BWV Anh.

BWV Anh., abbreviation of Bach-Werke-Verzeichnis Anhang (German for Bach works catalogue annex), is a list of lost, doubtful, and spurious compositions by, or once attributed to, Johann Sebastian Bach.

Title page of the 1805 edition of the Kyrie–Gloria Mass for double choir, BWV Anh. 167 – at that moment attributed to Johann Sebastian Bach.[1]
Lists of
Compositions by
Johann Sebastian Bach

History
See also: List of compositions by Johann Sebastian Bach § BWV, and Bach-Werke-Verzeichnis § History

First edition of the Bach-Werke-Verzeichnis (1950)

In 1950 the Bach-Werke-Verzeichnis was published, allocating a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 19th-century Bach-Gesellschaft (BG) edition for the collation (e.g. BG cantata number = BWV number of the cantata):[2]

  1. Kantaten (Cantatas), BWV 1–224
  2. Motetten (Motets), BWV 225–231
  3. Messen, Messensätze, Magnificat (Masses, Mass movements, Magnificat), BWV 232–243
  4. Passionen, Oratorien (Passions, Oratorios), BWV 244–249
  5. Vierstimmige Choräle (Four-part chorales), BWV 250–438
  6. Lieder, Arien, Quodlibet (Songs, Arias and Quodlibet), BWV 439–524
  7. Werke für Orgel (Works for organ), BWV 525–771
  8. Werke für Klavier (Keyboard compositions), BWV 772–994
  9. Werke für Laute (Lute compositions), BWV 995–1000
  10. Kammermusik (Chamber music), BWV 1001–1040
  11. Orchesterwerke (Works for orchestra), BWV 1041–1071, originally in two separate chapters: Concertos (BWV 1041–1065) and Overtures (BWV 1066–1071)
  12. Kanons (Canons), BWV 1072–1078
  13. Musikalisches Opfer, Kunst der Fuge (Musical Offering, Art of the Fugue), BWV 1079–1080

The Anhang of the BWV listed works that were not suitable for the main catalogue, in three sections:

Within each section of the Anhang the works are sorted by genre, following the same sequence of genres as the main catalogue.

Second edition of the Bach-Werke-Verzeichnis (1990 and 1998)

Schmieder published the BWV's second edition in 1990, with some modifications regarding authenticity discriminations, and more works added to the main catalogue and the Anhang. A strict numerical collation was abandoned to insert additions, or when for another reason compositions were regrouped. Authenticity discriminations, based on new research, could lead to such repositionings within the catalogue, e.g. "BWV Anh. II 114" became "BWV Anh. 114 / Anh. III 183→" indicating it was now considered a spurious work.[3]

In 1998 Alfred Dürr and Yoshitake Kobayashi published a small edition of the catalogue, based on the 1990 second edition. This edition, known as BWV2a, contained a few further updates and collation rearrangements.[4]

New additions (Nachträge) to BWV2/BWV2a included:

A few exceptions to the principle that compositions weren't renumbered were when a composition from the Anhang could be recovered and/or authenticated as Bach's, so that it deserved a place in the main catalogue, in which case it was given a number above 1080. So, for example, BWV Anh. 205 (BWV2) → BWV 1121 (BWV2a, where it is in section 7 as a work for organ).[5]

Other renumberings and additional numbers involved alternative or earlier versions of basically the same composition, which were indicated by adding a lower case letter to the BWV number. For example, BWV Anh. 198 was renumbered to BWV 149/1a (earlier abandoned version of the opening movement of Cantata BWV 149)

Slashes indicate movements: e.g. BWV 149/1 indicates the first movement of the Cantata BWV 149. Another example: the Agnus Dei of the Mass in B minor can be indicated as BWV 232/22 (22nd movement of the composition), or alternatively as BWV 232IV/4 (BWV 232, fourth movement of Part IV).

Bachs Notenbibliothek (1992)

Kirsten Beißwenger published Bachs Notenbibliothek (BNB) in 1992. As a compendium of works in Bach's musical library, it listed as well Bach's own compositions, as works by other composers of which Bach owned a copy. Several compositions of this latter group are listed in the BWV Anh. (mostly Anh. III). For example, the Kyrie–Gloria Mass for double choir, BWV Anh. 167, is listed as BNB I/An/3 in Beißwenger's catalogue.[6][7]

21st century

As of mid-2018 the Bach Digital website started to implement the new numbers of the next edition of the Bach-Werke-Verzeichnis. The editors of this third edition of the Bach-Werke-Verzeichnis (projected to be published in 2020) recognise that the BWV Anh. has become largely unworkable, calling for a new approach.[8]

List

Legend
Legend to the table
column content
01 BWV Bach-Werke-Verzeichnis (lit. 'Bach-works-catalogue'; BWV) numbers. Anhang (Annex; Anh.) numbers are indicated as follows:
  • preceded by I: in Anh. I (lost works) of BWV1 (1950 first edition of the BWV)
  • preceded by II: in Anh. II (doubtful works) of BWV1
  • preceded by III: in Anh. III (spurious works) of BWV1
  • preceded by N: new Anh. numbers in BWV2 (1990) and/or BWV2a (1998)
02 2a Section in which the composition appears in BWV2a:
  • Chapters of the main catalogue indicated by Arabic numerals (1-13)
  • Anh. sections indicated by Roman numerals (I–III)
  • Reconstructions published in the NBE indicated by "R"
03 Date Date associated with the completion of the listed version of the composition. Exact dates (e.g. for most cantatas) usually indicate the assumed date of first (public) performance. When the date is followed by an abbreviation in brackets (e.g. JSB for Johann Sebastian Bach) it indicates the date of that person's involvement with the composition as composer, scribe or publisher.
04 Name Name of the composition: if the composition is known by a German incipit, that German name is preceded by the composition type (e.g. cantata, chorale prelude, motet, ...)
05 Key Key of the composition
06 Scoring See scoring table below for the abbreviations used in this column
07 BG Bach Gesellschaft-Ausgabe (BG edition; BGA): numbers before the colon indicate the volume in that edition. After the colon an Arabic numeral indicates the page number where the score of the composition begins, while a Roman numeral indicates a description of the composition in the Vorwort (Preface) of the volume.[9]
08 NBE New Bach Edition (German: Neue Bach-Ausgabe, NBA): Roman numerals for the series, followed by a slash, and the volume number in Arabic numerals. A page number, after a colon, refers to the "Score" part of the volume. Without such page number, the composition is only described in the "Critical Commentary" part of the volume. The volumes group Bach's compositions by genre:[10]
  1. Cantatas (Vol. 1–34: church cantatas grouped by occasion; Vol. 35–40: secular cantatas; Vol. 41: Varia)
  2. Masses, Passions, Oratorios (12 volumes)
  3. Motets, Chorales, Lieder (4 volumes)
  4. Organ Works (11 volumes)
  5. Keyboard and Lute Works (14 volumes)
  6. Chamber Music (5 volumes)
  7. Orchestral Works (7 volumes)
  8. Canons, Musical Offering, Art of Fugue (3 volumes)
  9. Addenda (approximately 7 volumes)
09 Additional info may include:
  • "after" – indicating a model for the composition
  • "by" – indicating the composer of the composition (if different from Johann Sebastian Bach)
  • "in" – indicating the oldest known source for the composition
  • "pasticcio" – indicating a composition with parts of different origin
  • "see" – composition renumbered in a later edition of the BWV
  • "text" – by text author, or, in source

Provenance of standard texts and tunes, such as Lutheran hymns and their chorale melodies, Latin liturgical texts (e.g. Magnificat) and common tunes (e.g. Folia), are not usually indicated in this column. For an overview of such resources used by Bach, see individual composition articles, and overviews in, e.g., Chorale cantata (Bach)#Bach's chorale cantatas, List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections and List of organ compositions by Johann Sebastian Bach#Chorale Preludes.

