Alternative comedy

Alternative comedy is a term coined in the 1980s for a style of comedy[1][2] that makes a conscious break with the mainstream comedic style of an era.[3] The phrase has had different connotations in different contexts: in the UK, it was used to describe content that was an "alternative" to the mainstream stand-up of the day which took place in working men's clubs, and was characterised by unoriginal gags often containing elements of sexism and racism.[4] In other contexts, it is the nature of the form that is "alternative", avoiding reliance on a standardised structure of a sequence of jokes with punch lines.[5] Patton Oswalt has defined it as "comedy where the audience has no pre-set expectations about the crowd, and vice versa. In comedy clubs, there tends to be a certain vibe—alternative comedy explores different types of material."[6]

In an interview with The A.V. Club after his performance in the 2011 comedy-drama film Young Adult, Oswalt stated:

I had come up out of that whole alternative scene, which was all about, "Don’t try it, man. Just go up and wing it." I think a lot of that comes from insecurity. It's that fashion of improv and amateurism that comes from the insecurity of saying to the audience, "Well, it doesn't matter if it doesn't go well, because I didn’t even try that hard to begin with." It's like, "Oh, that's why you're not [trying]. If you actually tried hard and it sucked, then you've got to blame yourself." So that's what makes it hard for some people to sit down and actually just do the fucking work, because doing the work means you're making a commitment.[7]

United Kingdom

Alternative comedy had a number of influences. It was a reaction against the mainstream stand-up of the day which took place in working men's clubs, and was characterised by unoriginal gags often containing elements of sexism and racism. Positive influences include American 'sick' comedians of the 1950s and 1960s, like Mort Sahl and Lenny Bruce; the punk scene of the late 1970s; poets like John Cooper Clarke; and less conventional earlier comedians like Billy Connolly and John Dowie.[8]

Comedy Store

The beginning of alternative comedy is commonly associated with the opening of the Comedy Store club in London on 19 May 1979, initially a weekly gong show-style comedy night in a room above a strip club in Soho. The official history of the club credits comedian and author Tony Allen[4] with coining the term. However, in his autobiography, the late Malcolm Hardee claims to have coined the term in 1978.[9]

Alternative comedy came to describe an approach to stand-up comedy that was neither racist nor sexist, defining itself against more traditional comedians playing the Northern working men's clubs who often relied on jokes targeting women and minorities in a form of comedy "civil war".[10][11] (This divide was not absolute, with some performers from that circuit performing at the Comedy Store from its opening in May 1979.)[12] What developed from these clashes was, in Arthur Smith's words, "comedy's version of punk".[13]

Alexei Sayle, the Comedy Store's first MC, provided angry character comedy satirising the left. Arnold Brown, an older stand-up comic noted for his quick-witted, observational style, was revered by several alternative comedians, and would become a regular fixture at The Comedy Store. Fellow MC Tony Allen broke the taboos of personal and sexual politics, while Keith Allen confronted audiences in a fearless series of "put-ons" and was a big influence on the early cabaret scene that was about to emerge.[14] As these newer comics grew in confidence, Tony Allen and Alexei Sayle founded Alternative Cabaret,[15] with other Comedy Store regulars. Their aim was to establish several alternative comedy clubs in London in addition to their flagship venue at the Elgin, Ladbroke Grove, from August 1979. Its core members were Jim Barclay, Andy De La Tour, and Pauline Melville, stand-ups who shared a background in radical fringe theatre.[16] The pair also brought alternative stand-up to the Edinburgh Festival for the first time in August 1980[17] with "Late Night Alternative" at the Heriot-Watt Theatre.[18] Returning with a full show in 1981, "Alternative Cabaret" was the critical comedy hit of that year.[11]

Alternative Cabaret

The Comedy Store now advertised itself as "The Home of Alternative Comedy"[19] in London's weekly Entertainment Guide, Time Out, listing "Alternative Cabaret" as its main show.[20] Their tours established the idea of running comedy shows in small venues around London, and sowed the seeds of the network of pub-based gigs that grew in the capital and across the UK throughout the 1980s.[10] The new comedy got its own section, "Cabaret", in Listings magazines, first in City Limits followed by Time Out on 21 January 1983.[21] Other organisations, comics, and entrepreneurs—including Maria Kempinska's Jongleurs and Roland and Clare Muldoon's CAST/New Variety—added more regular venues, bringing the number of gigs per week from 24 in 1983 to 69 by 1987.[22]

The Comic Strip
Main article: The Comic Strip

Meanwhile, another group of comics left the Comedy Store with Peter Richardson to form The Comic Strip and run their own "Comedy Cabaret" shows at the Boulevard Theatre, Walkers Court, Soho in October 1980.[23] The Comic Strip, featuring double acts and sketch comedy, consisted of Manchester University and Royal Central School graduates Ade Edmondson, Rik Mayall, Nigel Planer, Dawn French, and Jennifer Saunders, who began to aim their talents at television. As The Comic Strip Presents, the group made over 40 television films for both Channel 4 and BBC.

