated
Chunsa Film Art Awards Best Director Park Chan-wook Nominated
Best Actress Kim Min-hee Nominated
Best New Actress Kim Tae-ri Nominated
Technical Award Ryu Sung Hee Nominated
Jung Jung Hoon Nominated
Dorian Awards[67] Director of the Year Park Chan-wook Nominated
Foreign Language Film of the Year The Handmaiden Won
LGBTQ Film of the Year The Handmaiden Nominated
Visually Striking Film of the Year The Handmaiden Nominated
Houston Film Critics Society[68][69] Best Picture The Handmaiden Nominated
Best Foreign Language Film The Handmaiden Won
National Board of Review[70] Top 5 Foreign Films The Handmaiden Won
National Society of Film Critics[71] Best Foreign Language Film The Handmaiden 2nd Place
Online Film Critics Society[72] Best Picture The Handmaiden Nominated
Best Foreign Language Film The Handmaiden Won
Satellite Awards[73] Best Foreign Language Film The Handmaiden Nominated
Saturn Awards[74] Best International Film The Handmaiden Won
Best Costume Design Jo Sang-kyeong Nominated
Seattle Film Critics Society[75][76] Best Picture of the Year The Handmaiden Nominated
Best Foreign Language Film The Handmaiden Nominated
Best Production Design Ryu Seong-hee Won
Best Costume Design Jo Sang-kyeong Won
2018 British Academy Film Awards[77] Best Film Not in the English Language Park Chan-wook and Syd Lim Won
Empire Awards[78][79] Best Thriller The Handmaiden Nominated
London Film Critics Circle Awards[80] Foreign Language Film of the Year The Handmaiden Nominated

See also

  • Fingersmith, BBC mini-series that is also based on the book of the same name

References

  1. Dargis, Manohla (20 October 2016). "Review: 'The Handmaiden' Explores Confinement in Rich, Erotic Textures". The New York Times. Retrieved 20 August 2021.
  2. "Box office / business for Ah-ga-ssi". IMDb.com. Retrieved 23 October 2016.
  3. "A Ga ssi (2016)". The Numbers. Retrieved 16 March 2020.
  4. "The Handmaiden (2016)". Box Office Mojo. Retrieved 16 March 2020.
  5. Kim, June (1 December 2014). "KIM Min-hee and KIM Tae-ri Confirmed for FINGERSMITH". Korean Film Biz Zone. Retrieved 16 May 2016.
  6. Jin, Eun-soo (3 May 2016). "The Handmaiden generates a buzz". Korea JoongAng Daily. Retrieved 10 May 2016.
  7. Kil, Sonia (June 21, 2015). "Oldboy Director Park Chan-wook Starts Lesbian Fingersmith Adaptation". Variety. Retrieved November 14, 2015.
  8. Giroux, Jesse (November 3, 2015). "First Look at Park Chan-wook's Fingersmith Adaptation The Handmaid". JoBlo.com. Retrieved November 14, 2015.
  9. K.S.C. (13 April 2017). ""The Handmaiden": a new masterpiece from Park Chan-wook". The Economist. Retrieved 17 April 2017.
  10. Shim Roth, Minhae (December 2017). "Constructing a Cinematic World: The Role of Architecture in Park Chan Wook's Feature Films, 1992-2016". University of Miami.
  11. "Film location of [The Handmaiden] Steals the heart of audience". Korean Film Biz Zone. Retrieved 2022-06-04.
  12. Noh, Jean (24 February 2016). "Park Chan-wook's Handmaiden pre-sells to 116 countries". Screen Daily. Retrieved 25 February 2016.
  13. "Park Chan-Wook Talks 'The Handmaiden', Homosexuality Onscreen and Korean Films' Specific Appeal (Q&A)". The Hollywood Reporter. 13 May 2016. Retrieved 14 September 2018.
  14. Min-kyung, Jung (May 15, 2016). "'The Handmaiden' receives standing ovation at Cannes". Herald Corporation. Retrieved March 14, 2017.
  15. "69th Festival de Cannes Awards". Festival de Cannes. May 22, 2016. Archived from the original on November 22, 2016. Retrieved March 14, 2017.
  16. "The 15 Best Films Of The 2016 Toronto International Film Festival". The Playlist. September 19, 2016. Retrieved March 14, 2017.
  17. "South Korea Box Office: Cannes Hit 'The Handmaiden' Tops 'X-Men: Apocalypse'". The Hollywood Reporter. Retrieved 14 September 2018.
  18. Hyo-won, Lee (19 May 2016). "Cannes: Competition Entry 'The Handmaiden' Best-Selling Korean Film of All Time". The Hollywood Reporter. Retrieved 3 January 2016.
  19. "Yearly BoxOffice [2016]". KOFIC. Retrieved March 14, 2017.
  20. Tom, Brueggemann (October 23, 2016). "Arthouse Audit: 'Moonlight' Soars to Near-Record Levels; 'The Handmaiden' Beats the Odds". Indiewire. Retrieved March 14, 2017.
