Blow Up (club night)

Blow Up is a club night that was founded in the early 1990s by promoter and DJ Paul Tunkin at a North London pub called "The Laurel Tree". The night quickly became the centre of the emerging Britpop scene in Camden attracting long queues of people eager to gain entry to the tiny venue. Early regulars included members of Blur, Pulp, Elastica, Suede, The Buzzcocks, Huggy Bear and The Jesus and Mary Chain, leading to the club being referred to as the place where "Britpop was born".[1]

Blow Up
IndustryNightclub
Founded16 October 1993 (1993-10-16)
London, England, U.K.
Key people
Paul Tunkin (Founder/DJ)
Websitewww.blowupclub.com

The style of Blow Up and its audience has been noted as an early influence on, and instrumental in, the later mid-Nineties explosion of the Britpop scene in the UK and abroad, with Time Out calling it the "breeding ground" of the Britpop sound.[2] John Best said that "not only do British bands look like Jarvis now, so do fashion models. It's global and I think it started at Blow Up."[3] The Guest List called it "the night that spawned a thousand bands".[4]

History

Often mistakenly labelled as purely a 'mod club' by the press, Blow Up had a much wider musical scope than this, although the club was initially started by Tunkin as a reaction to the prevalent grunge/slacker scene[5] which he said "was so anti-style".[6] The music played included British Pop and R'n'B from the 1960s (Small Faces, Kinks, Rolling Stones etc.) and Soul, late 1970s new wave (Buzzcocks, Wire etc.) together with emerging new bands mixed in with film soundtracks, 'music library'[7] tracks, Easy Listening and 1960s electronic music (Jean Jacques Perry et al.); anything that fell under Tunkin's term of 'Orgasmic Pop'.

1993–1996: The Laurel Tree

When the club first opened in October 1993 its audience was attracted by word of mouth, predominantly made up of Camden locals, as well as a large proportion of people from Tunkin's hometown of Southend.[8] However almost a year after opening in 1994, an early defining point for Blow Up was the publication of a 4-page article in music magazine Select devoted entirely to the club,[9] which attracted people from much further afield fuelling its popularity even further.[10] Blow Up's format and the sharp style of its 'regulars' was in contrast to the ubiquitous indie/rock clubs of the time, and it went on to influence many similar nights; it was referred to by Melody Maker at the height of Britpop in 1995 as "The Club That Changed The World".[11] A year later Blow Up was featured in Vox magazine as one of "5 clubs that changed the face of clubbing",[12] alongside seminal UK punk clubs The Blitz and The Roxy.

1996–2001: The Wag Club
Club flyer
Promotional flyer

The club relocated to Soho into the much larger venue of The Wag Club in 1996, and did much to revive the latter's fortunes which had somewhat waned since its 1980s heyday.[13] Although Blow Up had played host to the occasional live band in Camden, the larger capacity of the Wag enabled live shows to be hosted on a weekly basis, which continued to reflect the clubs broad musical outlook. Bands that played ranged from stalwarts of the 1960s music scene such as Desmond Dekker, to avant-garde acts such as Chicks On Speed and Stereo Total, and also included a very early show for The Libertines in 1999. In 1999 the club was voted No. 4 in Time Out Magazine's 'Top Ten clubs of the 90s'.[14] When The Wag finally closed in 2001 after 40 years,[15] the last club to be held there was Blow Up.

2001–2009: The Metro Club

During the last of several short residencies at other Soho venues in 2001 after The Wag's closure, Blow Up took over the running of a venue on London's Oxford Street called The Metro Club; shortly afterward the Blow Up club night was moved there.[16] Prior to this The Metro club was known primarily as a club venue, but Blow Up began promoting live shows here too, and in 2002 the venue earned Time Out Magazine's 'Live Venue of The Year' award, attributed to the breakthrough acts booked in their first year there; early shows including bands such as Yeah Yeah Yeahs, Kings of Leon and The Killers. Due to the planned extension of Tottenham Court Road Underground station, the Metro Club was issued a Compulsory Purchase Order by Transport for London with 28 days notice in December 2008, and was forced to close. It held its last Blow Up night on 17 January 2009, also the last night of the venue itself.[17]

2009–present: Post The Metro Club

Blow Up moved to Bar Rumba, Soho on 24 January 2009,[18] after which it moved to 4 Denmark Street in 2011, followed by several other London residencies and one-off events.[19] It is currently in residence at The Bussey Building (a warehouse/Arts space in Peckham), where it held its 20th Anniversary Party in February 2014.[20] Since 2009 the club has hosted more events in the United States (New York City, Los Angeles, San Francisco and Sacramento) and also returned to Tokyo.[21]

Resident Djs
  • Paul Tunkin (1993–present)
  • Ian Jackson (1994–present)
  • Andy Lewis (1993–2002)
  • The Karminsky Experience (1994–1995, 1996–2001)
  • Nori (aka Mansfield) (1995–1997)

Tours

The Blow Up club has also appeared on or as part of the following tours and events (incomplete):

The club has also held nights around the UK, as well in Europe, Japan, Russia and the United States.

See also

There is also an affiliated record label Blow Up Records.

References
  1. Bloomfield, R. (6 January 1999). Pub where Britpop born closes down. Time Out, p. 43.
    Frayne, H. (1997, September). Britpop pub has been made scapegoat [Letter to the editor]. Camden New Journal
    "Legendary venue. Where Britop was formed" Andy Ross (Food Records), 'Steve Lamacq Show' on BBC 6Music Radio (24 April 2009)
    "The spiritual home of Britpop" "The birthplace of Britpop" Steve Lamacq, 'Steve Lamacq Show' on BBC 6Music Radio (24 April 2009).
  2. (2009, October). London Calling: High Art & Low Life in the Capital Since 1968. London: Time Out Guides. p.220.
  3. Scanlon, A. (1997). Those Tourists Are Money: The Rock N Roll Guide To Camden. London: Tristia. p.144.
  4. (1996, April) The Guest List (London)
  5. Corrigan, Susan (1994, October). Blurred Brothers. The Face, pp.24-25.
  6. Heath, Ashley (1995, January 20). World Comes Around. The Guardian , p. 7.
  7. See: Production Music
  8. "All these famous bands turning up at what was basically a Southend club, but it just happened to be in Camden Town" Scanlon, A. (1997). Those Tourists Are Money: The Rock N Roll Guide To Camden. London: Tristia. p. 144.
  9. Pattenden, Sian (1994, September). Parkalife. Select, pp. 72–75.
  10. "So absurdly popular these days, to be sure getting in, you have to start queuing the week before" Parkes, Taylor. (17 June 1995). It is an NW1-derful Life. Melody Maker, p. 29.
  11. Sarra Manning (1995, March 18). That Was The Weekenders That Was. Melody Maker, p. 15.
  12. (1996, October). Clubwatch UK: Five Classic Clubs Of Our Time. Vox.
  13. (1997, March 8). The Guardian Guide (South), p. 32.
  14. (1999, December 22). Readers' Top Tens of the '90s: Clubs. Time Out , p. 42.
  15. Previous to the 1980s, The Wag was known as 'The Whisky-A-Go-Go'
  16. www.blowupmetro.com/about.aspx. Accessed November 15, 2006.
    www.blowupmetro.com/press.aspx Accessed November 15, 2006.
  17. Metro Club to close in January 2009
  18. BLOW UP club moves to new Saturday residency at BAR RUMBA
  19. Blow Up Club History >> since 1993
  20. Blow Up is 20!
  21. Blow Up Club History >> since 1993

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