Aileen Pringle

Born into a prominent and wealthy San Francisco family and educated in Europe, Pringle began her acting career shortly after her 1916 marriage to Charles McKenzie Pringle, the son of a wealthy titled British Jamaican landowner and a member of the Privy and Legislative Councils of Jamaica.[2]

Many of Pringle's early roles were only modestly successful, and she continued to build her career until the early 1920s. One of Pringle's first high-profile roles was in the Rudolph Valentino film Stolen Moments (1920). She was selected by friend and romance novelist Elinor Glyn to star in the 1924 film adaptation of her novel Three Weeks with matinee idol Conrad Nagel.[3] The role catapulted Pringle into leading-lady status and her career began to build momentum.[4]

Aileen Pringle cover art from Picture-Play Magazine, 1926

Pringle's acting career continued throughout the early 1920s, however, she allegedly was disliked by many of her co-workers for her allegedly haughty and dismissive behavior. She was prone to make witty, sometimes caustic, comments on Hollywood and her fellow actors. During a romantic scene in Three Weeks, in which actor Conrad Nagel carried her in his arms to the bedroom, lip readers saw her say: "If you drop me, you bastard, I'll break your neck".[5] Pringle's apparent disdain for her profession began to hurt her career[6].and by the late 1920s her roles became fewer.

During the late silent and early period of talking pictures, Pringle co-starred in a series of light films with actor Lew Cody, including Adam and Evil (1927), Tea for Three (1927), Wickedness Preferred (1928), The Baby Cyclone (1928), Beau Broadway (1928), A Single Man (1929) and By Appointment Only (1933). Of Pringle's performance in Adam and Evil, Mourdant Hall in the August 9, 1927 edition of The New York Times wrote, “Evelyn Trevelyn, the Eve of this tale, is alluded to by Ralph Spence is (sic) one of the titles as a “spare rib.” She is impersonated by Aileen Pringle and therefore is an asset to the scenes.”

Pringle in 1952, photographed by Carl Van Vechten.

Although disliked by some Hollywood insiders, Aileen Pringle often was dubbed by the press as the "Darling of the Intelligentsia" because of her close friendship with such literary figures as Carl Van Vechten, Joseph Hergesheimer, Rupert Hughes, and H.L. Mencken who became a lifelong friend of the actress.[7] She brokered the meeting of Mencken and Valentino,[8] of which Mencken wrote an account, some weeks after Valentino had died. Mencken does not name her but describes her as "discreet as she is charming." Ralph Barton, American artist, was also a devoted friend and used her as the model for Dorothy in his illustrations for Gentlemen Prefer Blondes by Anita Loos.[9] Another admirer was George Gershwin who met her in Hollywood and wrote much of the Second Rhapsody at her Santa Monica, California, home.[10] Her wit, keen intellect and sparkling personality made her a sought-after companion.[7]

After her 1926 divorce from Charles Pringle, Aileen Pringle further focused on her acting career, including Dream of Love (1928) with Joan Crawford and Wall Street (1929) co-starring Ralph Ince, brother of Thomas Ince. However, with the advent of sound film, the studios heavily began promoting a new crop of starlets and Pringle's career faded.

During the sound era, she continued to take small parts in major films and even uncredited roles. In 1944 Pringle married the author James M. Cain, but the union lasted only two years and ended in divorce.[11] By the late 1940s, Pringle retired from the screen and lived a wealthy retirement in New York City, where she died in 1989 at the age of 94. [12]

For her contribution to the motion picture industry, Aileen Pringle was awarded a star on the Hollywood Walk of Fame at 6723 Hollywood Blvd. in Los Angeles, California.[13]