Amrit Manthan (film)

Amrit Manthan (English: Churning for nectar) is a 1934 Indian costume-drama film directed by V. Shantaram for his Prabhat Film Company.[1] The film was produced simultaneously in Hindi and Marathi.[2] The film starred Chandra Mohan, Nalini Tarkhad, Shanta Apte, G. R. Mane, Varde and Kelkar. The film was based on Narayan Hari Apte's novel Bhagyashree.[3] The Hindi translation was done by Veer Mohammed Puri, who also wrote the lyrics for the film.

Amrit Manthan
Directed byV. Shantaram
Written byNarayan Hari Apte Veer Mohammed Puri
Produced byPrabhat Film Company
StarringChandra Mohan
Nalini Tarkhad
Shanta Apte
G. R. Mane
CinematographyKeshavrao Dhaiber
Music byKeshavrao Bhole
Production
company
Prabhat Film Company
Release date
1934
Running time
155 min
CountryIndia
LanguagesHindi and Marathi

The narrative in ''Amrit Manthan'' focuses on a reformist king who bans the sacrifice of animals and humans in his kingdom.[4]

The film was tremendously successful all over the country. It ran in one Bombay theatre for thirty weeks. Prabhat's distributor, Baburao Pai, coined the term "silver jubilee" when "Amrit Manthan" completed its twenty-fifth week: a first in the Indian film industry.[5][6]

Plot

The story is about a reformist king Kantivarma (Varde), who bans the sacrifice of animals and humans. This angers the fanatical Rajguru (Chandra Mohan), head priest of the Chandika cult. The cult meets secretly and the head priest orders the killing of the king. Yashodharma is chosen and though he hesitates, the priest orders him to do so. Yashodharma writes a note for his son before leaving that night, telling him of the deed planned by the Rajguru. After the King is killed, Yashodharma (Kulkarni) is betrayed by the Rajguru in court and is ordered to be killed. Yashodharma's two children, Madhavgupt (Mane) and Sumitra (Shanta Apte), are on the run, but Madhav is caught and the letter is found on him by one of Rajguru's men. Sumitra is taken prisoner and Rani Mohini (Nalin Tarkhud), who succeeds to the throne after her father's death is asked to have Madhav sacrificed in the temple by the Rajguru. There is a storm and Mohini and Madhav escape to the forest. Madhav later goes in search of his sister. Vishwasgupt (Kelkar), a trusted minister tells Mohini and the people of Avanti about Rajguru being the real killer. The temple is thronged by townspeople demanding justice and the Rajguru with his obsessive belief in sacrifices, offers himself to the goddess and cuts off his own head as a final sacrifice.

Cast

The cast included: [7]

Production

V. Shantaram having studied new techniques in film making in Germany, made use of them during the making of Amrit Manthan.[8][9] He kept the camera at a low angle with a circular track movement and made effective use of light and shade, particularly at the start of the film when the cult meets.[3] It was the first film to be produced at the Prabhat film company's new sound-proof studio and under the art direction of Fattelal, spectacular sets were put up.[2] Through the film, V. Shantaram used "reformist tradition in Hinduism" to revoke the practice of sacrifices at festivals and prayers.[10] V. Shantram, who had presented Durga Khote to films now introduced Chandra Mohan in his debut role as the High Priest in Amrit Manthan.[11] Chandra Mohan went on to be counted as one of the top actors of the Indian screen.

The film was the first to have a run of twenty-five weeks (silver jubilee) at a theatre.

Music

The music direction was by Keshavrao Bhole and lyrics were written by Veer Mohammed Puri. The first Hindi film ghazal "Kamsini Mein Dil Pe Gham Ka" was rendered in the film by Shanta Apte.

Songs
#TitleSingerMin
1 "Kamsini Main Dil Pe Gham" Shanta Apte 3.10
2 "Raat Aai Hai" Shanta Apte 3.06
3 "Dekho Dekho" Shanta Apte 3.26
4 "Taro Mori Bipta' Shanta Apte 2.50
5 "Arzoo-E-Dil Aayaaan Karne Se" 2.53
6 "Andheri Ab Beeti Saadho Vipada Ki Raat" 0.43
7 "Jayati Jai Ambike" 1.10
8 "Sakhi Ri Shyam" Vasant Desai 3.07
9 "Soinri Pyash Bhagi" 3.19
10 "Aurat Ka Dukh Haro Devi Durga" 1.35
11 "Abla Hai Buri Bala" 1.15
12 "Banwa Ki Chhavi" 1.42
13 "Jiya Mora Na Bisaare" 1.48

Reception

The film's strong political thrust provoked strong reactions among critics and viewers.

References
  1. CITWF. "Amrit Manthan 1934". citwf.com. Retrieved 20 August 2014.
  2. Banerjee, Srivastava (2013). Hundred Indian Feature Films: An Annotated Filmography. Routledge. ISBN 9781135841058. Retrieved 20 August 2014.
  3. Chandra, Balakrishnan, Pali, Vijay Kumar. "Amrit Manthan 1934". indiavideo.org. Retrieved 20 August 2014.{{cite web}}: CS1 maint: multiple names: authors list (link)
  4. Jasraj, Madhura Pandit (15 July 2015). V. Shantaram: The Man Who Changed Indian Cinema. India: Hay House, Inc. ISBN 978-93-84544-41-6.
  5. Jasraj, Madhura Pandit (15 July 2015). V. Shantaram: The Man Who Changed Indian Cinema. Hay House, Inc. ISBN 978-93-84544-41-6.
  6. "Films of Prabhat Film Company". prabhatfilm.com. Retrieved 25 January 2021.
  7. "India 1931–1940". moviemoviesite.com. Archived from the original on 23 October 2015. Retrieved 17 October 2015.
  8. "India 1931–1940". moviemoviesite.com. Archived from the original on 23 October 2015. Retrieved 17 October 2015.
  9. Ahuja, M. L. Eminent Indians: Film Personalities. India: Rupa Publications. ISBN 9788129133342. Retrieved 20 August 2014.
  10. Chowdhry, Prem (2000). Colonial India and the Making of Empire Cinema: Image, Ideology and Identity. UK: Manchester University Press. ISBN 9780719057922. Retrieved 20 August 2014.
  11. Lal, S. (2008). 50 Magnificent Indians of the 20Th Century. India: Jaico Publishing House. ISBN 9788179926987.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.