Aidan A. Kelly

Aidan Kelly was born on October 22, 1940, in Colon, Panama, the first of four children of Marie Cecile Kelly and John Patrick Kelly. Panama was his father's first assignment as a U.S. Army officer after graduating from West Point. John Patrick Kelly's military career took the family to assignments around the world. In 1955 they settled in Mill Valley, California, where Kelly graduated from Tamalpais High School in 1957.[1] Later Aidan would find out that, from the time of WWII until the 1990s, his father was working as a high-ranking military intelligence officer.[1]

Shortly after moving to Mill Valley, Kelly experienced what he described as a "spontaneous mystical experience," when a vision of the Goddess first appeared to him at the age of 15.[4] Although Kelly was raised as a Roman Catholic, his vision of the Goddess in Mill Valley triggered a lifelong interest in alternative religions.

After graduating from high school, Kelly studied at the University of California, Berkeley, then San Francisco State University (San Francisco State College at that time), where he received his bachelor's degree in 1964.[1]

After graduating from San Francisco State in 1964, Kelly worked as an editor for Stanford University Press. He returned to San Francisco State in 1966, where he completed a master's degree in creative writing in 1968. From then, until 1973, Kelly worked for publisher W. H. Freeman and Company. At the end of 1973, he left W. H. Freeman to begin working on a Ph.D. at the Graduate Theological Union (GTU) in Berkeley. He also started his own business as a consulting editor at this time.[1]

While working on his Ph.D. during 1974 and 1975, Kelly was able to study pages from an early Book of Shadows, purportedly typed by Gerald Gardner[5] as well as a manuscript titled “Ye Bok of ye Art Magical” from Gardner's former Museum of Witchcraft, then owned by Ripley's, now owned by the Wiccan Church of Canada. He hoped to use these materials to reconstruct a history of how Gardner founded modern Wicca. The resulting manuscript was used to satisfy his comprehensive examination topic in Sociology of Religion for his doctorate program at GTU.[1] Although Kelly wrote the manuscript under contract to Llewellyn Publications, it was declined by Llewellyn as "too difficult and scholarly." He offered the book to other publishers without success.[6]

In 1976, Kelly sought help from Alcoholics Anonymous. He withdrew from participation in the Neo-Pagan community in 1977 and became a practicing Roman Catholic from 1978 until 1987. However, as Kelly explained in a 2006 interview with Lisa Harris of Widdershins, he "never stopped being a witch; I just stopped practicing for a while."[4]

In 1978, Kelly self-published a memoir about the rise of modern American Paganism titled Hippie Commie Beatnik Witches: A History of the Craft in California, 1967-77. The academic scholar Chas S. Clifton has cited this book as an "invaluable source" for the sociological study of the History of Wicca, particularly insofar as it describes the innate differences between "the more established Anglo-American witches" who claimed lineage-descent from Gerald Gardner and the West Coast Pagans of the 1960s who were working in "the American tradition of self-creation."[7]

Kelly received a Ph.D. in Theology from GTU in 1980. For the next eight years, he taught at schools in the San Francisco Bay area, including the University of San Francisco and Holy Family College. He was active in scholarly professional societies, and from 1987 to 1990 co-chaired the steering committee for the American Academy of Religion's Group on New Religious Movements.[1]

Llewellyn published Kelly's previously rejected research in 1991 as Crafting the Art of Magic and republished it in a revised 2007 edition titled Inventing Witchcraft.

After moving to Seattle, Washington, in 1997, Kelly worked for several companies related to Microsoft. He accepted a teaching position for the Berkeley Learning Center in Lakewood, Washington, in 2001. In 2008, Kelly and his family moved to New Orleans, where he taught for ITT Technical Institute and continued to write.[1]

He moved to Tacoma, Washington, in 2011 with his family. He lives there currently and practices Witchcraft with his wife and close friends. His eldest son, Aidan O'Ryan-Kelly, born in 1990, lives in California and is also a professional practitioner of Witchcraft and folk-magic.

Inventing Witchcraft labels "the Craft" as a new religion, founded by Gerald Gardner "in 1947, give or take a year." (p. 33-34) This theory obviously conflicts with Gardner's own claim to have been initiated in 1939 into one of England's last surviving witch covens. Kelly's book identifies the initiation of Gardner as "the foundational myth" of Modern Witchcraft. (p. 35)

In support of his theory, Kelly explains that "the paper trail stops in 1946. We have no serious historical evidence for the existence of any Gardnerian coven before then." (p. 32)

Academic writers on religion have tended to treat Kelly's conclusions as factual and unbiased,[7] but not surprisingly, Inventing Witchcraft and the earlier edition of Kelly's work, Crafting the Art of Magic, became a source of controversy among Wiccans, especially in Gardnerian Wicca covens, who trace the origin of their traditions to Gerald Gardner. To accept Kelly's theory that Gardner "invented" a new religion, would mean giving up the belief that Gardnerian Wicca was the revival of an ancient faith previously held in secret by a few survivors. (p. 28)

Kelly's work was criticized for both its overall premise and specific details. Donald H. Frew complained that Crafting the Art of Magic contained errors in quoting source texts to support Kelly's theory.[8] Frew also objected to the accusation of homophobia (Inventing Witchcraft, p. 155) that Kelly felt was exhibited by Gardner's writings.

The "new religion" concept in Kelly's work was not entirely unwelcome in the Wiccan community. Other Neo-Pagan historians, such as Ronald Hutton, and Jacqueline Simpson, wrote supportive responses to Kelly's work, disputing some of the criticism.[9][10]