Alexander Goldenweiser (composer)

Alexander Borisovich Goldenweiser (also spelled Goldenveyzer;[1] Russian: Алекса́ндр Бори́сович Гольденве́йзер; 10 March [O.S. 26 February] 1875  26 November 1961)[1][2] was a Russian and Soviet pianist, teacher and composer.

Goldenweiser was born in Kishinev, Bessarabia, Russia.[1] In 1889, he was admitted to the Moscow Conservatory in the class of Alexander Siloti (also Ziloti). He graduated from the Moscow Conservatory in 1895 in the piano class of Pavel Pabst (previously with A.I.Siloti), winning the Gold Medal for Piano, in 1897 – in the composition class of Mikhail Ippolitov-Ivanov. He also studied composition with Anton Arensky and counterpoint with Sergei Taneyev (1892–1893).

He joined the faculty of the Conservatory shortly afterward, where he worked as the dean, and during his tenure there, his pupils included Grigory Ginzburg, Lazar Berman, Samuil Feinberg, Rosa Tamarkina, Dmitry Kabalevsky, Galina Eguiazarova, Nikolai Kapustin, Alexander Braginsky, Sulamita Aronovsky, Tatiana Nikolayeva, Dmitry Paperno, Nodar Gabunia, Oxana Yablonskaya, Nelly Akopian-Tamarina, Dmitri Bashkirov, Dmitry Blagoy and many others.[3] See: List of music students by teacher: G to J#Alexander Goldenweiser.

Rachmaninoff's Second Suite, Op. 17, was dedicated to him as well as Medtner's Lyric Fragments, Op. 23.

He was a close friend of Leo Tolstoy.[4][5] He published memories of his relationship with Tolstoy in his book Vblizi Tolstogo.[6]

He made a number of renowned recordings as a pianist, including four recordings on piano roll for the Welte-Mignon reproducing piano in 1910.[7] He died in 1962, in Moscow Oblast.

Honours and awards

Selective discography

  • Piano Trio in E minor, Op. 31. Leonid Kogan, violin. Mstislav Rostropovich, cello. Composer, piano. Melodiya D-9123-4 (LP); released 1961[8]
  • Contrapuntal Sketches, Op. 12. Sonata Fantasia', Op. 37. 'Skazka, Op. 39. Jonathan Powell, piano. Toccata TOCC 044, CD, released 2009. The Contrapuntal Sketches were written in the 1930s. With this work Goldenweiser can perhaps stake claim as being the first Russian composer to write a set of polyphonic pieces in each of the major and minor keys, all of which appear on this recording.[9]
  • Russian Piano School, Vol 1: Alexander Goldenweiser. Music by Tchaikovsky, Arensky, Borodin, Rachmaninoff (also with G. Ginsburg), Medtner, Goldenweiser – original recordings 1946–1955 by Melodiya. NoNoise transfers distributed BMG 74321 25173 2

References

Notes

  1. Jaffé, Daniel (15 February 2022). Historical Dictionary of Russian Music. Rowman & Littlefield. p. 180. ISBN 978-1-5381-3008-7.
  2. I.M. Yampol'sky "Alexander (Borisovich) Goldenweiser" in The New Grove Dictionary of Music and Musicians London: Macmillan, 1980
  3. "Archived item". Archived from the original on 2005-10-16. Retrieved 2008-03-12.
  4. Troyat, Henri. Tolstoy. New York: Grove Press, 2001, p. 606.
  5. Smith, Charles D, and Richard J. Howe. The Welte-Mignon: Its Music and Musicians. Vestal, N.Y: Published by Vestal Press for the Automatic Musical Instrument Collectors' Association, 1994, p. 375. ISBN 9781879511170
  6. Golʹdenveĭzer, Aleksandr B. Vblizi Tolstogo. Moskva: Gos. izd-vo khudozhestvennoĭ literatury, 1959.
  7. Smith, Charles D, and Richard J. Howe. The Welte-Mignon: Its Music and Musicians. Vestal, N.Y: Published by Vestal Press for the Automatic Musical Instrument Collectors' Association, 1994, p. 375. ISBN 9781879511170
  8. Bennett, Melodiya Catalogue, Greenwood Press, 1981
  9. "Alexander Goldenweiser: Piano Music, Volume One". Archived from the original on 2013-12-28. Retrieved 2009-02-02.
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