10 BD Bach Digital Work page
Legend for abbreviations in "Scoring" column
Voices (see also SATB)
a A b B s S t T v V
alto (solo part) alto (choir part) bass (solo part) bass (choir part) soprano (solo part) soprano (choir part) tenor (solo part) tenor (choir part) voice (includes parts for unspecified voices or instruments as in some canons) vocal music for unspecified voice type
Winds and battery (bold = soloist)
Bas Bel Cnt Fl Hn Ob Oba Odc Tai Tbn Tdt Tmp Tr
bassoon (can be part of Bc, see below) bell(s) (musical bells) cornett, cornettino flute (traverso, flauto dolce, piccolo, flauto basso) natural horn, corno da caccia, corno da tirarsi, lituo oboe oboe d'amore oboe da caccia taille trombone tromba da tirarsi timpani tromba (natural trumpet, clarino trumpet)
Strings and keyboard (bold = soloist)
Bc Hc Kb Lu Lw Org Str Va Vc Vdg Vl Vne
basso continuo: Vdg, Hc, Vc, Bas, Org, Vne and/or Lu harpsichord keyboard (Hc, Lw, Org or clavichord) lute, theorbo Lautenwerck (lute-harpsichord) organ (/man. = manualiter, without pedals) strings: Vl I, Vl II and Va viola(s), viola d'amore, violetta violoncello, violoncello piccolo viola da gamba violin(s), violino piccolo violone, violone grosso
Background colours
Colour Meaning
green extant or clearly documented partial or complete manuscript (copy) by Bach and/or first edition under Bach's supervision
yellow extant or clearly documented manuscript (copy) or print edition, in whole or in part, by close relative, i.e. brother (J. Christoph), wife (A. M.), son (W. F. / C. P. E. / J. C. F. / J. Christian) or son-in-law (Altnickol)
orange-brown extant or clearly documented manuscript (copy) by close friend and/or pupil (Kellner, Krebs, Kirnberger, Walther, ...), or distant family member

