Angela Conner

In her early life as a sculptor, Conner assisted Barbara Hepworth.[5] She works in a wide range of materials including marble, steel, stone and perspex, with many of her sculptures incorporating water as an integral feature.[6] Conner's kinetic sculptures are concerned with utilizing "natural elements like water, sun, gravity or wind to create mobiles that entice viewers to stop and watch their gentle movement".[7] The movement of Conner's sculptures entirely depend on the natural forces they react with and not electricity. "If mankind were suddenly to die out, and if as a result there were no artificial power, the sculpture would still continue its pattern of opening and revealing, then closing and embracing"[8][9]

'Revelation' kinetic water sculpture by Angela Conner, at Chatsworth House

Unfortunately, despite claims that her sculptures would still continue to function sans human life, in reality electricity powers her sculptures and they are connected to a water utility rather than a spring or artesian well. In her long career, Conner has created many notable large scale kinetic sculptures which are entirely powered by natural forces. Conner's 129 ft water and wind sculpture 'Wave'[10] at Park West Dublin is possibly the tallest kinetic water and wind sculpture in Europe.

'Wave' 129ft wind and water sculpture by Angela Conner, at Park West in Dublin

Rising Universe (Shelley Fountain) in Horsham, West Sussex, a kinetic water sculpture by Angela Conner, since demolished

Conner is also well known for her enigmatic figurative work modeled from life, which "on an intimate and personal level probe the character behind the mask".[11] Conner has created posthumous portraits, but prefers to work from life, -"working from life is a form, perhaps, of an osmosis. It has to be done by instinct; its not something you can do intellectually."[11] Chatsworth House has a collection of 14 bronze busts located in the grounds, including portraits of Lucian Freud, the Eleventh Duke of Devonshire, Harold Macmillan, Roy Strong, HRH the Prince of Wales, Camilla Parker-Bowles and John Betjeman.[12] Conner was commissioned to sculpt from life Queen Elizabeth II by the Knights of the Garter to mark the Queen's 80th birthday.[13][14][15] Conner's statue of Laurence Olivier playing Hamlet was commissioned to celebrate the centenary of his birth and is located on the South Bank opposite the Royal National Theatre.

In 1982 Conner created a memorial fountain to honour those repatriated as a result of the Yalta Conference following World War II. These were Russian and Eastern European people who were forceably repatriated to the USSR, often facing torture and execution. The first memorial from 1982 was a tilting water sculpture made of Hopton Stone, located on the north side of Thurloe Square opposite the Vicitoria and Albert Museum. It was repeatedly damaged, so Connor raised funds for a second memorial, Twelve Responses to Tragedy which was dedicated in 1986. The monument stands in the Yalta Memorial Garden in South Kensington.[16][17]

She has work in a number of US public collections including the Jewish Museum, New York and the Carnegie Museum of Art in Pittsburgh. Her work Quartet, for Heinx Hall Plaza Pittsburg, uses the weight of water flowing to make the four stainless steel shapes move in a regular rhythm.[18]

Conner's 12 busts atop the Twelve Responses to Tragedy memorial.

• Kinetic Art Organisation[33] Award 1st Prize
• Allianz Business 2 Art Award for Wave sculpture in West Park, Dublin, Ireland[34]
• American Institute of Architects, Honor Award for Sculpture and Co-design of Plaza Garden, Heinz Hall Pittsburgh U.S.A. 1985
• British Council Award for Refurbishment to Town Centre
• Fellow of the Royal Society of Sculptors (FRSS)[4]
• 2013 Fellow of the Hereford College of Arts[1]
• Pratt Legends Award, New York 2016.[35]
• Shortlisted for 2018 Marsh Award for excellence in public fountains for 'Renaissance', Hatfield House, Hertfordshire. UK[36]

Conner is married to the photographer John Bulmer who often videos and photographs her sculptures. The couple live at Monnington on Wye, where they breed and train Morgan horses.[37][38][39][1]

• David Stirling
• Public Monuments and Sculpture Association