Bitter Jester

Maija DiGiorgio is a naive New York comic whose therapist recommends a video diary as a means of examining herself. Maija's ex-boxer boyfriend, Kenny Simmons, and director of photography, Jody Del Giorno see a means to instant stardom.

Maija is searching for answers to the meaning of life and art as well as the answers for art and artifice. She allows Kenny to impose his "vision" onto her film. Before long, the three (along with a crew of misfits) are crisscrossing the country, interviewing celebrities under a parade of false pretenses. In one famous incident, Kenny makes the cover of The New York Post after a confrontation with Jerry Seinfeld.

Dennis Harris of Variety said, "making a movie without really knowing what it's going to be about is not generally advisable, but Maija Di Giorgio's 'Bitter Jester' makes that process quite entertaining." Harris hailed "Jester" as "often hilarious and always diverting" and noted "Di Giorgio may fret that 'Maybe comedy isn't the thing I should be pursuing.' Regardless, she definitely has a future as a filmmaker."[1]

Steve Rhodes of the Online Film Critics Society praised "Bitter Jester is much funnier and more insightful than a similar documentary, Comedian",[2] while MetroActiv described it as "Intense, disturbing, and voyeuristic, the documentary about stand up that's not afraid to jump right into the muck."[3] Bitter Jester had a director's cut, simply titled Hollywood Outlaw Movie.*[4]

• Bitter Jester at IMDb