Table
Compositions listed in the Anhang of BWV2a
BWV 2a Date Name Key Scoring BG NBE Additional info BD
Anh. I Fragments – lost works Up ↑
I 1 I 1725-07-15? Cantata Gesegnet ist die Zuversicht (Trinity VII) SATB 2Fl Str Bc by Telemann (TWV 1:617)?; text by Neumeister? 01308
I 2 I
see BWV 1137 01309
I 3 I
see BWV 1140 01310
I 4 I
see BWV 1139.1 01311
I 4a I
see BWV 1139.2 01312
I 5 I
see BWV 1147 01313
I 6 I
see BWV 1151 01314
I 7 I
see BWV 1153 01315
I 8 I
see BWV 1152 01316
I 9 I
see BWV 1156 01317
I 10 I
see BWV 1160 01318
I 11 I
see BWV 1157 01319
I 12 I
see BWV 1158 01320
I 13 I
see BWV 1161 01321
I 14 I
see BWV 1144 01322
I 15 I
see BWV 1148 01323
I 16 I 1735-11-09 Cantata Schließt die Gruft! ihr Trauerglocken (mourning of Hedwig of Merseburg) by Roemhildt;[11] text by Hoffmann, B.[12] 01324
I 17 I Cantata Mein Gott, nimm die gerechte Seele (funeral) SATB 2Oba Str Bas Bc I/33 01325
I 18 I
see BWV 1162 01326
I 19 I 1734-11-21 Secular cantata Thomana saß annoch betrübt (welcome to Johann August Ernesti as new rector of St. Thomas school) I/39 text by Landvoigt? 01327
I 20 I
see BWV 1155 01328
N 190 I 1729-04-18 Cantata Ich bin ein Pilgrim auf der Welt (Easter 2) b Bc ... I/33 by Bach, C. P. E.?; text by Picander 01501
N 191 I 1715-05-19 Cantata Leb ich oder leb ich nicht (Cantate) text by Franck, S. 01502
N 192 I
see BWV 1138.1 01503
N 193 I
see BWV 1141 01504
N 194 I
see BWV 1154 01505
N 195 I 1723-06-09 Secular cantata Murmelt nur, ihr heitern Bäche (celebration of Johann Florenz Rivinus) text in Acta Lipsiensium 1723, Vol. 5, pp. 515–619 01506
N 196 I
see BWV 1163 01507
N 197 I
see BWV 1150 01508
N 198 I
see BWV 149/1a 01509
N 199 I
see BWV 1135 01510
N 200 I c.1740 chorale setting "O Traurigkeit, o Herzeleid" (unused sketch for Orgelbüchlein) Organ IV/1: 46 after Z 1915;[13] in SBB P 283 01511
N 209 I
see BWV 1136 01520
N 210 I 1734-10-04 Cantata Wo sind meine Wunderwerke (leave-taking of Johann Matthias Gesner) text in 2° Poet. Germ. I, 6425: 4 Rara; /1 → BWV 193a/7, 193/3?[14][15] 01521
N 211 I
see BWV 1145 01522
N 212 I
see BWV 1146 01523
N 213 I Concerto F maj. Org by Telemann; arr. by Bach 01524
223 I 1717–1718? Cantata Meine Seele soll Gott loben B♭ maj. I/34 by Handel?[16] 00280
224 I 1732 Aria "Reißt euch los, bekränkte Sinnen" (fragment) S I/41 by Bach, C. P. E.?; in SBB P 491[17] 00281
Anh. II Works of doubtful authenticity Up ↑
53 II Aria "Schlage doch, gewünschte Stunde" (Funeral) E maj. a Bel Str Bc 122: 53 I/41 by Hoffmann, M.? 00068
142 II Cantata Uns ist ein Kind geboren (Christmas) A min. atbSATB 2Fl 2Ob Str Bc 30: 19 I/41 text by Neumeister (reworked) 00174
189 II Cantata Meine Seele rühmt und preist (German Magnificat, Visitation) B♭ maj. t Fl Ob Vl Bc 37: 213 I/41 by Hoffmann, M. 00229
217 II Cantata Gedenke, Herr, wie es uns gehet (Epiphany I) satbSATB Fl Str Bc 41: 207 I/41 by Altnickol? 00274
220 II Cantata Lobt ihn mit Herz und Munde (24 June: feast of John the Baptist) atbSATB Fl 2Ob Str Bc 41: 259 I/41 00277
221 II Cantata Wer sucht die Pracht, wer wünscht den Glanz tb 2Vl Bas Vc Org I/41 in SBB P 191: 83–113 00278
III 159 II
see BWV 1164 01470
II 25 II 1740–1742
(JSB)		 Kyrie–Gloria Mass C maj. SATB 2Tr 2Vl Org 111: XVI II/9 by Bach, J. L.? 01333
239 II 1738–1741
(JSB)		 Sanctus D min. SATB Str Bc 111: 89 II/9 after Caldara, Missa Providentiae/4[18][19] 00298
II 28 II Sanctus B♭ maj. SATB 2Ob 2Cor Str Bc 111: XVII II/9 01336
II 29 II c.1714–17 Kyrie–Gloria Mass (only cello part extant) C min. II/9 in BKraków St 547 01337
III 167 II 1738–1739 (JSB) Kyrie–Gloria Mass for two choirs G maj. 3SATB 3Ob Tai 2Vl 2Va 2Vne Bc Org II/9 by Bernhard, Krieger or Pohle?; in SBB P 659[1][20][21] 01478
II 30 II 1690s (Tor.)
c.1742 (JSB)		 Magnificat for double choir C maj. 2SATB 3Tr Tmp 2Vl 2Vla Bc 111: XV II/9 after Torri, Magnificat; Tr3, Tmp by Bach[22][23][24] 01338
246 II 1732-04-11 (JSB) Passion St Luke Passion ssatbSATB 2Fl 2Ob Tai Bas Str Bc 452 II/9: 65 → BWV 246/40a; in SBB P 1017[25] 00311
II 31 II chorale setting "Herr Gott, dich loben alle wir" SATB 2Tr 3Ob Str Bc in SBB P 101 01339
N 201 II chorale setting "Du Friedefürst, Herr Jesu Christ" SATB by Vetter, D.[26] 01512
N 202 II chorale setting "Gott hat das Evangelium" SATB by Vetter, D.[27] 01513
N 203 II chorale setting "Ich hebe meine Augen auf" SATB by Vetter, D.[28] 01514
N 204 II chorale setting "O Traurigkeit, o Herzeleid" SATB by Vetter, D.[29] 01515
II 32 II 1704 Sieben geistliche Oden und ein Gedicht No. 1 "Getrost mein Geist, wenn Wind und Wetter krachen" Voice Bc in Deutsche Übersetzungen und Gedichte[30] 01340
II 33 II 1704 Sieben geistliche Oden und ein Gedicht No. 2 "Mein Jesus, spare nicht" Voice Bc in Deutsche Übersetzungen und Gedichte[30] 01341
II 34 II 1704 Sieben geistliche Oden und ein Gedicht No. 3 "Kann ich mit einem Tone" Voice Bc in Deutsche Übersetzungen und Gedichte[30] 01342
II 35 II 1704 Sieben geistliche Oden und ein Gedicht No. 4 "Meine Seele lass die Flügel" Voice Bc in Deutsche Übersetzungen und Gedichte[30] 01343
II 36 II 1704 Sieben geistliche Oden und ein Gedicht No. 5 "Ich stimm' itzund ein Straff-Lied an" Voice Bc in Deutsche Übersetzungen und Gedichte[30] 01344
II 37 II 1704 Sieben geistliche Oden und ein Gedicht No. 6 "Der schwarze Flügel trüber Nacht" Voice Bc in Deutsche Übersetzungen und Gedichte[30] 01345
