Arturo Pérez-Reverte

Arturo Pérez-Reverte Gutiérrez (born 25 November 1951) is a Spanish novelist and journalist.[1] He worked as a war correspondent for RTVE for 21 years (1973–1994). His first novel, El húsar, set in the Napoleonic Wars, was released in 1986.

In this Spanish name, the first or paternal surname is Pérez-Reverte and the second or maternal family name is Gutiérrez.
The Most Excellent

Arturo Pérez-Reverte
Pérez-Reverte in 2016
Pérez-Reverte in 2016
BornArturo Pérez-Reverte Gutiérrez
(1951-11-25) 25 November 1951
Cartagena, Murcia, Spain
OccupationJournalist, novelist
LanguageSpanish
NationalitySpanish
GenreHistorical novel
Notable worksThe Adventures of Captain Alatriste
Seat T of the Real Academia Española
Assumed office
12 June 2003[lower-alpha 1]
Preceded byManuel Alvar
Website
www.perezreverte.com

He is well known outside Spain for his "Alatriste" series of novels, which have been translated into multiple languages. Since 2003 he has been a member of the Royal Spanish Academy.

Writing

Pérez-Reverte's novels are usually centered on one strongly defined character, and his plots move along swiftly, often featuring a narrator who is part of the story but apart from it. Most of his novels take place in Spain or around the Mediterranean. They often draw on numerous references to Spanish history, colonial past, art and culture, ancient treasures and the sea. The novels frequently deal with some of the major issues of modern Spain, such as drug trafficking or the relationship of religion and politics.

Often, Pérez-Reverte's novels have two plots running in parallel with little connection between them except for shared characters. For example, in The Club Dumas, the protagonist is searching the world for a lost book and keeps meeting people who parallel figures from Dumas's novels; in The Flanders Panel, a contemporary serial killer is juxtaposed with the mystery of a 500-year-old assassination.

In his often polemical newspaper columns and the main characters of his novels, Pérez-Reverte frequently expresses pessimism about human behaviour, shaped by his wartime experiences in such places as El Salvador, Croatia or Bosnia.[2] His views have also been shaped by his research for crime shows.

Throughout his career, and especially in its latter half, he has been noted for cultivating his trademark maverick, non-partisan and at times abrasive persona. This has occasionally been a source of conflict with other journalists and writers.[3] He originally refused to have his novels translated from the original Spanish to any language other than French. However, English translations were eventually published for some of his works, and most of his work is also available in Portuguese and Polish.

Pérez-Reverte was elected to seat T of the Real Academia Española on 23 January 2003; he took up his seat on 12 June the same year.[4]

Themes such as the hero's tiredness, adventure, friendship, the journey as danger, death as the last journey, and culture and memory as the only salvation that allows understanding reality, enduring pain and knowing the identity of the person and the world are frequent in his novels. The writer's view of existence in general is bleak. He hates Christian humanism and believes that pagan philosophy has a more accurate view of the world. Typical Revertian characters are the weary hero in hostile territory with a dark past and the femme fatal. Among the traits of the characters, the moral ambiguity stands out.[5]

In the articles he publishes every Sunday in XLSemanal magazine, he harshly criticizes postmodernity, political correctness, gender ideology, neoliberalism, neoconservatism, the critical pedagogy, the European Union,[6] the inclusive language[7] and the woke thought.[8] These articles were published in the following books: Patente de corso (1993-1998), Con ánimo de ofender (1998-2001), No me cogeréis vivo (2001-2005) and When we were honorable mercenaries (2005-2009). He regrets that society is conditioned by the "whim of minorities" and that Europe, "the moral reference of the West", copies the values of society in the United States, considered by him as "sick and hypocritical" .[9]

An active user on Twitter, he has already created numerous controversies.[10] In a controversial article he compared the European refugee crisis with the barbarian invasions that led to the fall of the Roman Empire.[11] However, he was awarded the "Premio Don Quijote" of journalism.[12]

In 1998 he published a very harsh article against global capitalism that prophesied the world 2007–2008 financial crisis. This article was very successful on the internet when the crisis happened in Spain.[13]

Awards and recognition
  • The Painter of Battles was the winner of the 2008 Premio Gregor von Rezzori award for foreign fiction translated into Italian.
  • In 2016 Pérez-Reverte was named as one of the 10 most important writers of the year by the Spanish national newspaper ABC, alongside novelists including Eduardo Mendoza and Andrés Pascual.[14][15]

Personal life
Sherry barrel signed by Pérez-Reverte

Pérez-Reverte started his journalistic career writing for the now-defunct newspaper Pueblo and then for Televisión Española (the Spanish state-owned television broadcaster), often as a war correspondent. Becoming weary of the internal affairs at TVE, he resigned as a journalist and decided to work full-time as a writer.

