Antonio Botta

Antonio Botta was born in the Brazilian city of São Paulo. His first important premier came in 1926 with "Falucho", a one-act musical drama vignette, performed at the Porteño Theatre ("Teatro Porteño") in Buenos Aires by the Luis Arata company.[1] Further scripts quickly followed. Stage directors and theatre impresarios with whom he worked included his brother, Américo Botta, Luis César Amadori, Ivo Pelay, José González Castillo, Elías Alippi, Carlos Osorio and Antonio De Bassi. There were also musical collaborations with Antonio and Arturo de Bassi, Francisco Lomuto and Francisco Canaro.[1]

Several of Botta's film scripts were co-written with the Italian-born Argentinian Luis César Amadori who then went on to direct the resulting film himself. One relatively early result of that process was Puerto nuevo (film), a tango musical film drama film which had its first showings in a cinema in a Buenos Aires slum quarter ("Villa Miseria").[2] Three years later, in 1939, Botta himself tried his hand at directing, with his production of Bartolo tenía una flauta (loosely, "Bartolo had a flute"), starring Luis Sandrini.[3]

Antonio Botta also wrote a number of radio plays and several songs.[1]

He teamed up with the composer-musician Francisco Lomuto to write a number of works, such as the song "Si soy así" (loosely, "Yes, that's how I am"), a slinky tangoesque song of celebration addressed to all women, regardless of age or marital status.[4] The composition caught the spirit of the age: the well known tango performer Carlos Gardel made a recording. Another particularly successful collaboration by Botta and Lomuto, albeit with a very different spirit and them, as "La canción del deporte" (loosely, "The song of sports"). In 1947 Antonio Botta and Francisco undertook a successful tour of Spain together.[1]