II 38 II 1704 Sieben geistliche Oden und ein Gedicht No. 7 "Das Finsterniß tritt ein" Voice Bc in Deutsche Übersetzungen und Gedichte[30] 01346
II 39 II 1704 Sieben geistliche Oden und ein Gedicht No. 8 "Ach was wollt ihr trüben Sinnen" Voice Bc in Deutsche Übersetzungen und Gedichte[30] 01347
II 40 II 1736 Song "Ich bin nun wie ich bin" Voice Kb in Singende Muse an der Pleiße[31][32][33] 01348
II 41 II 1736 Song "Dir zu Liebe, wertes Herze" Voice Kb in Singende Muse an der Pleiße[31][34][35] 01349
571 II c. 1704 Fantasia, a.k.a. Concerto G maj. Organ 38: 67 IV/11: 35 [36][37] 00651
580 II Fugue D maj. Organ 38: 215 [38] 00662
II 42 II Fugue F maj. Organ in SBB P 817: 1–3 01350
576 II Fugue G maj. Organ 38: 106 IV/11 [39] 00658
577 II Fugue G maj. Organ 38: 111 IV/11: 44 [40] 00659
581 II Fugue G maj. Organ IV/11 by Homilius?[41] 00663
131a II Fugue G min. Organ 38: 217 IV/11: 3 after BWV 131/5[42] 00161
534 II Prelude and Fugue F min. Organ 15: 104 IV/5: 130 by Bach, W. F.? 00608
536a II c.1760–1789? Prelude and Fugue A maj. Organ IV/6: 114 after BWV 536, 152/1; arr. by Scholz?[43] 00612
545b II 1708–1717 Prelude, Trio and Fugue B♭ maj. Organ IV/11: 6 after BWV 545a; ↔ 545, 1029/3[44][45] 00624
553 II Eight Short Preludes and Fugues No. 1 C maj. Organ 38: 23 IV/11 by Krebs, J. T. or J. L.?[46][47] 00633
554 II Eight Short Preludes and Fugues No. 2 D min. Organ 38: 27 IV/11 by Krebs, J. T. or J. L.?[46][47] 00634
555 II Eight Short Preludes and Fugues No. 3 E min. Organ 38: 30 IV/11 by Krebs, J. T. or J. L.?[46][47] 00635
556 II Eight Short Preludes and Fugues No. 4 F maj. Organ 38: 33 IV/11 by Krebs, J. T. or J. L.?[46][47] 00636
557 II Eight Short Preludes and Fugues No. 5 G maj. Organ 38: 36 IV/11 by Krebs, J. T. or J. L.?[46][47] 00637
558 II Eight Short Preludes and Fugues No. 6 G min. Organ 38: 39 IV/11 by Krebs, J. T. or J. L.?[46][47] 00638
559 II Eight Short Preludes and Fugues No. 7 A min. Organ 38: 42 IV/11 by Krebs, J. T. or J. L.?[46][47] 00639
560 II Eight Short Preludes and Fugues No. 8 B♭ maj. Organ 38: 45 IV/11 by Krebs, J. T. or J. L.?[46][47] 00640
561 II Fantasia and Fugue A min. Organ 38: 48 00641
568 II Prelude G maj. Organ 38: 85 IV/6: 51 00648
584 II Trio G min. Organ I/12: 23
IV/11		 after BWV 166/2[48] 00666
1027 /1a /2a /4a II Trio G maj. Organ IV/11 after BWV 1027/1–2 /4, 1039/1–2 /4; arr. by Kellner, J. P.?[49] 01209
591 II Kleines harmonisches Labyrinth Organ 38: 225 IV/11: 50 by Heinichen?[50][51] 00673
597 II Concerto for solo organ E♭ maj. Organ IV/11 after lost model? 00680
598 II Pedal-Exercitium (fragment) Organ 38: 210 by Bach, C. P. E.? 00681
676a II 1739–1789 chorale setting "Allein Gott in der Höh sei Ehr" (later variant) Organ 40: 208 IV/4: KB 48 after BWV 676 00792
683a II 1739–1789 chorale setting "Vater unser im Himmelreich" (later variant) Organ IV/4: KB 51 after BWV 683 00800
N 205 II
see BWV 1121 01516
II 48 II chorale setting "Allein Gott in der Höh sei Ehr" Organ by Walther (& Scholz?) 01356
II 49 II chorale setting "Ein feste Burg ist unser Gott" Organ by Walther? 01357
II 50 II chorale setting "Erhalt uns, Herr, hei deinem Wort" Organ 01358
II 51 II chorale setting "Erstanden ist der heilge Christ" Organ 01359
II 52 II chorale setting "Freu dich sehr, o meine Seele" Organ 01360
II 53 II chorale setting "Freu dich sehr, o meine Seele" Organ 01361
II 54 II chorale setting "Helft mir Gotts Güte preisen" Organ 01362
chorale setting "Von Gott will ich nicht lassen"
II 55 II 1714-1717
or earlier		 chorale setting "Herr Christ, der einig Gottes Sohn" Organ 01363
II 58 II chorale setting "Jesu, meine Freude" Organ 01366
II 59 II chorale setting "Jesu, meine Freude" Organ 01367
II 60 II chorale setting "Nun lob, mein Seel, den Herren" Organ by Walther? 01368
II 62a II chorale setting "Sei Lob und Ehr mit hohem Preis" Organ 01370
II 62b II chorale setting "Sei Lob und Ehr mit hohem Preis" Organ 01371
II 63 II chorale setting "Vom Himmel hoch" Organ 01372
II 64 II chorale setting "Vom Himmel hoch" Organ 01373
II 65 II chorale setting "Vom Himmel hoch" Organ 01374
II 66 II chorale setting "Wachet auf, ruft uns" Organ Tr by Krebs, J. L.? 01375
II 67 II chorale setting "Was Gott tut, das ist wohlgetan" Organ 01376
II 68 II chorale setting "Wer nur den lieben Gott läßt walten" Organ 01377
II 69 II chorale setting "Wir glauben all an einen Gott" Organ 01378
II 70 II chorale setting "Wir glauben all an einen Gott" Organ 01379
II 71 II
see BWV 1128 01725
II 72 II chorale setting "Christus der uns selig macht" (Canon) Organ 01381
II 74 II chorale setting "Schmücke dich, o liebe Seele" Organ 01383
II 75 II chorale setting "Herr Christ, der einig Gottes Sohn" Organ 01384
II 76 II chorale setting "Jesu, meine Freude" Organ 01385
II 77 II chorale setting "Herr Christ, der einig Gottes Sohn" Organ 01386
II 78 II chorale setting "Wenn wir in höchsten Nöten sein" Organ 01387
II 79 II chorale setting "Befiehl du deine Wege" Organ 01388
691a II 1720–1789 chorale setting "Wer nur den lieben Gott läßt walten" (variant) Organ 40: 151 after BWV 691 00809
705 II chorale setting "Durch Adams Fall ist ganz verderbt" (Kirnb. coll. No. 16) Organ 40: 23 IV/10: 47 after Z 7549 00825