Ben Elton, who had by then become the Comedy Store's next MC, was invited by Rik Mayall to join him as co-writer of BBC2's TV hit sitcom The Young Ones. It was then as MC of Channel 4's new comedy show Saturday Live that Elton found fame as a performer in his own right. As author William Cook noted, "After The Young Ones made him Alternative Comedy's hidden voice, Saturday Live (Channel 4) made him its most visible face."[4]

Comic and broadcaster Arthur Smith observed that "If Tony Allen, 'The Godfather of Alternative Comedy', was the theory of anarchic comedy, then Malcolm Hardee was its cock-eyed embodiment".[11] Hardee was the much loved MC at the Tunnel Palladium, The Mitre, Deptford 1984-89 whose audience were famous for their vocal participation and wit. There he influenced the early careers of Vic Reeves and Bob Mortimer, Simon Day, Chris Lynam, Martin Soan, Harry Enfield, and many others to whom he gave their first gigs. He also found fame himself as part of The Greatest Show on Legs, which had been started by Martin Soan, his part in the legendary "Naked Balloon Dance" as well as his many shows and pranks at The Edinburgh Festival.[9]

Just about every major British stand-up comedian in the last thirty years started their career in alternative comedy clubs, including Ben Elton, Jo Brand, Jack Dee, Lee Evans, Eddie Izzard, Harry Hill, Peter Kay, Jimmy Carr, and Ross Noble.[24]

Contemporary alternative comedy in the United Kingdom

Alternative comedy has enjoyed a resurgence in the UK since about 2010, with Stewart Lee promoting the liberal, progressive values of the 1980s alternative comedy scene through his writing, live shows featuring veteran alternative comedians including Alexei Sayle and Norman Lovett, as well as a Comedy Central TV series showcasing a great variety of alternative acts, The Alternative Comedy Experience. Younger acts have banded together into groups dedicated to alternative comedy, including The Alternative Comedy Memorial Society and The Weirdos Collective.

United States

New York City

In New York City, much of what is called alternative or "downtown comedy"[25] is performed outside of traditional comedy clubs in theatres, such as Upright Citizens Brigade Theatre (UCB), Magnet Theater, The Creek and The Cave,[26] and the Peoples Improv Theater (PIT), as well as cabarets that host comedy only occasionally. The comedians at these shows offer character-based humour or surreal humour, as opposed to observations of everyday life or more polemical themes.[27] In addition, many alternative comics such as Demetri Martin and Slovin and Allen use unusual presentation styles, opting to play music, give PowerPoint presentations, or act out sketches.[25] Many alternative comics such as Sarah Silverman, Janeane Garofalo, and Todd Barry also perform in mainstream comedy venues. The now-defunct Luna Lounge in New York's Lower East Side was home to a celebrated weekly alternative comedy stand-up series called "Eating It" from 1995 to 2005, co-created by Garofalo, which featured a changing line-up including Louis CK, Jim Norton, Ted Alexandro, Todd Barry, H. Jon Benjamin, Greg Giraldo, Patrice O'Neal, Patton Oswalt, Sarah Vowell, Mike Birbiglia, Marc Maron, Dave Chappelle, Roseanne Barr, Sarah Silverman, Janeane Garofalo, and numerous others, until the property was sold and the building razed.

Eugene Mirman started a show called Invite Them up at Rififi, a bar in New York's East Village in 2002. The popular weekly show, co-hosted by Bobby Tisdale, never advertised or listed its performers. Comedians such as Demetri Martin, Aziz Ansari, Pete Holmes, Jon Glazer, Jon Daly, Reggie Watts and musicians such as Bright Eyes and Yo La Tengo all performed on Invite Them Up. The show spurred a host of other weekly events at Rififi hosted by Nick Kroll, John Mulaney, Greg Johnson, Larry Murphy and Jenny Slate. The venue was a hotbed of alternative comedy until complaints from neighbors about one of Rififi's dance parties, Trash, got the bar closed down in 2008.

