Aroha Bridge

• Jessica Hansell as Kōwhai Hook, the motivated but also mildly delusional twin sister of Monty, of whom she forms half of the band "Hook Ups" with.[3][4]
• Rizván Tu'itahi as Monty Hook, the laid-back and talented twin brother of Kōwhai, of whom forms half of the band "Hook Ups" with.[3][4]
• Madeleine Sami as Mum Hook, the mother of Kōwhai and Monty and described as being "pakeha on the outside, wannabe Māori on the inside".[3] She is passionate about Te Reo, but is not fluent in the language, reflective of other amateurs in New Zealand.[4]
• Frankie Stevens as Manu Hook, the father of Kōwhai and Monty, described as the reverse of Mum Hook, in that he is Māori on the outside and wannabe Pākeha on the inside, suppressing his internalized racism.[3] Manu is a former military member and enjoys rugby, he additionally cannot stand his brother Noogy.[4]
• Scotty Cotter as Ira Hook, the twins' eccentric cousin who serves as their band's number one fan and as comic encouragement towards the twins' shenanigans.[4]

• Madeleine Sami as Angeline Hook, the twins' 10-year old cousin who is a successful international pop star. She serves as Kōwhai's nemesis.[3][4]
• Madeleine Sami as Aunty Winny, the twins' sporty aunt.[3][4]
• Oscar Kightley as Mayor TokoUso, the Samoan/Tongan mayor of Aroha Bridge and described as having a model minority complex.[5][4]
• Julian Dennison as Tapi, a street hustler who deals in dubious goods.[3][4]
• Matai Smith as Uncle Noogy, the twins' activist uncle and Polynesian Panther who exclusively speaks in the Māori language.[5][4]
• Rachel House as Whaea Bubbles, the twins' grandmother.[3] Hansell described as a "a Frankenstein of everybody’s whaea".[5]

Aroha Bridge addresses and amplifies contemporary social issues facing Pasifika New Zealanders and Pacific culture.[2] Alex Behan, writing in Stuff, commented that the show offers a "layered world addressing Aotearoa's cultural issues with a mix of insight, outrage and comedy".[9] The first episode of the second season discusses themes of generational resentment, cultural appropriation, and hypocrisy in politics.[10] The first episode of the third season touches on the Hollywood perception of the Pacific and the exploitation of Pacific culture for financial gain.[9] The second episode of the third season discusses the systemic barriers that Māori face in the education system in attaining proper education and scholarships.[9] In the fourth episode of the third season, the episode discusses the issue of loan sharking in low-income areas.[9] The third season often addresses the right to protest, reflecting the events at Ihumātao that were happening as the season aired.[9]

The portrayal of the series' characters is intended to spark a nuanced conversation on the social factors leading to their characterization, including Manu's internalized racism[3] and Uncle Noogy's radical activism. The series' humor was described by Hansell as being rooted in multiculturalism.[2] The portrayal of the characters in Aroha Bridge is meant to dispel stereotypes and dispel previous instances of superficial and reductive treatment of Māori and Pasifika with regards to their representations in media.[9][5] The development for the individual characters which series showcases was described as "mad developed" by Leonie Hayden in The Spinoff.[5]

The series' four Māori writers are credited for the series' nuanced approach towards contemporary issues facing the Māori community, with their lived experienced and "cultural truth" being reflected in the series.[9] Hansell cited her frustration with the "same archetypes tumble drying all the time", getting into storytelling to prioritize Māori and Pacific stories.[5] Hansell describes the show's mixture of animation and comedy masking a deeper subtext that would come out to viewers as they watch the show,[5][2] stressing that there needs to be recognition in New Zealand for the "counter-cultural freedom" that adult animation overseas is recognized for.[6] Comedy, as Hansell describes, is a way for her to cope with the politics and dysfunction that she sees in her daily life.[2]

Aroha Bridge has been featured in several film festivals including the SBS Short Film Festival,[1] ImagineNATIVE Film and Media Arts Festival,[12] and the Mother Tongue Film Festival.[13] In 2019, the series won "Best Web Series" in a field of 15 during the 2019 Los Angeles Film Awards.[14][1] The show was nominated during the 2020 NZ TV awards for the category of "Best Comedy/Comedy Entertainment Program",[15] but lost to Wellington Paranormal.[16]