708 II 1700–1789 chorale setting "Ich hab mein Sach Gott heimgestellt" (alio modo; Kirnb. coll. No. 19) Organ 40: 30 IV/10: 86 after Z 1679 00828
708a II 1700–1789 chorale setting "Ich hab mein Sach Gott heimgestellt" Organ 40: 152 IV/10: 86 after Z 1679 00829
716 II chorale setting "Allein Gott in der Höh sei Ehr" (Fantasia) Organ 40: 45 IV/10: 14 after Z 4457 00838
726 II bef. c.1727 chorale setting "Herr Jesu Christ, dich zu uns wend" Organ 40: 72 IV/3: 45 after Z 624 00849
743 II bef. c.1740 chorale setting "Ach, was ist doch unser Leben" Organ IV/10: 11 after Z 1208b; by Buttstett, J. H.? 00871
745 II 1700–1788 chorale setting "Aus der Tiefe rufe ich" Organ 40: 171 IV/10: 22 after Z 1217; by Bach, C. P. E.? 00873
749 II c.1700–1717 chorale setting "Herr Jesu Christ, dich zu uns wend" Organ IV/10: 80 after Z 624; by Bach, J. Christoph or Telemann? 00878
750 II c.1700–1703 chorale setting "Herr Jesu Christ, meins Lebens Licht" Organ IV/10: 81 00879
752 II c.1700–1717 chorale setting "Jesu, der du meine Seele" Organ after Z 6779a 00881
754 II bef. c.1740 chorale setting "Liebster Jesu, wir sind hier" Organ after Z 3498b 00883
755 II chorale setting "Nun freut euch, lieben Christen g'mein" Organ after Z 4429a 00884
756 II chorale setting "Nun ruhen alle Wälder" Organ after Z 2293b 00885
757 II chorale setting "O Herre Gott, dein göttlichs Wort" Organ after Z 5690 00886
758 II chorale setting "O Vater, allmächtiger Gott" Organ 40: 179 IV/11: 69 after Z 8603b 00887
762 II bef. c.1720 chorale setting "Vater unser im Himmelreich" Organ IV/10: 142 after Z 2561 00891
763 II chorale setting "Wie schön leucht uns der Morgenstern" Organ after Z 8359 00892
765 II bef. c.1717 chorale setting "Wir glauben all an einen Gott" Organ 40: 187 after Z 7971 00894
N 206 II chorale setting "Ach bleib mit deiner Gnade" Organ by Pachelbel (P 376)[52][53] 01517
chorale setting "Christus, der ist mein Leben"
II 80 II 1707–1708
or earlier		 Suite F maj. Keyboard V/12 01389
821 II Suite B♭ maj. Keyboard 42: 213 V/12: 3 [54] 00959
834 II Allemande C min. Keyboard 42: 259 V/12 [55] 00973
839 II 1735-03-07
or earlier		 Sarabande G min. Keyboard V/12 in Notenbuch der Zeumerin[56][57] 00978
844 II Toccatina No. 4 Scherzo D min. Keyboard 42: 220 V/12: 16 by Bach, W. F.? ↔ BWV 844a[58] 00983
844a II Scherzo E min. Keyboard 42: 281 V/12: 22 by Bach, W. F.? (BR A55); ↔ BWV 844[58] 00984
845 II Gigue F min. Keyboard 42: 263 V/12 [55] 00985
II 81 II Gigue (incomplete) D min. Keyboard V/12 by Kellner, J. P.? 01390
II 82 II Ciacona B♭ maj. Keyboard V/12 by Bach, J. B.? 01391
II 83 II Ciacona A maj. Keyboard V/12 by Bach, J. B. or H.? 01392
II 84 II Ciacona G maj. Keyboard V/12 by Bach, J. B.? 01393
II 85 II Toccata and Fugue F min. Keyboard 42: XXXV V/12: 114, 122 by Dobenecker?[59][60] 01394
898 II Prelude and Fugue on B-A-C-H B♭ maj. Keyboard 42: XXXIV V/12 01067
II 86 II Fantasia C min. Keyboard 42: 243 V/12 by Gronau? 01395
II 87 II Fantasia C maj. Keyboard V/12 by Benda? 01396
905 II Fantasia and Fugue D min. Keyboard 42: 179 V/12: 24 [61] 01076
907 II Fantasia and Fughetta B♭ maj. Keyboard 42: 268 V/12: 28 by Kirchhoff?[62] 01078
908 II Fantasia and Fughetta D maj. Keyboard 42: 272 V/12: 34 by Kirchhoff?[62] 01079
909 II Concerto e Fuga C min. Keyboard 42: 190 V/12: 38 01080
919 II Fantasia C min. Keyboard 36: 152 V/12: 48 by Bach, J. B. or J. B. the Younger?[63] 01092
920 II Fantasia G min. Keyboard 42: 183 V/12 [61] 01093
923a II Toccatina No. 3 Prelude A min. Keyboard 42: 279 V/12: 14 after BWV 923[64] 01097
II 89 II Fugue C maj. Keyboard 42: XXXIV V/12 01398
II 90 II Fugue C maj. Kb (with ped?) 38: 213 IV/11: 58, 61 by Bach, C. P. E. (H 388) or Pachelbel? 01399
II 91 II Fugue G maj. Keyboard 42: XXXIV V/12 01401
II 92 II Fugue G maj. Keyboard V/12 01402
II 93 II Fugue E min. Keyboard 42: XXXIV V/12 01403
II 95 II Fugue E min. Keyboard 42: XXXIV V/12 01405
II 96 II Fugue D maj. Keyboard V/12 by Bach, C. P. E.? (H 373.5) 01406
II 98 II Fugue D min. Keyboard V/12 by Bach, C. P. E.? (H 373.5) 01408
II 99 II Fugue D min. Keyboard V/12 01409
II 100 II Fugue D min. Keyboard V/12 by Bach, C. P. E.? (H 373.5) 01410
II 101 II Fugue G min. Keyboard 42: XXXV V/12: 130 by Dobenecker?[60] 01411
II 102 II Fugue E♭ min. Keyboard V/12 01412
897/2 II Fugue A min. Keyboard 42: 175 V/12 by Dretzel or Bach, W. F.? 01066
945 II Fugue E min. Keyboard 36: 155 V/12 by Graupner?[65] 01120
956 II Fugue E min. Keyboard 42: 200 V/12: 70 01133
958 II Fugue A min. Keyboard 42: 205 V/12: 74 01135
960 II Fugue (incomplete) E min. Keyboard 42: 276 V/12 [66] 01137
N 207 II Fugue E min. Keyboard IV/11 by Seger?[67] 01518
II 109 II Fugue on B-A-C-H G min. Keyboard V/12 01419
964 II Sonata D min. Keyboard 42: 3 V/12: 78 after BWV 1003[68] 01141
II 111 II Largo and Allegro G maj. Keyboard 42: XXXV V/12 01421
968 II Adagio G maj. Keyboard 42: 27 V/12: 94 after BWV 1005/1[68] 01145
969 II Toccatina No. 5 Andante G min. Keyboard 42: 218 V/12: 18 [58] 01146
II 113 II 1725 (AMB) Notebook A. M. Bach (1725) No. 3 Minuet F maj. Keyboard 432: 25 V/4: 82 01423
II 116 II 1725 (AMB) Notebook A. M. Bach (1725) No. 7 Minuet G maj. Keyboard 432: 28 V/4: 87 01426
II 117 II 1725 (AMB) Notebook A. M. Bach (1725) No. 8a and 8b two Polonaises F maj. Keyboard 432: 28 V/4: 88 01427
01428
II 118 II 1725 (AMB) Notebook A. M. Bach (1725) No. 9 Minuet B♭ maj. Keyboard 432: 29 V/4: 89 01429
