Barbara Ess

Barbara Ess (born Barbara Eileen Schwartz; April 4, 1944 – March 4, 2021)[1][2] was an American photographer. She often used a pinhole camera and was known for her No Wave musical and editorial work.

Barbara Ess
Born
Barbara Eileen Schwartz

(1944-04-04)April 4, 1944
Brooklyn, New York City, US
DiedMarch 4, 2021(2021-03-04) (aged 76)
Elizaville, New York, US
NationalityAmerican
EducationUniversity of Michigan
London School of Film Technique
Known forlarge-scale pinhole photography
post-punk music
AwardsNational Endowment for the Arts
Mid-Atlantic Arts Foundation

Education

Ess earned a B.A. at the University of Michigan and attended the London School of Film Technique.[2]

Photography

Barbara Ess was known primarily for her large-scale ambient and shadowy photographs that were often made with a pinhole camera. They usually were printed with just one earthy color, such as amber, or muted blue-black. They are shown internationally in solo and group exhibitions and reviewed extensively.

Her images are intentionally left vague and unresolved. As such, they initiate a range of emotions from dream anxiety and helplessness, to being captivated by a fantasy and the romantic aesthetic quality of her old-fashioned pinhole method.[3] Her pictures hark back to the nineteenth-century approach to fine-art photography known as Pictorialism and to the well-known amateur photographer Julia Margaret Cameron. The Pictorialists and Cameron often included nature, women, and children as subject matter, creating tableau vivant imagery that evoked moody, open-ended narratives.

Of her intent as a photographer, Ess said "In a way I try to photograph what cannot be photographed."[4]

She received grants from LINE, Creative Artists Public Service Program, and Kitchen Media, and fellowships from Mid Atlantic Arts Foundation and the National Endowment for the Arts (photography).

She taught photography at Bard College since 1997.

Music

Ess performed and recorded post-punk music with bands starting in 1978, including The Static, Disband, Y Pants and Ultra Vulva.[5] She often performed at art galleries, at the Mudd Club and at Tier 3. Ess remained musically active throughout the 1980s, contributing tracks to Tellus Audio Cassette Magazine and collaborating with Peggy Ahwesh on 2001's Radio Guitar for the Ecstatic Peace! label.

Editorial work: Just Another Asshole

Just Another Asshole was a no wave mixed media publication project launched from the Lower East Side of Manhattan from 1978 to 1987.[2] Barbara Ess organized and edited seven issues of Just Another Asshole, which formed thanks to an open, collaborative submission process.[6] Issues 3 and 4 were co-edited by Jane Sherry and issues 5 through 7 were co-edited by Glenn Branca. Issue formats include: zine, LP record, large format tabloid, magazine, exhibition catalog, and paperback book.[7]

Collections

Ess' work is in the collections of the Museum of Modern Art, the Museum of Contemporary Art Los Angeles, the Whitney Museum of American Art, and the San Francisco Museum of Modern Art, among others.[2]

Bibliography

See also

Footnotes
  1. Hendrich, Will (March 9, 2021). "Barbara Ess, 76, Dies; Artist Blurred Lines Between Life and Art". New York Times. Retrieved March 10, 2021.
  2. "Barbara Ess (1948–2021)". Artforum. Retrieved March 5, 2021.
  3. I am Not This Body: The Pinhole Photographs of Barbara Ess by Guy Armstrong, Michael Cunningham, Thurston Moore and Barbara Ess (June 15, 2005)
  4. Andrea Karnes,"Barbara Ess," Camera Austria 27 (October 1988): 17
  5. "Ultra Vulva". ultravulva.com. Retrieved May 13, 2021.
  6. Gretchen L. Wagner (2010). Butler, Cornelia; Schwartz, Alexandra (eds.). Modern women : women artists at the Museum of Modern Art. New York: Museum of Modern Art. pp. 448-454. ISBN 9780870707711.
  7. Allen, Gwen (2011). Artists' magazines : an alternative space for art. Cambridge, Mass.: MIT Press. p. 269. ISBN 9780262015196.

References
  • Andrea Karnes, "Barbara Ess," Camera Austria 27 (October 1988): 17
  • Carlo McCormick, "The Downtown Book: The New York Art Scene, 1974–1984", Princeton University Press, 2006
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