Baka Bukas

Baka Bukas is Samantha Lee's directorial debut film.[4] As a lesbian herself, Lee developed the concept for the film based on her own relationship with a female partner.[5] Furthermore, she stated in an interview for CNN Philippines:

Baka Bukas is the story of what happens when you fall in love with your best friend. I conceptualized the film because I wanted to see a representation of the LGBT community that went beyond the portrayals that are shown in mainstream media. The characters in this film are fully flawed functional human beings. They are more than just an accessory to the plot, they are the plot.[6]

Lee wrote the screenplay for 10 days.[5]

The film features a kissing scene between Jasmine Curtis-Smith and Louise delos Reyes. Though she admitted being nervous about the scene beforehand, Curtis-Smith told interviews that she was eventually comfortable in performing the scene, as was delos Reyes.[3] The scene took three takes to finish.[7]

The film's score was composed by Denise Santos. Santos is affiliated with Bleeding Fingers Music, a partnership between noted score composer Hans Zimmer and Sony Music, where she works as an in-house composer.

Baka Bukas (Original Score)
Film score by Denise Santos
Released	November 18, 2016 (2016-11-18)
Recorded	2016
Genre	Film score
Length	17:09

Track listing

All music composed by Denise Santos, except where noted.[1]

Philbert Dy of The Neighborhood said in his review:

Baka Bukas doesn't really work as a whole, but there are moments that are genuinely affecting. In general, the film just works better the more personal it gets, the deeper it delves into the psychology of its main character and her relationship with the world at large. With a great lead performance, the film just benefits from having a narrower focus. When it veers away from that, when it becomes about the other characters and the world at large, the film just doesn’t feel as strong. There is real value in what comes out of this film, but the journey there is a lot rougher than it needs to be.[12]

Oggs Cruz of Rappler said:

There are films that require roughness to work. Baka Bukas does not even need this, but it could use a subtle edge. Still, the characters remain the bright, bubbly and talkative millennials that they are. The result is a film that has been dulled by its vapid devotion to the pastel-colored romance between its two leads. Lee wastes her intriguing milieu, conveniently latching on to all the tropes and stereotypes instead of adding to it. In the end, the film feels like a non-event, a failed exploration of emotions that are as fleeting as all the words that Lee’s characters repetitively deliver.[13]