II 119 II 1725 (AMB) Notebook A. M. Bach (1725) No. 10 Polonaise G min. Keyboard 432: 30 V/4: 90 01430
II 120 II 1725 (AMB) Notebook A. M. Bach (1725) No. 14 Minuet A min. Keyboard 432: 31 V/4: 92 01431
II 121 II 1725 (AMB) Notebook A. M. Bach (1725) No. 15 Minuet C min. Keyboard 432: 32 V/4: 92 01432
II 126 II 1725 (AMB) Notebook A. M. Bach (1725) No. 22 Musette D maj. Keyboard 432: 35 V/4: 99 01437
II 127 II 1725 (AMB) Notebook A. M. Bach (1725) No. 23 March E♭ maj. Keyboard 432: 35 V/4: 100 by Bach, C. P. E. 01438
II 128 II 1725 (AMB) Notebook A. M. Bach (1725) No. 24 (Polonaise) D min. Keyboard 432: 36 V/4: 101 01439
II 132 II 1725 (AMB) Notebook A. M. Bach (1725) No. 36 Minuet D min. Keyboard 432: 48 V/4: 125 01443
II 151 II Concerto C maj. Keyboard 42: XXXIV V/12 01462
II 152 II Concerto G maj. Vl Hc 42: XXXIV VI/5 01463
990 II Sarabanda con Partitis C maj. Keyboard 42: 221 V/12: 97 [69] 01168
II 153 II Sonata A maj. Vl Bc VI/5 01464
II 154 II Sonata E♭ maj. Vl Hc VI/5 [70] 01465
1020 II Sonata G min. Vl Hc 9: 274 VI/5 by Bach, C. P. E.? (H 542.5)[71][72] 01201
1022 II Sonata F maj. Vl Hc VI/5: 27 by Bach, C. P. E.?; after BWV 1021; ↔ BWV 1038[72][73] 01203
1024 II Sonata C min. Vl Bc VI/5 [74][75] 01205
1031 II Sonata E♭ maj. Fl Hc 9: 22 VI/5: 13 by Bach, C. P. E.? (H 545)[72][76] 01213
1033 II Sonata C maj. Fl Bc 431: 3 VI/5: 3 by Bach, C. P. E.? (H 564.5)[72][77] 01215
1038 II 1732–1735 Sonata G maj. Fl Vl Bc 9: 219 VI/5: 45 by Bach, C. P. E.? (H 590.5); after BWV 1021; ↔ BWV 1022[73] 01220
525a II Concerto (Trio sonata) C maj. Vl Vc Bc VI/5 after BWV 525/1, 1032/2, 525/3[78][79] 01718
II 155 II Concerto A maj. Kb Str Bc VI/5 01466
I 22 II Concerto B♭ maj. Ob Vl Str Bc VI/5 by Förster (C.?)?[80] 01330
1070 II Orchestral Suite (No. 5) G min. Str Bc 451: 190 VI/5 by Bach, W. F.?[81][82] 01256
Anh. III Works of other composers, spuriously attributed to Bach Up ↑
III 156 III Cantata Herr Christ, der einge Gottes Sohn (Annunciation) SATB Str Bc by Telemann (TWV 1:732)[83] 01467
III 157 III Cantata Ich habe Lust zu scheiden (Purification) s 2Fl Str Bc by Telemann (TWV 1:836)[84] 01468
15 III 1726-04-21
(JSB)		 Cantata Denn du wirst meine Seele nicht in der Hölle lassen (Easter) satbSATB 3Tr Tmp Str Bc 2: 135 I/41 by Bach, J. L. (JLB 21); text in Meiningen 1704[85] 00017
141 III Cantata Das ist je gewißlich wahr (3rd Sunday of Advent) atbSATB 2Ob Str Bc 30: 3 I/41 by Telemann (TWV 1:183)[86] 00173
145/b III Cantata movement So du mit deinem Munde bekennest Jesum (Easter) D maj. SATB Tr Str Bc 30: 96 I/10: 142 by Telemann (TWV 1:1350/1)[87] 00178
160 III 1725–1732? Cantata Ich weiß, daß mein Erlöser lebt (Easter) C maj. t Vl Bas Bc 32: 171 I/41 by Telemann (TWV 1:877)[88] 00194
218 III Cantata Gott der Hoffnung erfülle euch (Pentecost) satbSATB 2Hn Str Bc 41: 223 by Telemann (TWV 1:634)[89] 00275
219 III Cantata Siehe, es hat überwunden der Löwe (Michaelmas) sabSATB Str Bc 41: 239 by Telemann (TWV 1:1328)[90] 00276
222 III Cantata Mein Odem ist schwach (Purification) sabSATB Str Bc by Bach, J. Ernst; → BWV Anh. 165 00279
III 158 III Aria "Andrò dall'colle al Prato" s 2Fl (2Hn) Str Bc by Bach, J. C. 03022
III 160 III 1750–1755? (Harrer?) Motet Jauchzet dem Herrn alle Welt, TWV 8:10 C maj. 2SATB III/3: 15 after Telemann (/1; /3 after TWV 1:1066), BWV 28/2 (/2 = BWV 28/2a); text after Psalm 100[91] 01471
III 161 III Motet Kündlich groß ist das gottselige Geheimnis/1 (Christmas) D maj. SATB Str? Bc III/3 by Graun (C. H.?), precedes laudes A and B of BWV 243a 01472
III 162 III Motet Lob und Ehre und Weisheit und Dank 2SATB III/3 by Wagner, G. G. 01473
III 163 III Motet Merk auf, mein Herz, und sieh dorthin 2SATB III/3 by Bach, J. B. or J. Ernst 01474
III 164 III Motet Nun danket alle Gott SSATB III/3: 52 by Altnickol 01475
III 165 III Motet Unser Wandel ist im Himmel SATB III/3 by Bach, J. Ernst; after BWV 222/3 /4 /6 01476
III 166 III 1716 (JLB)
1729 (JSB)		 Kyrie–Gloria Mass Missa sopra cantilena "Allein Gott in der Höh' sei Ehr" E min. SSATB 2Vl 2Vla Vc Bc 111: XV
41: 276		 II/9 by Bach, J. L. (JLB 38), start of Gloria arr. by Bach 01477
II 24 III 1715–1717, 1724 (JSB) Kyrie–Gloria Mass A min. SATB Str Bc 111: XV II/9 after Missa Sancti Lamberti by Pez, J. C. 01332
II 26 III 1727–1732 (JSB) Kyrie–Gloria Mass C min. satbSATB 3Tbn 2Vl Bc 41: 193
111: XVI		 II/2: 295 by Durante (alternative Christe: BWV 242) 01334
II 27 III c. 1745? (JLK) Sanctus F maj. SATB 2Hn 2Ob Str Bc 111: XVII II/9 by Krebs, J. L. (Krebs‑WV 104)[92] 01335
III 168 III c. 1747? (WFB) Kyrie and German Gloria G min. sSATB Str Bc 111: XVII II/9 by Bach, W. F. (BR E1 F 100) 01479
I 21 III c. 1707 (MH) Magnificat Meine Seel erhebt den Herren A min. s Fl 2Vl Bc 111: XVIII II/9 by Hoffmann, M.[93] 01329
III 169 III 1724–1725 Passion Erbauliche Gedanken auf den Grünen Donnerstag und Charfreitag über den Leidenden Jesum text by Picander partly used in BWV 244 but no other known setting[94] 01480
8/6 III 1713 (Vet.)
1724-09-24
(JSB)		 chorale setting "Liebster Gott, wenn werd ich sterben" (s. 5) E maj. SATB 1: 241 I/23: 161 by Vetter, D. (Z 6634); text by Neumann[95][96][97] 00009
III/2.1: 63
III/2.2: 25		 11228
D maj. I/23: 219 00010
27/6 III 1652 (Ros.)
1726-10-06