Warren St. John said that the "inspiration" for alternative comedy in New York City is the Upright Citizens Brigade. The group originally formed at the Upright Citizens Brigade Theatre in Chelsea in 1999.[25] Four years later, in 2003, several performers at the UCB spun off their own theater, and formed the PIT. St. John also argues that one reason why unusual comics can succeed in New York City is that they don't have to tour part-time, as many of them also work as writers on local comedy television shows such as The Daily Show and the Late Show with David Letterman.[25]

Los Angeles

Patton Oswalt cited Dana Gould as the originator of the alternative comedy scene in the early nineties, who also cites Janeane Garofalo as another progenitor of the scene. Beth Lapides started the Un-Cabaret shows, which was the flagship of the alternative comedy movement.[28] Other contemporaries of the scene included Bob Odenkirk, David Cross, Greg Behrendt, Andy Kindler, and Kathy Griffin.[29]

Oswalt was essential in pioneering the alternative comedy on the West Coast. He created The Comedians of Comedy tour, which played across the US in independent music venues intermittently from 2004 to 2008. The original tour was hosted by Oswalt, and featured Maria Bamford, Zach Galifianakis, and Brian Posehn.

Canada

Canada has a history of embracing alternative stand-up and sketch comedy. The ALTdot COMedy Lounge has been running for more than 20 years at The Rivoli, where The Kids in the Hall also had a residency in the mid-1980s.[30] Other notable alternative comedy shows now defunct included Pirate Video Cabaret (ended 2003), Laugh Sabbath and The Second City Theater Toronto's Sketchy at Best. Other notable alt acts include Terry Clement, Sean Cullen, Jon Dore, Paul Irving, Chris Locke, Levi Macdougall, Ron Sparks and Harland Williams.

South Africa

While South African comedy often comprises racial or stereotype-based humour, alternative comedy in South Africa tends to avoid such subject matter. It is hard to define alternative comedy, but subject matter may include taboo, dark, non sequitur, geek, and various other topics, whilst excluding racial, scatological, stereotype, South Africanised humour and other topics considered mainstream. Although comedians of this genre may include mainstream topics, it does not form the majority of their sets.

It is hard to say exactly where it started, but The Underground in Melville Johannesburg was known for its risqué humour proliferated by founder John Vlismas. The Comedy Underground[31] was fertile development ground for alternative humour with its anything goes policy. Since its closure in 2010, alternative comedy has found new venues including Foxwood theatre, Picollinos, and various others. Johannesburg remains the home of South African alternative.

One of the driving forces behind the increasing prominence of alternative comedy is the Johannesburg Comedy Cartel,[32] whose members include Shaun Wewege,[33] Warren Robertson, Vittorio Leonardi, and Alyn Adams. Other South African comedians who fall into the genre include Dale Amler, Roni Modimola, Mark Banks, and Vlismas.[34]

Mel Miller is arguably considered one of the pioneers of the alternative genre in South Africa. During the Apartheid era, Miller's material was considered "inappropriate" or radical, resulting in more than one run-in and detention with the South African Bureau of State Security.

