Alexander Grigoriev (artist)

Grigoriev was born on May 28, 1891, in the village of Petnury, Kozmodemyansk, to a family of rural intellectuals. His father was a teacher from a peasant background who, realizing the importance of education, enabled his son to continue his primary education in the provincial Kazan. At first, it was a teachers' seminary. From an early age, Alexander Grigoriev began to show great interest in visual arts. This was the period of the formation of the national fine arts. Art education was quite rare among Mari painters; Grigoriev was one of the first artists from Mari to receive a visual arts education.

Alexander, who discovered a great craving for painting, was attracted by art, and not a teacher's path. Therefore, he entered at the Kazan Art School (1910 - 1915), the major place of education and artistic culture of the Volga-Vyatka Territory. He studied under the guidance of his teachers, P.P. Benkov and the famous artist Nicolai Fechin. During this period, Alexander participated in a first exhibition in 1914.

Grigoriev received further art education at the Moscow School of Painting, Sculpture and Architecture (1915-1917). Over that time, the future artist studies in the workshops of famous artists including Ilya Mashkov, Konstantin Korovin, Abram Arkhipov and Vasily Meshkova. Strong ties will more than once unite the artist with his teachers: Grigoriev, later occupying leading positions in Moscow, will always be ready to help and support the old artistic intelligentsia.

In 1919, Grigoriev returned to Kozmodemyansk with his young wife, Muscovite Evgenia Baklanova. He immediately became an active workers of the region. As the head of the Volost department of public education, he contributed to the opening of a decorative art workshop. The first local art exhibition was organized and an art school was created.

Grigoriev believed his compatriots needed artistic enlightenment, and for this reason he planned to dedicate his life to art. He also wanted to open a small version of the Tretyakov Gallery in his hometown. Seeing the paintings of the Volga-Kama exhibition, Grigoriev decided to organize a museum in the city, which became the first museum to open in the Volga-Vyatka region in the post-revolutionary years.[2]

During his work in the Mari Territory, Grigoriev proved himself to be an excellent draftsman, a master of pencil portraits. This manifested itself in the portraits of people close to him and public figures ("Portrait of Father" - 1919, "Portrait of S. Loktev", "Portrait of Alafuzov" - 1920).

A.V. Grigoriev in 1926 with the members of AHRR

In 1922, Grigoriev was summoned to Moscow. The Soviet Union state was rebuilding the principles of new art, education and museums. Grigoriev worked in the Department for Museums and Protection of Art and Antiquity Monuments of the People's Commissariat for Education.

In the same year, Grigoriev, together with the chairman of the Itinerant Association and several other like-minded people, founded the Association of Artists of Revolutionary Russia (AARR), which had an important influence on art of the Soviet period. From 1923 to 1927, Grigoriev was elected as the chairman of the AHRR, which later influenced all Soviet art. In 1928, Grigoriev founded the Union of Soviet Artists and became the chairman until 1932.[3]

While living in the capital, Grigiriev acquired 50 paintings by famous artists, sculpture and porcelain for the Kozmodemyansk Museum. Grigoriev's close acquaintance with Nicolai Fechin contributed to the acquisition of his works. In 1923, during Fechin's departure to America, Alexander bought several works from him for the Kozmodemyansk Museum, and Fechin gave him sketches for the "Cheremis Wedding".[4]

In the beginning of 1930s, A. Grigoriev was Deputy Director of the Tretyakov Gallery, art editor of the State Publishing House Gosizdat and member of the USSR Union of Artists since 1932.

From 1934, Grigoriev lived with his family in the city of Tarusa, Kaluga. The same year, he was the Chairman of the All-Russian Union of Cooperative Associations of Fine Arts Works, which took over the organization of material and creative support of artists, the organization of creative business trips and exhibitions. Despite this function, in his autobiography, "From 1934 to 1938, artist, creative work is the main occupation". Grigoriev held an exhibition of his works in 1934 but during this period, his health began to deteriorate.[3]

At this time, the repression of the 1930s continued to gain momentum. At the beginning of 1937, many military leaders, scientists, and cultural figures were arrested. The threat also hung over the Union of Soviet Artists. One night in November 1937, Grigoriev was arrested and convicted of anti-Soviet activities. Grigoriev spent almost 9 years in the Karaganda labor camp, in one of the state farms of the NKVD. The label "enemy of the people" dramatically changed his life. The name of Grigoriev was removed from the Kozmodemyansk Museum and from books for decades, and even his face was removed from photographs that were published in the literature about the AHRR. Grigoriev knew many statesmen of the Soviet Union, including Marshal of the Soviet Union Kliment Voroshilov. Having come under reprisals, he wrote to Voroshilov to a request to review his case, but this did not bring any results.

After Grigoriev's his releaee in 1946, the label "enemy of the people" was not removed. Despite his family living in Moscow, he was still banned from the capital so he went to the Kaluga region, in Tarusa, where he lived for ten years and was forgotten by virtually everyone, except for a few of his friends and artists who tried to help because Grigoriev was in poverty.

In mid-1947, Grigoriev sent a letter to Liza Ancelovich, a woman he met in Karlag, saying he had settled in Tarusa, not far from Moscow. He wrote; "Friends, they say, helped to equip the workshop, provided everything necessary to be able to work again. I'm trying to start life over again ... It's simple: they took, tortured and released. Live, since you have already survived ..." Grigoriev said about himself: "The smoking room is alive - the flesh is weak, but the spirit is vigorous".[5]

For several years Grigoriev lived there, in a house that was dilapidated by the Germans, earning money by writing signs for snack bars and cafes.

The label "enemy of people" followed Grigoriev until the early 1950s. In one of the books about Ilya Y. Repin, instead of Grigoriev sitting next to Repin, a vase was imprinted. The artist was rehabilitated in 1954.

After the XX Congress of the Communist Party of the Soviet Union, those who survived Stalinism awaited rehabilitation, lifetime or posthumous; "By the decision of the Military Collegium of the Supreme Court of the USSR dated June 16, 1954, Grigoriev A.V. rehabilitated on the basis of a 1939 conviction" reads a certificate from the FSB of the Russian Federation.[6] Later, Grigoriev was reinstated in the ranks of the Communist Party.

After rehabilitation, Grigoriev was openly remembered as the chairman of the AHRR, and was invited to an expanded meeting of the USSR Academy of Arts. In 1956, Grigoriev was assigned a life-long pension of all-Union significance; in the same year he was elected a delegate to the 1st Congress of Soviet Artists.[3] Grigoriev was awarded the honorary title of Honored Art Worker of the Mari ASSR in August 1960.[7]

Alexander Grigoriev died on August 25, 1961, and was buried at the Novodevichy Cemetery in Moscow. His wife and friend Evgenia Grigoriev is also buried here. Grigoriev did not forget about his "Small Tretyakov Gallery", the fund of which was replenished with his help. This continued until 1961, the last year in the artist's life. Subsequently, the museum remained supported. Both the official bodies and artists handed over the work to him. On October 14, 1966, his name, taken away during the years of repression, was returned to the museum in Kozmodemyansk. A sculptural bust of Grigoriev was erected in his memory.

Today, the State Prize of the Republic of Mari El in the field of fine arts are named after Alexander Grigoriev. His works can be seen in the Tretyakov Gallery, the Russian Museum,[8] and in museums in Russia, Italy, France, Great Britain and other countries.