  21. Brian, Brooks (October 23, 2016). "'Moonlight' & 'Michael Moore In TrumpLand' Top 2016 Theater Averages – Specialty B.O." Deadline. Retrieved March 14, 2017.
  22. Heewon, Kim (October 21, 2016). "Park Chan-wook's New Erotic Thriller, The Handmaiden, Opens in US Theaters". The Korea Daily. Retrieved March 14, 2017.
  23. "The Handmaiden (2016)". Box Office Mojo. Retrieved 26 December 2016.
  24. "Stoker (2013) – Box Office Mojo". Boxofficemojo.com. Retrieved 14 September 2018.
  25. Jason, Bailey (January 24, 2017). "The 5 Best Movies to Buy or Stream This Week: 'The Handmaiden,' 'The Man Who Fell to Earth'". Flavorwire. Retrieved March 14, 2017.
  26. "The Handmaiden (2016)". Dvdsreleasedates. Retrieved March 14, 2017.
  27. "UK box office 2017 verdict: a strong year despite US downturn". Retrieved 14 September 2018.
  28. "The Handmaiden Director's Cut nationwide cinema tour". Curzon Artificial Eye.
  29. Statistical Yearbook 2018 (PDF). United Kingdom: British Film Institute (BFI). 2018. pp. 97–8. Retrieved 25 April 2022.
  30. "The Handmaiden". Rotten Tomatoes. Retrieved 28 November 2022.
  31. "The Handmaiden". Metacritic. Retrieved 15 July 2023.
  32. Lee, Benjamin (2016-05-14). "The Handmaiden review – Park Chan-wook's lurid lesbian potboiler simmers with sexual tension". The Guardian. Retrieved 2018-11-16.
  33. Miller, Laura (20 October 2016). "The Handmaiden Park Chan-wook takes on Sarah Waters' brilliant, intricate novel Fingersmith". Slate. Retrieved 3 December 2017.
  34. Tolentino, Jia (2016-10-26). ""The Handmaiden" and the Freedom Women Find Only with One Another". Conde Nast. The New Yorker. Retrieved 3 December 2017.
  35. "Best of 2016: Film Critic Top Ten Lists". Metacritic.
  36. "The 2016 Village Voice Film Critics' Poll | the Village Voice". Archived from the original on 2017-02-05. Retrieved 2017-02-05.
  37. "DC Outlook's Top 10 Movies of 2016". Dcoutlook.com. Retrieved 14 September 2018.
  38. "The 100 best films of the 21st century". The Guardian. 13 September 2019. Retrieved 17 September 2019.
  39. Bradshaw, Peter (13 February 2020). "Classics of modern South Korean cinema – ranked!". The Guardian. Retrieved 16 March 2020.
  40. Merin, Jennifer (December 16, 2016). "2016 AWFJ EDA Award Nominees". Alliance of Women Film Journalists. Retrieved December 17, 2016.
  41. McCue, Michelle (December 16, 2016). "'Arrival', 'La La Land', 'Hell or High Water' Among The Nominees for the 2016 AWFJ EDA Awards". WeAreMovieGeeks.com. Retrieved December 17, 2016.
  42. Anderson, Erik (December 15, 2016). "Austin Film Critics Association (AFCA) Nominations: The Handmaiden Lands Top Mentions, Trevante Rhodes Double Nominated". AwardsWatch.com. Retrieved December 15, 2016.
  43. Miller, Neil (December 15, 2016). "2016 Austin Film Critics Awards Nominees, 'Moonlight' and 'Arrival' lead the way in AFCA's 2016 nominations". Medium.com. Archived from the original on June 22, 2017. Retrieved December 15, 2016.
  44. Shanley, Patrick (December 11, 2016). "'La La Land' Named Best Picture by Boston Society of Film Critics". The Hollywood Reporter. Retrieved December 11, 2016.
  45. "The 2016 Chicago Film Critics Association Award Nominees". Chicago Film Critics Association. December 11, 2016. Archived from the original on December 20, 2016. Retrieved December 12, 2016.
  46. "La La Land Leads with 12 Nominations for the 22nd Annual Critics' Choice Awards". Critics' Choice. December 1, 2016. Retrieved December 1, 2016.
  47. "DFW Film Critics Name 'Moonlight' Best Film of 2016". Dallas–Fort Worth Film Critics Association. December 13, 2016. Retrieved December 13, 2016.
  48. "'MOONLIGHT' LEADS 2016 FLORIDA FILM CRITICS AWARDS NOMINATIONS". Florida Film Critics Circle. December 21, 2016. Retrieved December 21, 2016.
  49. Greene, Steve (December 19, 2016). "2016 IndieWire Critics Poll: Full List of Results". IndieWire. Retrieved December 27, 2016.
  50. "42nd Annual Los Angeles Film Critics Association Awards 2016 Winners". Los Angeles Film Critics Association. December 4, 2016. Archived from the original on October 23, 2018. Retrieved December 5, 2016.
  51. "'Moonlight' Named Best Picture by New York Film Critics Online Association". The Hollywood Reporter. December 11, 2016. Retrieved December 11, 2016.
