All Is Lost

The film begins with a flash-forward in which a man (Robert Redford) narrates a letter addressing people he will miss, as the camera pans across a lost shipping container.

In the Indian Ocean eight days earlier, the man wakes to find water flooding his boat. It has collided with a wayward shipping container, ripping a hole in the hull. The man uses a sea anchor to dislodge the container, then changes course to tilt the boat away from the hole. He patches the hole and uses a manual bilge pump to remove the water from the cabin. The boat's navigational and communications systems have been damaged by saltwater intrusion. The man tries to repair the marine radio and connects it to one of the boat's batteries. When he climbs the mast to repair an antenna lead, he sees an oncoming tropical storm.

When the storm arrives, the man runs before the wind. He intends to heave to, but as he crawls to the bow to hoist the storm jib, he is thrown overboard and only regains the deck after a desperate struggle. The boat capsizes and rights itself; during a second roll, which throws the man overboard again, the boat is dis-masted and most of the equipment is destroyed. After going below deck and being knocked out by colliding with a post, he regains consciousness to find the boat sinking, so he abandons ship in an inflatable life raft. When the storm has passed, he salvages whatever he can from his sinking boat and transfers it to the raft. Before the boat sinks, he tends to the gash on his forehead.

As the man learns to operate a sextant, he discovers he is being pulled towards a major shipping lane by ocean currents. He survives another storm but his supplies dwindle, and he learns too late that his drinking water has been contaminated with sea water. He improvises a solar still from his water container, a plastic bag, and an aluminum can, producing fresh water, and he snags a fish, but it is snapped up by a shark before he can reel it in.

The man is passed by two container ships, but he is unseen despite him using signaling flares. He drifts out of the shipping lane with no food or water. On the eighth day, he writes a letter, puts it in a jar, and throws it in the ocean as a message in a bottle. Later that night, he sees a light in the distance. He uses pages from his journal along with charts to create a signal fire. The fire grows out of control and consumes his raft. He falls into the water and allows himself to sink. Underwater, he sees the hull of a boat with a search light approaching his burning raft. He swims towards the surface to grasp an outstretched hand.

All Is Lost screened Out of Competition at the 2013 Cannes Film Festival on May 22.[19] The film was distributed theatrically by Lionsgate and Roadside Attractions jointly in the United States.[20] FilmNation Entertainment handled foreign sales. In February 2012, Universal Pictures purchased distribution for the UK, Australia, France, Italy, Spain, Belgium, Netherlands, South Korea, Russia and Scandinavia. Other deals were made with HGC in China, Square One Entertainment in Germany, Sun Distribution in Latin America, Paris Filmes in Brazil, Audio Visual Entertainment in Greece and Pony Canyon in Japan.[21] It began a limited release in the United States on October 18, 2013.

Film review aggregator Rotten Tomatoes reports that 94% of critics gave the film a positive review based on 238 reviews; the average rating is 8.00/10. The site's consensus states: "Anchored by another tremendous performance in a career full of them, All Is Lost offers a moving, eminently worthwhile testament to Robert Redford's ability to hold the screen."[22] On Metacritic the film has a score of 87 based on 45 reviews, considered to be "universal acclaim".[23]

After the screening of the film at the Cannes Film Festival, Redford received a standing ovation.[24] Writing for The Independent, Geoffrey Macnab says the film was "utterly compelling viewing".[25] Andrew Pulver, writing for The Guardian, says that "Redford delivers a tour de force performance: holding the screen effortlessly with no acting support whatsoever."[26] Justin Chang of Variety says of Redford's performance that he "holds the viewer's attention merely by wincing, scowling, troubleshooting and yelling the occasional expletive".[27] Robbie Collin of The Telegraph says, "The film's scope is limited, but as far as it goes, All Is Lost is very good indeed: a neat idea, very nimbly executed."[28]

In The Guardian, Peter Bradshaw raves: "Redford's near-mute performance as a mysterious old man of the sea adrift and utterly alone makes for a bold, gripping thriller." Spotting a possible metaphor, he observes: "... the entire drama works well as a parable of old age… the news of impending mortality pouring in through the windows like seawater" and concludes: "What a strikingly bold and thoughtful film."[29] Alan Scherstuhl of The Village Voice writes that the film is "a genuine nail-biter, scrupulously made and fully involving, elemental in its simplicity."[30] David Morgan of CBS News gives the film a positive review, stating, "Four decades ago Redford demonstrated a similar capacity for survival skills as the mountain man Jeremiah Johnson. Today, at age 77, without a supporting cast and performing virtually all of his water stunts himself, Redford proves he is still up to the task, shining in what is an extremely physical but also an intellectually demanding role."[31]

However, the film has been criticized in the sailing world for being unrealistic, in particular for the lack of certain safety equipment deemed standard for sailboats navigating the open ocean, such as an EPIRB, and other bad decisions made by the main character.[32][33][34] An exception to this criticism is English Yachting Monthly, in which Dick Durham claims: "Certainly the film is authentic and grippingly realistic."[35] Director Chandor himself, who says he went sailing with his parents when young and later a few times as an adult, stated in an interview with German sailing magazine Segeln that everything that happened in the film could have happened in reality. His only reservations were about the probability of crossing the Indian Ocean single-handed and the failure to evade the storm using modern technology and due attention.[36]

• Survival film, an article about the film genre, with a list of related films
• The Old Man and the Sea

• All Is Lost at IMDb
• All Is Lost at Box Office Mojo
• All Is Lost at Rotten Tomatoes
• All Is Lost at Metacritic
• All Is Lost at AllMovie