(JSB)		 chorale setting "Welt, ade, ich bin dein müde" (s. 1) B♭ maj. SSATB 51: 244 I/23: 251 by Rosenmüller (Z 6531); text by Albinus[96] 01481
III 170 III/2.2: 86 11345
43/11 III 1652 (Pet.)
1726-05-30 (JSB)		 chorale setting "Du lebensfürst, Herr Jesu Christ" (ss. 1, 13) G maj. SATB 10: 126 I/12: 164 by Peter after Z 5741b; text by Rist[98] 11241
chorale setting "Ermuntre dich, mein schwacher Geist" III/2.1: 74
III/2.2: 57
567 III Prelude C maj. Organ 38: 84 IV/11 by Krebs, J. L. (Krebs‑WV 401)[99] 00647
III 178 III last third of 17th century Toccata quasi Fantasia con Fuge A maj. Organ 42: 250 V/12 by Reincken?[100] 01489
II 43 III c. 1788 Fugue B min. Organ IV/11 by Pölitz; after H 776/18 01351
II 44 III Fugue G maj. Organ IV/11 by Kellner, J. P. or J. C.[101] 01352
II 45 III c. 1799 Fugue on B-A-C-H B♭ maj. Organ IV/11 by Knecht 01353
II 88 III 1765 Fugue C maj. Keyboard V/12 by Kellner, J. C. 01397
II 97 III Fugue F♯ maj. Keyboard 42: XXXV IV/11: 63 by Krebs, J. L. (Krebs‑WV 409/2) 01407
II 103 III c. 1711–1718 (GFH) Fugue A min. Keyboard V/12 by Handel (HWV 609) 01413
II 104 III c. 1711–1718 (GFH) Fugue C min. Keyboard V/12 by Handel (HWV 610) 01414
II 105 III c. 1711–1718 (GFH) Fugue B♭ maj. Keyboard V/12 by Handel (HWV 607) 01415
II 106 III c. 1711–1718 (GFH) Fugue G min. Keyboard V/12 by Handel (HWV 605) 01416
N 208 III 1747 (JEE) Fugue E♭ min. Keyboard IV/11 After Toccata nona by Eberlin 01519
II 46 III Trio C min. Organ IV/11 by Krebs, J. T.[102] 01354
692 III chorale setting "Ach Gott und Herr" (Kirnb. coll. No. 3) C maj. Organ 40: 4 IV/11 by Walther; after BWV 692a 00810
692a III chorale setting "Ach Gott und Herr" (early version) C maj. Organ 40: 152 IV/11 by Walther; → BWV 692 00811
693 III chorale setting "Ach Gott und Herr" (Kirnb. coll. No. 4) C maj. Organ 40: 5 IV/11 by Walther 00812
723 III chorale setting "Gelobet seist du, Jesu Christ" (also in Neumeister Collection) Organ 40: 63 after Z 1947; by Bach, J. Michael 00846
740 III chorale setting "Wir glauben all an einen Gott" Organ 40: 103 after Z 4000; by Krebs, J. L. (Krebs‑WV 554c) 00868
744 III chorale setting "Auf meinen lieben Gott" Organ 40: 170 IV/10: 20 after Z 2164; by Krebs, J. L. (Krebs‑WV 517) 00872
746 III 1715 or earlier (JCFF) chorale setting "Christ ist erstanden" D min. Organ 40: 173 IV/10 by Fischer (Ariadne Musica No. 24) 00874
748 III 1700–1739 chorale setting "Gott der Vater wohn uns bei" D maj. Organ 40: 177 IV/10 by Walther; → BWV 748a 00876
748a III 1700–1789 chorale setting "Gott der Vater wohn uns bei" (variant) D maj. Organ IV/10 by Scholz (arr.)?; after BWV 748 00877
751 III chorale setting "In dulci jubilo" (also in Neumeister Collection) Organ IV/10 by Bach, J. Michael 00880
759 III chorale setting "Schmücke dich, o liebe Seele" F maj. Organ 40: 181 IV/10 by Homilius (HoWV VIII.17)[67] 00888
760 III chorale setting "Vater unser im Himmelreich" Organ 40: 183 IV/10 by Böhm 00889
761 III chorale setting "Vater unser im Himmelreich" Organ 40: 184 IV/10 by Böhm 00890
1096 III chorale setting "Christe, der du bist Tag und Licht" (3 versions; Neumeister Chorales No. 8) A min. Organ IV/9: 16, 76 by Pachelbel?[103][104] 01282
chorale setting "Wir danken dir, Herr Jesu Christ" (3 versions; Neumeister Chorales No. 8)
771 III chorale setting "Allein Gott in der Höh sei Ehr" G maj. Organ 40: 195 IV/11 by Vetter, A. N.[105] 00901
II 47 III chorale setting "Herzlich tut mich verlangen" A min. Organ IV/10 by Kellner, J. P.[101] 01355
chorale setting "Ach Herr, mich armen Sünder"
II 56 III 1735 (Telem.) chorale setting "Herr Jesu Christ dich zu uns wend" Organ IV/10 by Telemann (TWV 31:8) 01364
II 57 III chorale setting "Jesu Leiden, Pein und Tod" Organ IV/10 by Vogler 01365
II 61 III chorale setting "O Mensch, bewein dein Sünde groß" F maj. Organ IV/10 by Pachelbel (P 396)[106] 01369
II 73 III 1720–1788 chorale setting "Ich ruf zu dir, Herr Jesu Christ" F min. Organ IV/10 by Bach, C. P. E.; after BWV 639 01382
III 171 III chorale setting "Christ lag in Todesbanden" Organ 40: 174 IV/10 by Pachelbel (P 58)[107] 01482
III 172 III chorale setting "Herr Jesu Christ, dich zu uns wend" G maj. Organ IV/10 by Krebs, J. L. (Krebs‑WV 524) 01483
824 III 1720 (WFB) Klavierbüchlein WFB No. 47: Suite A maj. Keyboard 36: 231 V/5: 78 by Telemann (TWV 32:14)[108] 00962
835 III 1761 (Kirnb.) Allemande A min. Keyboard 42: 267 V/12 by Kirnberger (EngK 74)[109] 00974
838 III Allemande and Courante A maj. Keyboard 42: 265 V/12 by Graupner (GWV 849/2 /3)[109] 00977
840 III Courante G maj. Keyboard V/12 by Telemann (TWV 32:13/2) 00979
897/1 III c. 1736–1743 (CHD) Prelude A min. Keyboard 42: 173 V/12 by Dretzel ("Adagiosissimo")[110] 01065
962 III c. 1783 (JGA) Fugue E min. Keyboard 42: 198 V/12 by Albrechtsberger (Op. 1/8)[111] 01139
970 III Toccatina No. 6 Presto D min. Keyboard 42: XXXIV V/12 by Bach, W. F. (BR A49 F 25/2) 11148
II 94 III 1774 (Kirnb.) Fugue E min. Keyboard 42: XXXIV V/12 by Kirnberger (EngK 35)[112] 01404
II 107 III Fugue on B-A-C-H C maj. Keyboard 42: XXXIV V/12 by Sorge? 01417
II 108 III Fugue on B-A-C-H C maj. Keyboard 42: XXXIV V/12 by Bach, C. P. E. (H 373) or Sorge? 01418
II 110 III Fugue on B-A-C-H C min. Keyboard 42: XXXIV V/12 by Sorge? 01420
II 112 III 1780 (Kirnb.) Grave E min. Keyboard V/12 by Kirnberger (EngK 16)[113] 01422