His teenage daughter Carlota was billed as a co-author of his first Alatriste novel.[16] He lives between La Navata (near Madrid) and his native Cartagena, from where he enjoys sailing solo in the Mediterranean. He is a friend of Javier Marías, who presented Pérez-Reverte with the title of Duke of Corso of the Kingdom of Redonda micro nation.

His nephew Arturo Juan Pérez-Reverte is a professional footballer playing for FC Cartagena.[17]

Perez-Reverte owns a library which has an estimated of 32,000 books.[18]

Controversies

Mexican novelist Verónica Murguía accused Arturo Pérez-Reverte of plagiarizing her work. On 10 November 1997 Murguía published a short story, titled "Historia de Sami", in the magazine El laberinto urbano. Months later, in March 1998, Pérez-Reverte published a story in El Semanal, with the title "Un chucho mejicano", bearing close similarities in narration, chronology, phrases, and in the anecdote. Pérez-Reverte's story was recently republished in a re-compilation for the text Perros e hijos de perra (Alfaguara), and Murguía noticed the plagiarism at that time. Murguía would not proceed with a legal case but asked for an apology and the removal of the story from his text. Meanwhile, Pérez-Reverte apologized and noted that the story he published he wrote exactly as it was told to him by writer Sealtiel Alatriste.[19]

Pérez-Reverte's script for the film Gitano in the late 1990s also brought another charge of plagiarism against him. In May 2011 the Audiencia Provincial of Madrid ordered Pérez-Reverte and Manuel Palacios, director and co-writer of Gitano, to pay 80,000 euros to filmmaker Antonio González-Vigil, who had sued them for alleged plagiarism of the film's script. Pérez-Reverte described this decision as "a clear ambush" and a "clear manoeuvre to extort money."[20] The ruling contradicted two previous criminal rulings, and one from a merchant judiciary which had all decided in favor of Pérez-Reverte and Palacios. In July 2013 the Audiencia Provincial of Madrid ordered Pérez-Reverte to pay 200,000 euros to González-Vigil for plagiarism.[19][21]

Bibliography

Captain Alatriste novels
  • El capitán Alatriste (1996; tr: Captain Alatriste, Plume 2005, ISBN 978-0452287112), presenting the character of a swordsman in the Spanish Golden Age.
  • Limpieza de sangre (1997; tr: Purity of Blood), about the "purity of blood" demanded from Conversos.
  • El sol de Breda (1998; tr: The Sun over Breda), about the war in the Spanish Netherlands – specifically, the Siege of Breda.
  • El oro del rey (2000; tr: The King's Gold), about the Spanish treasure fleet.
  • El caballero del jubón amarillo (2003; tr: The Cavalier in the Yellow Doublet). Alatriste clashes with king Philip IV of Spain.
  • Corsarios de Levante (2006; tr. Pirates of the Levant). Alatriste fights Barbary pirates across the Mediterranean.
  • El puente de los Asesinos (2011). Alatriste is involved in a conspiracy to kill the Doge of Venice.

Falcó novels
  • Falcó (2016)- Lorenzo Falcó is an intelligence operative working for the Nationalists during the Spanish Civil War, who embarks on a mission whose outcome may turn the tide of the war.
  • Eva (2017) -A new mission takes Falcó to Tangier, where he must prevent the departure of the Moscow gold shipment.
  • Sabotaje (2018)- Falcó travels to Paris for a new mission involving painter Pablo Picasso.

Other novels
Jaime de Astarloa in The Fencing Master
  • El húsar (1986). The story of a young Hussars officer during the Peninsular War
  • El maestro de esgrima (1988; tr: The Fencing Master, Mariner Books, 2004. ISBN 978-0156029834). A mysterious lady requests lessons from a fencing master.
  • La tabla de Flandes (1990; tr: The Flanders Panel). The mystery surrounding the relationship between a serial killer and a mysterious medieval Flemish painting.
  • El club Dumas or La sombra de Richelieu (1993; tr: The Club Dumas ISBN 978-0156032834). A cult of followers of the novels of Alexandre Dumas.
  • La sombra del águila (1993). Set during the Napoleonic invasion of Russia.
  • Territorio comanche (1994). A novelization of his experiences as a war reporter during the Yugoslav Wars.
  • La piel del tambor (1995; tr: The Seville Communion). A thriller involving hackers, the Vatican and the lost treasure of a privateer.
  • Un asunto de honor (1995). The story of an underaged prostitute.
  • La carta esférica (2000; tr: The Nautical Chart). The story of a retired sailor who longs for the sea.
  • La Reina del Sur (2002; tr: The Queen of the South ISBN 978-0452286542). The story of a Mexican woman who becomes the leader of a drug trafficking cartel in southern Spain.
  • Cabo Trafalgar (2004), about the battle of Trafalgar.
  • El pintor de batallas (2006; tr: The Painter of Battles). A retired war photographer confronts his past.
  • Un día de cólera (2007). 2 May 1808. The battle in Madrid against the French army for independence, hour to hour.
  • Ojos azules (2009). Spanish soldiers flee the Aztecs.
  • El Asedio (2010; tr The Siege by Frank Wynne). Set in 1811, during the siege of Cádiz.
  • El tango de la guardia vieja (2012; tr: What We Become). Romantic novel set across the world during the first half of the Twentieth Century.
  • El francotirador paciente (2013). A maverick graffiti artist constantly evades capture.
  • Hombres buenos (2015). About the Royal Spanish Academy and the Encyclopédie
  • Los perros duros no bailan (2018). Novel told from the point of view of a street dog.
  • Sidi (2019). About the Castilian knight El Cid.
  • Línea de fuego (2020). Nationalists and Republicans clash to capture a strategically important town in Catalonia during the Spanish Civil War.
  • El italiano (2021). An Italian Navy diver on a sabotage mission washes ashore in southern Spain during World War II.
  • Revolución (2022). A Spanish mining engineer is caught in the chaos brought by the start of the Mexican Revolution.
  • El problema final (2023).