See also

References
  1. Thomas, David (5 March 1982). "Micro-epic of The Black Hole". The Times. p. v. At a time when "alternative comedy" is increasingly showing itself to be little other than a more aggressive version of the old comedy, the National Theatre of Brent are offering a style that is entirely original.
  2. Lisa Selin Davis (10 November 2003). "The Brooklyn Paper: SERIOUS FUN". The Brooklyn Paper. Retrieved 30 October 2009. Alternative comedy is nothing new. The term gained fame in 1980s Britain, when out-of-the-ordinary sitcoms like The Young Ones or Absolutely Fabulous popped up, and continued in America with unorthodox sketch comedy groups such as Manhattan's Upright Citizen's Brigade. But, according to [Andrea Rosen of the 'Pie Hole Comedy Show' in Brooklyn, New York], alternative comedy predates all of those acts. 'Mel Brooks was an alternative comic,' said Rosen, citing his famous 2000-Year-Old Man routine. 'So is Steve Martin.' And Rosen's influences also include old masters like filmmaker Woody Allen, who started his career as a standup. 'There's a whole world of alternative comedy rooms, in bars and basements.'
  3. Tunstall, Jeremy (1993). Television Producers. Routledge. p. 127. ISBN 0-415-09471-2. 'Alternative' comedy is inevitably difficult to define, not least because it tends, after an interval, to join the mainstream.
  4. Cook, William (2001). The Comedy Store. Little, Brown & Company. ISBN 0-316-85792-0.
  5. Double, Oliver (2014) [2005]. Getting the Joke: the inner workings of stand-up comedy (2nd ed.). New York: Bloomsbury Methuen Drama. p. 59. ISBN 978-1-4081-7460-9. Stylistically, American alternative comedy is, as one journalist wrote, 'hard to define and frequently in flux,' but like its UK equivalent, it tends to be loose, quirky, folksy, homemade, autobiographical, politically liberal and full of geeky pop culture references, with gags about comic books or cultish punk bands.
  6. "5 questions with Patton Oswalt". Panorama Magazine. 5 May 2008. Retrieved 24 November 2014.
  7. "Patton Oswalt on his most memorable roles and giving life advice to Dane Cook". The A.V. Club. Onion Inc. 9 November 2012. Archived from the original on 27 November 2012. Retrieved 22 November 2012.
  8. Double, Oliver (2020). Alternative Comedy: 1979 and the Reinvention of British Stand-Up. [S.l.]: METHUEN DRAMA. ISBN 1-350-05282-5. OCLC 1151188972.
  9. Hardee, Malcolm; Fleming, John (1996). I Stole Freddie Mercury's Birthday Cake. Fourth Estate. ISBN 0-09-188924-3.
  10. Double, Oliver (1997). Stand Up, On Being a Comedian. Methuen Drama. ISBN 0-413-70320-7.
  11. Connor, John (1990). Ten Years of Alternative Comedy. PAPERMAC. ISBN 0-333-54171-5.
  12. Bonello Rutter Giappone, Krista. The Punk Turn in Comedy: Masks of Anarchy. Springer International. p. 43. ISBN 9783319728414.
  13. Smith, Arthur (2009). My Name is Daphne Fairfax. Random House. p. 145. ISBN 978-0-09-951965-2.
  14. Smith, Arthur (2009). My Name is Daphne Fairfax. Random House. ISBN 978-0-09-951965-2.
  15. Calcott, Andrew (2006). The Rough Guide to British Cult Comedy. Penguin Books Ltd. ISBN 1-84353-618-8.
  16. Rosengard, Peter; Wilmot, Roger (1989). Didn't You Kill My Mother-in-Law?. Methuen Drama. ISBN 978-0-413-17390-4.
  17. Sayle, Alexi (3 August 2003). My Favourite Year. Sunday Independent.
  18. "Alexei Sayle - About Me". www.alexeisayle.me.
  19. "London Listings". Time Out: 60. 1 January 1981.
  20. "London Listings". Time Out: 81. 4 December 1981.
  21. "London Listings". Time Out: 69. 21 January 1983.
  22. "London Listings". Time Out. 21 January 1983.
  23. Johnson, David (1981-01-01). "Something Funny is Happening in Stripland". Over21, January issue, page 36, republished at Shapersofthe80s. London. Retrieved 2018-04-07.
  24. Double, Oliver (2005). Getting The Joke. Methuen. ISBN 0-413-77476-7.
  25. Warren St. John (January 29, 2006). "Alternative Comedy - New York Times". Nytimes.com. Retrieved 2008-11-07.
  26. "Behind Tacos, A Safe Haven for Comedy". nytimes.com. Retrieved June 28, 2014.
  27. St. John, Warren (January 29, 2006). "Seinfeld It Ain't". The New York Times. Retrieved 2009-10-30. Bars and back rooms in the East Village and Lower East Side are overflowing these days with the likes of Adolf Dice Hitler Clay: not spoofs of Nazis necessarily, but rather a wave of young and creative comics who are branching out from straight stand-up to eccentric sketch and character-based humor that owes more to Da Ali G Show than to George Carlin....Any attempt to define the term alternative comedy was doomed, [Andrés] du Bouchet said before his Tuesday night show, but he gave it a shot anyway. "Alternative is a catchall phrase for 'not stand-up,' " he said. Aziz Ansari, 22 and an up-and-coming comic on the scene, elaborated. "The alternative rooms give you an outlet to explore something other than straight stand-up," he said. "You can do characters. I can bring a girl on stage that I got rejected by and interview her, or do a PowerPoint presentation or show a short film. The nature of the venues allows you to experiment."
  28. "Dana Gould, Writer and Comedian". Archived from the original on 2013-12-06.
  29. Nerdist Podcast with Dana Gould
  30. Semley, John (3 October 2016). "How the Kids in the Hall pioneered an alt-comedy scene at The Rivoli". NOW Magazine.
  31. "The Comedy Underground is dead!".
  32. "Joburg.co.za - Events, Restaurants & Bars, Accommodation Guide". Joburg.
  33. Shaun Wewege Archived 2013-04-21 at archive.today
  34. "John Vlismas on the post-Fifa apocalypse, Sepp Blatter and Helen Zille - Daily Maverick". dailymaverick.co.za.
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