Black Swan State Theatre Company

Black Swan commissions new productions in partnership with the Rio Tinto Group. This partnership has so far produced four mainstage works: Aidan Fennessy’s National Interest (2012), Hilary Bell’s The White Divers of Broome (2012), Hannie Rayson's The Swimming Club (2010) and Kate Mulvany's The Web (2009). A fifth play, The Damned (2011) by Reg Cribb, received its premiere in the Studio Underground at the State Theatre Centre of WA.

Black Swan's Resident Artists Program (formerly the Emerging Artists Program) supports up to five emerging artists annually by offering a year-long involvement working on a minimum of two Black Swan productions. The Resident Artists Program provides access to training, funding opportunities, mentoring and theatre practice in order to facilitate learning and performance.

Black Swan's Emerging Writers Group (formerly the Young Writers Program) supports a group of writers through a yearlong process of writing and devising a new work for the theatre. Three completed plays are chosen for full readings by a professional cast; in addition, one play is selected to be part of the Blue Room's ‘Summer Nights’ season the following year.

The HotBed Ensemble was Black Swan's professional development program for emerging Western Australian artists directed by Adam Mitchell.[5] The program included skills development and workshop opportunities with local, national and international artists, and the opportunity to create original, contemporary work. More than a third of the HotBed artists went on to work in Black Swan's mainstage program.

The HotBed Ensemble produced The Shape of Things (2010), Yellow Moon: The Ballad of Leila and Lee (2010), The Dark Room (2009), pool [no water] (2009), Caucasian Chalk Circle (2008), Portraits of Modern Evil (2008), The Laramie Project (2007), Falling Petals (2006) and Woyzeck (2006). The Shape of Things, Yellow Moon and Caucasian Chalk Circle all received Equity Guild nominations; Caucasian Chalk Circle won two Equity Guild Awards (Best Director and Best Newcomer), and The Shape of Things won five (Best Production, Best Director, Best Actress and Best Design). In 2011, the HotBed Ensemble was replaced by the Emerging Artists Program (now the Resident Artists Program).