Non-fiction
  • Obra breve (1995)
  • Patente de corso (1998). Collection of press columns.
  • Con ánimo de ofender (2001). Another collection of columns.
  • No me cogeréis vivo (2005)
  • Cuando éramos honrados mercenarios (2009)
  • Los barcos se pierden en tierra (2011)
  • Perros e hijos de perra (2014)
  • La guerra civil contada a los jóvenes (2015). Illustrated by Fernando Vicente.
  • Una historia de España (2019)

Films and television series based on novels by Pérez-Reverte

See also

Notes
  1. Elected on 23 January 2003

References
  1. Vicerrectorado de Innovación de la Universidad Complutense de Madrid. "Arturo Pérez Reverte". Universidad Complutense de Madrid (in Spanish). Retrieved 29 March 2018.
  2. Pérez-Reverte, Arturo (9 June 2007). "Fantasmas de los Balcanes". XL Semanal (in Spanish). Taller de Editores. Retrieved 4 August 2018.
  3. Perezagua, Irene (21 February 2011). "Pérez-Reverte arremete contra María Antonia Iglesias y Pilar Rahola: "Son joyas de la telemierda. Viven de la demagogia pseudofeminista imbécil"". Periodista Digital (in Spanish). Retrieved 4 August 2018.
  4. "Arturo Pérez-Reverte Gutiérrez". Real Academia Española (in Spanish). Retrieved 27 September 2015.
  5. "Las mujeres de Arturo Pérez-Reverte - Alexis Grohmann". 17 December 2019.
  6. "Arturo Pérez-Reverte: "La Europa para la que mi generación fue educada ha desaparecido, ha caído en manos de los funcionarios de Bruselas..." | Orbyt en ElMundo. | el Mundo en Orbyt".
  7. https://www .ondacero.es/noticias/television/opinion-arturo-perezreverte-lenguaje-inclusivo_20211008615fd5680304fd0001bdc4de.html
  8. https://www.xlsemanal.com/temas/arturo- perez-reverte
  9. "Déjenme morir tranquilo - XL Semanal". 24 April 2005.
  10. "Las polémicas más sonadas de Pérez-Reverte en Twitter". 3 January 2019.
  11. "Los godos del emperador Valente | Web oficial de Arturo Pérez-Reverte".
  12. "Arturo Pérez-Reverte recibe el Premio Don Quijote de Periodismo". Real Academia Española (in Spanish). Retrieved 14 April 2023.
  13. "Los amos del mundo (Arturo Pérez Reverte, 1998)". 12 August 2012.
  14. "Rioja news - 10 Best Writers". 28 December 2016.
  15. "ABC Spain, 27/12/2016". 27 December 2016.
  16. Irene (5 February 2008). "El capitán Alatriste; Arturo y Carlota Pérez-Reverte". Rincón del Vago (in Spanish). Retrieved 4 August 2018.
  17. Rodríguez, Ángel (27 September 2013). "El Alatriste de La Mancha". Marca (in Spanish). Unidad Editorial. Retrieved 29 May 2017.
  18. Arturo Pérez-Reverte: "Tengo 32.000 libros en casa. Mi biblioteca es mi Wikipedia" | EL PAÍS, retrieved 12 February 2023
  19. "Verónica Murguía atribuye el plagio de un texto a Pérez-Reverte". Vanguardia (in Spanish). Archived from the original on 31 March 2015. Retrieved 20 March 2015.
  20. EFE (6 May 2011). "El escritor Arturo Pérez-Reverte, condenado a pagar 80.000 euros por plagio" [Writer Arturo Pérez-Reverte ordered to pay 80,000 euros for plagiarism]. El País (in Spanish). Madrid: Prisa. Retrieved 22 October 2011.
  21. Gómez, Xabi (16 July 2013). "Arturo Pérez-Reverte paga más de 200.000 euros por el plagio de un guión" [Arturo Pérez-Reverte pays more than 200,000 euros for plagiarising a script]. El Correo (in Spanish). Bilbao: Vocento. Retrieved 4 August 2018.
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