B(if)tek

In 1994, in Canberra Kate Crawford and Nicole Skeltys formed B(if)tek as an electronic music group, and began writing material for their first album, Sub-Vocal Theme Park (1996).[3] Biftek comes from French le biftek, which is borrowed from the English "beefsteak", while the English "beef" is originally from the French le bœuf. It was sourced from Jean-Luc Goddard's 1961 film, Une femme est une femme.[3] According to the band's website, the album was recorded by the duo during 1995 and 1996 in a local suburban garage and was released as a limited edition of 500 copies on the independent Geekgirl label.[4][5]

Blatant Propaganda's reviewer felt that Sub-Vocal Theme Park showed "a range of cruisey analogue-synth based tracks... Trippy listening music, with lots of burbling bass, mellow grooves, occasional samples, and spluttering filtered percussions."[6] B(if)tek had a close association with the Clan Analogue collective.

By 2000, the duo were based in Melbourne, they had signed with the Murmur label, distributed by Sony Music Australia.[7]

For their 2003 album, Frequencies will move together, the band received a grant from the Federal Government to investigate the effects of low frequency sounds on people.[8]

After the split, Nicole Skeltys changed musical direction, forming the psychedelic folk band Dust and releasing the album Songs in 2007.[9] In late 2007, she formed the band The Jilted Brides and released the album Larceny of Love. Since 2008, she has been based in Pittsburgh, Pennsylvania.

In 2006, Kate Crawford began hosting an experimental music television show Set on the Australian Broadcasting Corporation. She is also an author and academic and lives and works in Sydney.

In 2019, Kate Crawford, as one half of a duo named Metric Systems, released an album on Best Effort Records, named People in the Dark. Metric Systems is a collaboration with Bo Daley of Dark Network. The eight songs that make up ‘People in the Dark’ were recorded in studios across Sydney, Melbourne, Berlin, and New York over a sixteen-year span. The album draws from a large archive of recordings that move between minimal techno, modular downtempo, and more abstract electroacoustic experimentation.

The ARIA Music Awards is an annual awards ceremony that recognises excellence, innovation, and achievement across all genres of Australian music. They commenced in 1987. B(if)tek were nominated for one award.[11]