Bellodrama

Katy Perry, La Oreja de Van Gogh and Luis Miguel were listed as influences for the album.

The album's opening track, "Lentamente" (Spanish for "slowly"), was described by Ana Mena as her "favorite" of the record. She said that she took months to write the lyrics, but that after one night in which something hurtful happened to her, she was able to finish it in one hour. The song is a "very danceable pop" song with retro and modern sounds in which the singer remembers a passionate night with a younger boy which she can't get off her head; an experience with which she gets obsessed and she wishes she could repeat. For the second track, "Bebé" (Spanish for "baby"), Mena felt that she needed to apologize to someone so she wrote the song to do it. The track is one of the most urban ones on the record and it features Dejota2021.[5][7]

"Un Clásico" (Spanish for "a classic") is the first of several Italian-to-Spanish versions on the album. This time, it interpolates "Superclassico" by Ernia. The ballad is about "a relationship that appears by chance but is destined to fail and that, however, is experienced with heavily intensely and without caring about the consequences."[8] The fourth track on the album, "Me He Pillao x Ti" (Spanish for "I've caught feelings for you"), a song in which Mena narrates an autobiographic story. In the first summer of COVID-19 pandemic, her concerts were cancelled so she took some vacations in Italy. There, she met a boy with who she tried to flirt unsuccessfully, learning some time after that she hadn't been successful because he had a girlfriend. One year later, she learned that the relationship had been ended so she decided to write a song about it.[3][9] The song features Spanish singer Natalia Lacunza.

The fifth track, "Llorando en la Disco" (Spanish for "crying in the club"), is described as a pop song with influences of urban music, latin music and R&B. Mena confirmed that she wrote the song about a boy that left her in a way that she was not expecting, and stated: "What I wanted to express with this song is that I am not a person who is used to going out, but when your friend tell you to go out because you need to clear your head and you are already in the club you think: 'What am I doing here if I what I want is to be in my bed?'". She added: "It's a song that captures the concept of Bellodrama and its dualism: you're crying in a site in which you're having an excellent time, and that world in which you always have to be perfect, elegant, and you have to give your best impression, but the truth is a different one." The album's sixth track, "Ben & Jerry's" is a direct reference to the American ice cream company of the same name. The song was said by Mena to be one of her favorites because it has a "punch of quality" that she was looking for. Inspired in songs by Bruno Mars, it was born in a studio in Milan. "Ben & Jerry's" presents "a sexy sound that contrasts with the rest of the album's tracks." Mena expressed: "For me, it's important that there album counted with different moods and stories with which we can identify ourselves."[5]

Bruno Mars and Romeo Santos inspired Ana Mena to write "Ben & Jerry's" and "Un Millón de Lunas", respectively.

"Mañana dios dirá" (Spanish for "tomorrow God will say") interpolates "Stasera... che sera!" by Italian singer Matia Bazar. The song was recorded and included on the album to capture that sixties and seventies Italian sound that she wanted the album to have. For the album's eighth track, "Un Millón de Lunas" (Spanish for "a million moons"), Mena was inspired by Romeo Santos. The song combines Merengue and bachata. Mena revealed that it the last song that she wrote and that it almost didn't make the track list, but she ultimately decided to include it because "it is not a very urban bachata song as the ones I have been listening to lately." The ninth track, "Me Enamoro" (Spanish for "I fall in love"), has similarities with her smash-hit "A Un Paso de la Luna" because both songs came up around the same time. Mena expressed that she intended to release the song earlier, but that it couldn't be possible because she changed producers amidst the creative process. The album's tenth track is titled "Rojo Amanecer" (Spanish for "red dawn"). In Mena's words, "the song appeared from the feeling that you have when the person that you're in love with leaves you [and] the emptiness that you feel after." The singer revealed that she also sent it to the Sanremo Festival, but that "Duecentomila ore" ended up being chosen as the song to perform. The eleventh track, "Mentirás" (Spanish for "you will lie") features Ir Sais, who Mena discovered thanks to the remix version of "Dream Girl" by Ir Sais and Rauw Alejandro. The song narrates the story of two people who still have a strong attraction to each other despite not being together. It is about being direct and not having excuses in order to meet each other again.[5][7]

The Belinda-assisted track "Las 12" (Spanish for "twelve o'clock") is the Spanish version of Mena's very own "Mezzanotte". The pop-EDM song is about the connection between two people.[10] Despite the song's upbeat sound, its lyrics are about a past love which is missed and remembered with spite and the emptiness that is felt after midnight.[11] "Música Ligera" (Spanish for "light music") is the Spanish version of "Musica leggerissima" by the Italians Colapesce and Dimartino. Mena expressed that, even though she was used to having a more contemporary sound, she chose to record the song because she felt it as a tribute to the kind of music which emerged during the 1960s and first created a link between Italy and Spain. The singer also said that her version pays homage to Massiel, Mina and Cecilia, among others, because "they opened the paths we walk nowadays".[12][13]

The album closes with two bonus tracks: "A Un Paso de la Luna" (Spanish for "one step away from the Moon") with Rocco Hunt and "Se iluminaba" (Spanish for "it got illuminated") with Fred De Palma. Both are upbeat songs that helped Ana Mena catapult her career in Spain and Italy.