Bela Čikoš Sesija

The Mourning of Christ

Čikoš Sesija's father was a Captain in the border patrol of the Austro-Hungarian Empire.[1] One of the Čikoš' ancestors was a hero at the Battle of the Sesia in 1524 and, as a result, was knighted with the name "Sesija".

Due to his father's reassignments, the family moved frequently and his education was sporadic until he entered the Cadet School at Karlovac in 1874. After graduation, in 1882, Čikoš Sesija was assigned to the 78th Osijek infantry regiment under Baron Josip Šokčević.[1] He moved up in the ranks quickly, becoming a full Lieutenant in 1886, but resigned the following year because he refused to help support Károly Khuen-Héderváry's policy of Magyarization.[2]

Despite having shown no particular aptitude for art, Čikoš Sesija enrolled at the Academy of Fine Arts Vienna,[1] where he studied with Julius Victor Berger. While there he received two gold medals, in 1889 and 1891, for scenes depicting ancient history. In 1891, he also enrolled in a special course in Orientalist painting taught by Leopold Müller.

Salome

After Müller's death in 1892, he returned to Zagreb and participated in decorating the "Pompeian Room" at the local offices of the "Department of Education and Religious Affairs" (now occupied by the "Institute for Croatian History"). His work there was supervised by the head of the department, Izidor Kršnjavi, who would become his patron and mentor. The first thing Kršnjavi did was send him on a study trip to Venice with Robert Frangeš-Mihanović and Ferdo Kovačević. This was followed by studies at the Academy of Fine Arts, Munich with Wilhelm Lindenschmit.

Čikoš Sesija then married his cousin Justine, then together embarked on another study trip to Italy.[1] This was followed by more studies in Munich, with Carl von Marr, after which he settled in Zagreb, joining the circle of painters who gathered around Vlaho Bukovac.[1] His mentor, Kršnjavi, was not happy about that, believing that Bukovac was a bad influence. This led to a conflict that caused him to leave Zagreb, in 1895, taking a job as a drawing teacher in Ogulin. A year later, he was back in Zagreb, with his own studio and reconciled with Kršnjavi.

In 1902, he left Zagreb again; this time largely for economic reasons, and traveled to America with fellow painter Robert Auer. After a mostly unsuccessful year, he came back and opened a private art school, together with Menci Klement Crnčić. Four years later he, Crnčić, Auer, Frangeš-Mihanović, Rudolf Valdec, Oton Iveković and Branko Šenoa would join together to help create the "Royal College for Arts and Crafts" (now the Academy of Fine Arts at the University of Zagreb).[2]

In his later years Čikoš Sesija became increasingly withdrawn. He died suddenly, while at his easel, working on a canvas called "The Death of Innocence".[1]

• 
  Mark Antony
  and Caesar's Corpse
• 
  Odysseus Kills the Suitors
• 
  Homer teaches Dante, Shakespeare and Goethe to sing
• 
  From Dante's Inferno
• 
  Dante Before the Gates of Purgatory
• 
  Dante and Beatrice
• 
  Judith and Holofernes
• 
  Ta-bu-bu
• 
  Walpurgis Nacht
• 
  Study of a dead guard
• 
  Half-Nude Female
• 
  Study of a Woman's head
• 
  Female Nude
• 
  Christening of the Croats
• 
  Portrait of Janko Kamauf
• 
  Triumph of Innocence

• Vladimir Lunaček, Bela Čikoš Sesia, Zagreb, J. Čaklović, 1920.
• Radovan Vuković (ed.) Bela Csikos Sesia (1864-1931), "Za Psihom, sliko!" (For the Psyche, a Painting!) (exhibition catalog, 19 February - 11 March 2012.). Zagreb: Umjetnički paviljon, 2012.
• Vinko Zlamalik, Bela Čikoš Sesija: začetnik simbolizma u Hrvatskoj (The Originator of Symbolism in Croatia) (doctoral dissertation), University of Zagreb, Faculty of Philosophy, 1983.

Wikimedia Commons has media related to Bela Čikoš Sesija.

• "Sve Beline žene: supruga Justina, sluškinja Dora, Slava Raškaj.." Archived 2013-05-14 at the Wayback Machine (All of Bela's wives: Cousin Justine, maid Dora, Slava Raškaj...) by Patricia Kiš @ Jutarnji List
• "Slikar velikih ideja i velikih osjećanja" (A Painter of Great Ideas and Great Emotions) Exhibition notes by Feđa Gavrilović, from Vijenac, #467, January 26, 2012, @ Matica hrvatska
• Search results for Bela Čikoš Sesija @ Večernji List