Anthony Barnett (poet)

Barnett's volumes of poetry and short prose include collected Poems &,[1] collected Translations,[2] Lithos,[3] The Making of a Story,[4] Like Those of an Eerie Ruin,[5] Book Paradise: Spillikins (with drawings by Lucy Rose Cunningham).[6] Antonyms Anew: Barbs & Loves is a collection of critical essays.[7] He was the publisher of the first edition of J. H. Prynne’s collected Poems (1982), and edited Veronica Forrest-Thomson's Collected Poems and Translations (1990) and Collected Poems (2008). Barnett's work is represented in the anthologies A Various Art; Poets on Writing: Britain, 1970–1991; Other: British and Irish Poetry since 1970; Cambridge University Press Contexts in Literature Contemporary Poetry: Poets and Poetry Since 1990. His translations include Ryūnosuke Akutagawa, Anne-Marie Albiach, Roger Giroux, Pär Lagerkvist, Tarjei Vesaas, Andrea Zanzotto. In 2002 he was visiting scholar at the Center for International Programs, Meiji University, Tokyo. The lecture he gave there is published as InExperience and UnCommon Sense in Translation.[8] He co-edits and publishes the literary, music and arts journal Snow lit rev (from 2013).[9] His one-act play The Literature Director, lampooning the British Council and the English Arts Council, written in 2012, was posted online in 2023 at Fortnightly Review.

He has worked as a percussionist, notably with John Tchicai.[10] Barnett has written extensively on African-American violinists, in particular Stuff Smith: Desert Sands, Eddie South: Black Gypsy, Juice Wilson: Fallen from the Moon: Robert Edward Juice Wilson: His Life on Earth: A Dossier. He produces CDs on his AB Fable Violin Improvisation Studies label, and for other labels. He is the author of Listening for Henry Crowder: A Monograph on His Almost Lost Music (Allardyce Book, 2007), about the pianist consort of Nancy Cunard. UnNatural Music: John Lennon & Yoko Ono in Cambridge 1969 is his account of the circumstances surrounding their appearance at the Natural Music concert, which he produced.[11]

• Brinton, Ian (Autumn 2012). "'Gut Strong—Bone Strong', review of Poems & and Translations". Poetry Review. 102 (3).

• Riley, Peter (25 October 2012). "'The "Infinitely Expandable" Minimalism of Anthony Barnett', review of Poems & and Translations". The Fortnightly Review.

• Harris, Timothy (July–August 2013). "'Loosed and Lost in Tongues', review of Poems & and Translations". PN Review (212).

• Kalck, Xavier (2015). "'Who Am I to Say? How Little': Anthony Barnett's Citations followed on". In Lang, Abigail; Smith, D. N. (eds.). Modernist Legacies: Trends and Faultlines in British Poetry Today. Palgrave Macmillan. ISBN 978-1-137-48875-6.

• Herd, David (March–April 2016). "Declining National Culture: The Dislocated Poetics of A Various Art". PN Review (228).

• Clark, Caroline (November–December 2021). "Anthony Barnett at Eighty: There is a story to tell, a tell-tale". PN Review (262).

• Allardyce, Barnett, Publishers / AB Fable: http://www.abar.net
• UnNatural Music: http://www.abar.net/lennonono.pdf
• Listening for Henry Crowder: http://www.abar.net/crowder.htm
• Fallen from the Moon: http://www.abar.net/moon.pdf
• The Literature Director: https://fortnightlyreview.co.uk/2023/03/barnett-lit-director/