Anne Pasternak

Pasternak was born in Baltimore and received her undergraduate degree in Art History and Business Management from the University of Massachusetts, Amherst. She went on to take graduate courses at Hunter College but left without taking a degree.

Pasternak has been awarded honorary doctorates from Pratt Institute[1] and Hunter College[2]

Pasternak's career began with an internship turned directorship at the Stux Gallery in Boston in the 1980s. She then served as Curator at Real Art Ways, an arts nonprofit in Hartford, Connecticut. She curated public art projects with such now acclaimed artists as Mel Chin and Mark Dion as well as the groundbreaking exhibition "Hip Hop Nation".

• Ufficiale dell’Ordine della Stella d’Italia, 2018[6]
• Crains 50 Most Powerful Women in New York, 2019[7]

In 2020, in a letter to the public, Pasternak compared COVID-19 to slavery using A Ride for Liberty -- The Fugitive Slaves, a painting by a white artist, Eastman Johnson. She points to "how fitting these themes of resilience are for us now," which brought about much rage and confusion as she is a white woman who has never been a slave.[8] In 2015, Pasternak left Creative Time and replaced Arnold L. Lehman as the director of the Brooklyn Museum.[9] Pasternak's directorship at the Brooklyn Museum marks the first time a woman has kept a directing role in an encyclopedic New York museum.[5] As a former director of a public art organization, this new position represents a shift in her career from a broader public sphere into the architecture of a museum.[5] In October 2019, the museum has deaccessioned a Francis Bacon painting through a Sotheby's auction. During his lifetime, Bacon wrote the museum that “It was a throw-out and it depresses me […] that it has years later found its way onto the art market and I would prefer if it were not exhibited.”[10] At this time, the museum was still running on a multi-million dollar deficit.