II 114 III 1725 (AMB) Notebook A. M. Bach (1725) No. 4 Minuet G maj. Keyboard 432: 26 V/4: 83 by Petzold[114] 01424
II 115 III 1725 (AMB) Notebook A. M. Bach (1725) No. 5 Minuet G min. Keyboard 432: 26 V/4: 84 by Petzold[114] 01425
II 122 III 1725 (CPE) Notebook A. M. Bach (1725) No. 16 March D maj. Keyboard 432: 32 V/4: 94 by Bach, C. P. E. (H 1/1) 01433
II 123 III 1725 (CPE) Notebook A. M. Bach (1725) No. 17 Polonaise G min. Keyboard 432: 32 V/4: 95 by Bach, C. P. E. (H 1/2) 01434
II 124 III 1725 (CPE) Notebook A. M. Bach (1725) No. 18 March G maj. Keyboard 432: 33 V/4: 96 by Bach, C. P. E. (H 1/3) 01435
II 125 III 1725 (CPE) Notebook A. M. Bach (1725) No. 19 Polonaise G min. Keyboard 432: 33 V/4: 97 by Bach, C. P. E. (H 1/4) 01436
II 129 III 1725 (AMB) Notebook A. M. Bach (1725) No. 27 Solo per il cembalo E♭ maj. Keyboard 432: 38 V/4: 104 by Bach, C. P. E. (H 16) 01440
II 130 III 1725 (AMB) Notebook A. M. Bach (1725) No. 28 Polonaise G maj. Keyboard 432: 39 V/4: 106 by Hasse[115] 01441
II 131 III c.1745? Notebook A. M. Bach (1725) No. 32 F maj. Keyboard 432: 46 V/4: 121 by Bach, J. C. (W A22)[116] 01442
II 133 III 1763 or later Musical clock No. 1 Fantasia G maj. Musical clock V/12 by Bach, W. F. (BR A63 F 207) 01444
II 134 III 1763 or later Musical clock No. 2 Scherzo G maj. Musical clock V/12 by Bach, W. F. (BR A64 F 207) 01445
II 135 III 1763 or later Musical clock No. 3 Bourlesca A min. Musical clock V/12 by Bach, W. F. (BR A65 F 207) 01446
II 136 III 1763 or later Musical clock No. 4 Trio A min. Musical clock V/12 by Bach, W. F. (BR A66 F 207) 01447
II 137 III 1763 or later Musical clock No. 5 L'Intrada della Caccia E♭ maj. Musical clock V/12 by Bach, W. F. (BR A67 F 207) 01448
II 138 III 1763 or later Musical clock No. 6 Continuazione della Caccia E♭ maj. Musical clock V/12 by Bach, W. F. (BR A68 F 207) 01449
II 139 III 1763 or later Musical clock No. 7 Il Fine delle Caccia I D maj. Musical clock V/12 by Bach, W. F. (BR A69 F 207) 01450
II 140 III 1763 or later Musical clock No. 8 Il Fine delle Caccia II D min. Musical clock V/12 by Bach, W. F. (BR A70 F 207) 01451
II 141 III 1763 or later Musical clock No. 9 Song "O Gott die Christenheit" F maj. Musical clock V/12 by Bach, W. F. (BR A71 F 207) 01452
II 142 III 1763 or later Musical clock No. 10 Psalm 110 A min. Musical clock V/12 by Bach, W. F. (BR A72 F 207) 01453
II 143 III 1763 or later Musical clock No. 11 Polonaise E min. Musical clock V/12 by Bach, W. F. (BR A73 F 207) 01454
II 144 III 1763 or later Musical clock No. 12 Polonaise Trio A min. Musical clock V/12 by Bach, W. F. (BR A74 F 207) 01455
II 145 III 1763 or later Musical clock No. 13 March C maj. Musical clock V/12 by Bach, W. F. (BR A75 F 207) 01456
II 146 III 1763 or later Musical clock No. 14 March F maj. Musical clock V/12 by Bach, W. F. (BR A76 F 207) 01457
II 147 III 1763 or later Musical clock No. 15 La Combattuta G maj. Musical clock V/12 by Bach, W. F. (BR A77 F 207) 01458
II 148 III 1763 or later Musical clock No. 16 Scherzo G min. Musical clock V/12 by Bach, W. F. (BR A78 F 207) 01459
II 149 III 1763 or later Musical clock No. 17 Minuet G maj. Musical clock V/12 by Bach, W. F. (BR A79 F 207) 01460
II 150 III 1763 or later Musical clock No. 18 Trio G min. Musical clock V/12 by Bach, W. F. (BR A80 F 207) 01461
III 177 III Prelude and Fugue E♭ maj. Keyboard 36: 88 V/12: 134 by Bach, J. Christoph?[117] 01488
III 179 III 1728 (JDH) Fantasia durch alle Tonarten gehend A min. Keyboard V/12 by Heinichen[118] 01490
III 180 III Fugue D min. Keyboard 36: 188 V/12 by Kellner, J. P.[67] 01491
III 181 III Fugue A min. Keyboard V/12 by Krebs, J. L. (Krebs‑WV 825/2) 01492
III 182 III Passacaglia D min. Keyboard 42: 234 V/12 by Witt 01493
III 183 III 1725 (AMB) Notebook A. M. Bach (1725) No. 6 Rondeau B♭ maj. Keyboard 432: 27 V/4: 85 by Couperin (6ième Ordre: Les Bergeries) 01494
1036 III 1731 (CPE) Trio D min. Vl Hc (2Vl Bc) VI/5 by Bach, C. P. E. (H 569; Wq 145) 01218
1037 III c. 1740s (JGG) Sonata C maj. 2Vl Bc 9: 229 VI/5 by Goldberg[119] 01219
III 173 III 1712 (FAB)
c. 1723 (JSB)		 Invention B min. Vl Kb 451: 172 VI/5 by Bonporti (Op. 10 No. 2)[120] 01484
III 174 III 1712 (FAB)
c. 1723 (JSB)		 Invention B♭ maj. Vl Kb 451: 176 VI/5 by Bonporti (Op. 10 No. 5)[121] 01485
III 175 III 1712 (FAB)
c. 1723 (JSB)		 Invention C min. Vl Kb 451: 181 VI/5 by Bonporti (Op. 10 No. 6)[122] 01486
III 176 III 1712 (FAB)
c. 1723 (JSB)		 Invention D maj. Vl Kb 451: 185 VI/5 by Bonporti (Op. 10 No. 7)[123] 01487
III 184 III c. 1747 (Zuc.) Sonata A min. Vl Bc VI/5 by Zuccari (Op. 1 No. 10)[124] 01495
III 185 III Sonata D maj. 2Vl Bc VI/5 by Bach, C. P. E. (H 585; ≈H 507; Wq 74) 01496
III 186 III Sonata F maj. 2Vl Bc VI/5 by Bach, C. P. E. (H 576; Wq 154) 01497
III 187 III Sonata (Trio) F maj. Bas Fl Vne VI/5 by Bach, C. P. E. (H 589) 02454
III 188 III c. 1740 (WFB) Sonata (Concerto) F maj. 2Hc 431: 47 V/12 by Bach, W. F. (BR A12 F 10) 01499
I 23 III 1710 (Alb.)
c.1710 (JSB)		 Concerto E min. 2Vl Va Vc Vne VI/5 by Albinoni (Op. 2 No. 4 = 2nd Concerto) 01331
III 189 III 1745–1747 (JSB) Concerto A min. Hc Str Bc VI/5 by Bach, C. P. E. (H 403; Wq 1) 01500
Anh. N New additions to the Anhang Up ↑

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Sources
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