Alag

Alag (English: Different) is a 2006 Indian Hindi-language science-fiction film directed by Ashu Trikha, starring Akshay Kapoor and Dia Mirza. The protagonist is a man with extraordinary supernatural powers and with no hair on his entire body.[2][3]

Alag
Theatrical release poster
Directed byAshu Trikha
Written byTagore Almeida
Sanjay Masoom
Ashu Trikha
Produced bySubi Samuel
StarringAkshay Kapoor
Dia Mirza
Music byAadesh Shrivastava
Production
company
Subi Samuel Movies Pvt. Ltd.
Release date
  • 16 June 2006 (2006-06-16)
Running time
123 minutes
CountryIndia
LanguageHindi
Budget8 crore[1]
Box office56 lakh[1]

Plot

Widower Hemant Rastogi lives in scenic Mahabaleshwar, seemingly alone. One night he has a heart attack and passes away. When the police search his residence, they find Tejas, Hemant's only son, in the basement of the house. Tejas has spent his entire life in the basement, since he was extremely sensitive to sunlight, according to the doctor's, when Tejas' father took him there because his eyes turned red. The Police ask Purva Rana, head of P.R. Institute (an institute for the rehabilitation of young criminals), to look after Tejas, whose only experience of other people up until this point has been with his father and the books he provided for him. Tejas starts showing signs of Telekinesis, and is shunned by the other boys in the institute, resulting in the near-fatal accident of a security guard and the death of a fellow student. Tejas redeems himself in the eyes of Purva's wealthy father, Pushkar, when he is able to wake his wife, Gayatri Rana, from a coma-like condition. It looks like Tejas has been accepted into the Rana household, but he is subsequently harassed by doctors and scientists wishing to perform experiments on him. When Tejas and Pushkar both refuse to be part of these experiments, Tejas is abducted and held in a glass chamber by Dr. Richard Dyer, who wants to control his mind for his own benefit. Purva realises that Tejas has been abducted, and is fatally injured by Dr. Dyer in a rescue attempt. At the sight of this, Tejas' anger causes his powers to surge, shattering the glass cage, killing Dr. Dyer and electrocuting Purva. Tejas tries to bring her back to life but is unsuccessful. He goes back to his basement home with her memories with the darkness of guilt.

Cast

Guest appearances

Following celebrities appeared in the song "Sabse Judaa Sabse Alag":

Music

  1. "Sabse Judaa Sabse" - Hemachandra, Kunal Ganjawala, Shaan, Gayatri Ganjawala
  2. "Apun Kee Toli Bindhast Boli" - Kailash Kher, Shaan
  3. "Leke Dil Lamha Tanhai Ka" - Kunal Ganjawala
  4. "Hai Junu The Dj Suketu Mix" (Arranged by AKS) - Vasundhara Das, Shaan
  5. "Hain Junun Jaga Abb Jine Kaa" - Shaan
  6. "Sanjh Kee Pighalti Dhup Me Makhamali" - Ujjaini Mukherjee, Anand Sharma, Krishna
  7. "The Soul Of Alag" - Ujjaini Mukherjee, Vedala Hemachandra

Reception

Raja Sen of Rediff gave the film 3 out of 5, writing "Overall, Alag is quite a stimulating watch. It is certainly a groundbreaking project in terms of theme, and is cleanly handled by director Ashu Trikha. Except for the awful and completely out of place -- song bits, that is. Why would our brilliant hero lie in bed and wistfully dream of a life with hair and Hrithik-esque dance steps?"[4]

Taran Adarsh of IndiaFM gave the film 1.5 out of 5, he praised Akshay Kapoor's performance writing "ALAG rests on Akshay Kapoor's firm shoulders and the actor handles the complex role with confidence. He succeeds in making you feel for the character and that's one big achievement. Besides, he imparts that certain freshness to the role since he comes in without the baggage of an image. Overall, a commendable job!" but criticized the film, writing "ALAG consistently avoids taking chances. The protagonist always does the right thing. No matter how unjustly he's treated, he never lashes out. It's only towards the end that he uses his superpowers, while fighting the deceitful scientist [Tom Alter]. Even the romance between Akshay and Dia is half baked. A few more delicate moments would've only helped in making the emotional climax even more compelling."[5]

References

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