  52. "2016 San Diego Film Critics Society's Award Nominations". December 9, 2016. Retrieved December 9, 2016.
  53. "San Diego Film Critics Society's 2016 Award Winners". December 12, 2016. Retrieved December 12, 2016.
  54. Flores, Marshall (December 9, 2016). "San Francisco Film Critics Circle Nominations!". AwardsDaily.com. Retrieved December 10, 2016.
  55. Nordyke, Kimberly (December 12, 2016). "'Moonlight' Named Best Picture by San Francisco Film Critics Circle". The Hollywood Reporter. Retrieved December 12, 2016.
  56. "2016 StLFCA Annual Award Nominations". St. Louis Gateway Film Critics Association. December 12, 2016. Retrieved December 12, 2016.
  57. Vlessing, Etan (December 12, 2016). "'Moonlight' Named Best Film by Toronto Film Critics". The Hollywood Reporter. Retrieved December 12, 2016.
  58. "2017 Nominees Announced, 'Manchester by the Sea' Leads Vancouver Film Critics Circle International Nominations List with Six Nods". Vancouver Film Critics Circle. December 16, 2016. Retrieved December 16, 2016.
  59. "The 2016 WAFCA Awards Nominations". December 3, 2016. Retrieved December 4, 2016.
  60. "Women Film Critics Circle Nominations: "Hidden Figures," "13th," & More". Women And Hollywood. December 19, 2016. Retrieved December 15, 2016.
  61. "Las mejores películas de temática LGTB del 2016: ganadores de los II Premios Apolo de cine LGTB". dosmanzanas (in Spanish). Retrieved 2022-01-24.
  62. "Las mejores películas de temática LGTB del 2016: nominaciones a los II Premios Apolo de cine LGTB". dosmanzanas (in Spanish). Retrieved 2022-01-24.
  63. Frater, Patrick (11 January 2017). "'Handmaiden,' 'Bovary,' 'Train' Lead Asian Film Awards Nominations". Variety. Retrieved 2017-01-11.
  64. Chu, Karen (11 January 2017). "Asian Film Awards: South Korea's 'The Handmaiden' Leads With 6 Nominations". The Hollywood Reporter. Retrieved 2017-01-11.
  65. "공유·박보검·남궁민·한석규…백상예술대상 男TV연기상 4파전". Star.mk.co. 7 April 2017.
  66. "'Guardian,' 'The Handmaiden' win big at Baeksang Awards". Korea Herald. 4 May 2017.
  67. Kilday, Gregg (January 12, 2017). "'Moonlight' Leads Gay and Lesbian Entertainment Critics' Dorian Award Nominations". The Hollywood Reporter. Retrieved January 16, 2017.
  68. "Houston Film Critics Nominations for 2016 Films". MovieAwardsPlus.com. December 13, 2016. Archived from the original on 2016-12-20. Retrieved December 15, 2016.
  69. "Houston Film Critics Society Nominations – 'The Nice Guys' and Rebecca Hall Get a Deserved Boost". AwardsCircuit.com. December 13, 2016. Archived from the original on December 20, 2016. Retrieved December 15, 2016.
  70. "National Board of Review Announces 2016 Award Winners". National Board of Review. November 29, 2016. Retrieved November 29, 2016.
  71. "Awards for 2016". National Society of Film Critics. January 7, 2017. Retrieved January 7, 2017.
  72. "20th Annual Online Film Critics Society Awards Nominations". Online Film Critics Society. December 27, 2016. Retrieved December 27, 2016.
  73. Kilday, Gregg (November 29, 2016). "Satellite Awards Nominees Revealed". The Hollywood Reporter. Retrieved November 29, 2016.
  74. McNary, Dave (March 2, 2017). "Saturn Awards Nominations 2017: 'Rogue One,' 'Walking Dead' Lead". Variety. Retrieved March 3, 2017.
  75. "The 2016 Seattle Film Award Nominees". Seattle Film Critics Society. December 21, 2016. Retrieved December 21, 2016.
  76. ""Moonlight" Awarded Best Picture by Seattle Film Critics Society". Seattle Film Critics Society. January 5, 2017. Retrieved January 5, 2017.
  77. Ritman, Alex (January 8, 2018). "BAFTA Awards: 'Shape of Water,' 'Three Billboards,' 'Darkest Hour' Lead Pack of Nominations". The Hollywood Reporter. Retrieved January 8, 2018.
  78. Ruby, Jennifer (January 19, 2018). "Empire Film Awards 2018: The Last Jedi leads the pack with nine nominations including Best Actress for Daisy Ridley". London Evening Standard. Retrieved January 29, 2018.
  79. Ritman, Alex (January 22, 2018). "'Star Wars: The Last Jedi' Leads Nominations for U.K.'s Empire Awards". The Hollywood Reporter. Retrieved January 29, 2018.
  80. Ramos, Dino-Ray (January 28, 2018). "'Three Billboards' Wins Film Of The Year At London Critics' Circle Awards". Deadline. Retrieved January 28, 2018.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.