Al Staehely

After receiving his undergraduate degree from the University of Texas at Austin in 1967 and J.D. from the University of Texas School of Law in 1970, Staehely was admitted to the Texas bar before moving to Los Angeles. In 1971, he replaced John Arliss (who briefly succeeded Mark Andes) as bassist in the already-established Spirit, touring with drummer Ed Cassidy and keyboardist John Locke as a trio while guitarist Randy California convalesced from a horse accident. Shortly thereafter, California departed the group and was replaced by Staehley's brother, John Christian Staehely. Under the aegis of producer David Briggs (best known for his lifelong collaboration with Neil Young), the new quartet recorded Feedback (1972), which showcased the bassist as the band's lead vocalist and principal songwriter.

Two years later, he wrote ten songs for a Staehely Brothers album (Sta-Hay-Lee) also released on Epic Records. Later, Polydor released a solo album by Al Staehely. His songs have been recorded by Keith Moon, Bobbie Gentry, Patti Dahlstrom, Nick Gravenites, John Cipollina, Marty Balin, Peter Cox and Hodges, James & Smith.

In an interview, Staley said, "Law didn't lead me to music. Music delivered me to law. Like so many others, I played in bands while in high school (Austin, Texas), in university (The University of Texas) and in law school (The University of Texas School of Law). Unlike most others, I didn't practice law for almost ten years after graduating. I joined the group Spirit, wrote songs, recorded for Epic records and toured the world."[2]

His clients include musicians, record labels, music publishing companies, and distribution companies. He handles various matters related to recording, publishing, sub-publishing, and licensing both domestically and internationally.

Staehely has represented film production companies, optioned life-story rights, and cleared music rights for films including the Academy Award-nominated documentary For All Mankind. He also represents clients with respect to litigation in all matters related to the entertainment business, including copyright and trademark issues.

In addition to his practice, Staehely has taught music publishing and music business law at both the Art Institute of Houston and St. Thomas University, also in Houston. He has also served as adjunct professor at the University of Houston Law Center, teaching entertainment law.[3]

Staehely is also a member of The National Academy of Recording Arts and Sciences, the International Association of Entertainment Lawyers, and the entertainment and sports law section of the Texas Bar and the American Bar Association.

• Cadillac Cowboys – Al Staehely & The Explosives, 2013, SteadyBoy Records
• Rockpalast: West Coast Legends, Vol. 1 – John Cipollina/Nick Gravenites Band, 2009, Fresh Fruit
• Stahaley's Comet – Al Staehely, 1982, Polydor (originally released in Europe; re-released in the U.S. by SteadyBoy Records under the name "Al Staehely & 10K Hrs."[4])
• Monkey Medicine – Nick Gravenites-John Cipollina Band, 1982, Big Beat Records
• Sta.Hay.Lee – The Staehely Brothers, 1973, Epic Records
• Feedback – Spirit (band), 1972, Epic Records

• Music-lawyer.com
• alstaehely.com