Dont Look Back

The opening scene of the film has Dylan displaying and discarding a series of cue cards bearing selected words and phrases from the lyrics to his 1965 song "Subterranean Homesick Blues" (including intentional misspellings and puns).[4] This was the first single from his most recent album, Bringing It All Back Home, and a top ten hit in the UK when he filmed it there (a fact discussed in the film). Allen Ginsberg appears in the background having a discussion with Bob Neuwirth.

The film features Joan Baez, Donovan and Alan Price (who had just left the Animals), Dylan's manager Albert Grossman and his road manager Neuwirth. Marianne Faithfull, John Mayall, Ginger Baker and Allen Ginsberg may also be glimpsed in the background. Notable scenes include:

• Dylan and Baez singing Hank Williams songs in a hotel room, as well as Baez singing the first few verses of "Sally Go Round the Roses", "Percy's Song" and "Love Is Just a Four-Letter Word" (which was still apparently unfinished at the time, as Baez later tells Dylan, "If you finish it I'll sing it on a record"; she would record it on Any Day Now in 1968).
• Dylan's pre-concert philosophical jousting with a "science student" (Terry Ellis, who later co-founded Chrysalis Records).
• Grossman negotiating with former bebop dance band leader and music agent Tito Burns.
• Dylan singing "Only a Pawn in Their Game" on July 6, 1963, at a Voters' Registration Rally in Greenwood, Mississippi (shot by artist and experimental filmmaker Ed Emshwiller).
• Dylan's interrupting Alan Price's backstage performance of "Little Things" to ask Price why he left the Animals.
• Dylan's extended taunting of Time's London arts and science correspondent Horace Freeland Judson who was subjected to what he believes to be a contrived tirade of abuse from Dylan. Dylan claims both that he is not a folk singer, and not a pop singer.
• A selection of songs from Dylan's Royal Albert Hall performance.
• Dylan regaling the room with "It's All Over Now, Baby Blue" at Donovan's request after proclaiming "Hey, that's a good song, man!" during Donovan's performance of "To Sing for You".

D. A. Pennebaker speaking at DVD re-release event on February 27, 2007

The original title of this film is Dont Look Back, without an apostrophe in the first word. D. A. Pennebaker, the film's writer director, decided to punctuate the title this way because "It was my attempt to simplify the language".[5] Many sources, however, have assumed this to be a typographical error and have "corrected" the title to Don't Look Back. In the commentary track to the DVD release, Pennebaker said that the title came from the Satchel Paige quote, "Don't look back. Something might be gaining on you," and that Dylan shared this view.

Dont Look Back was shot in black-and-white with a handheld 16mm-film camera and utilized direct sound, thus creating the template for the "rockumentary" film genre.[6] Production began when Dylan arrived in England on April 26, 1965, and ended shortly after his final UK concert at the Royal Albert Hall on May 10.[7] Pennebaker has stated that the famous "Subterranean Homesick Blues" music video that is shown at the beginning of the film was actually shot at the very end of filming. Pennebaker decided during editing to place it at the beginning of the film as a "stage" for Dylan to begin the film.

The film was first shown publicly May 17, 1967, at the Presidio Theater in San Francisco, and opened that September at the 34th Street East Theater in New York.

A transcript of the film, with photographs, was published in 1968 by Ballantine Books.

Dont Look Back has been very well received by critics. It has a rating of 91% on Rotten Tomatoes based on 55 reviews. The film received a 5 star review from AllMovie and has a Metacritic score of 84, indicating "universal acclaim".[8] In August 1967, a Newsweek reviewer wrote, "Dont Look Back is really about fame and how it menaces art, about the press and how it categorizes, bowdlerizes, sterilizes, universalizes or conventionalizes an original like Dylan into something it can dimly understand".[9][10]

Kurt Cobain identified it as the only "good documentary about rock and roll" in a 1991 interview with his Nirvana bandmates, a sentiment with which Dave Grohl concurred.[11]

The film has been parodied and paid homage to by many other films and television shows including This Is Spinal Tap,[12] Bob Roberts,[13] and Documentary Now!.[14] The opening sequence featuring "Subterranean Homesick Blues" has likewise inspired many music videos, including INXS' "Mediate",[15] MC Evidence's "The Far Left"[16] and "Weird Al" Yankovic's "Bob",[17] and was cited by journalist Roger Friedman as "the most copied, most revered, music video of all time".[18]

• List of American films of 1967
• Festival - Oscar-nominated concert documentary from the same year also featuring Dylan

• Hall, Jeanne (1998): Don´t you ever just watch? American Cinéma vérité and DONT LOOK BACK. In: Grant, Barry Keith/Sloniowski, Jeannette (eds.): Documenting the Documentary. Close Readings of Documentary Film and Video. pp. 223–236, Detroit: Wayne St. University Press, ISBN 978-0814326398
• Saunders, Dave (2007). Direct Cinema: Observational Documentary and the Politics of the Sixties. London: Wallflower Press. ISBN 978-1-905674-16-9. (This book contains a lengthy chapter on Dont Look Back and its cultural context and significance.)

• Dont Look Back at IMDb
• Dont Look Back at the TCM Movie Database
• Dont Look Back at Rotten Tomatoes
• Dont Look Back at the American Film Institute Catalog
• Review of 65 Revisited in The New York Times.
• Dont Look Back: Everybody Loves You for Your Black Eye an essay by Robert Polito at the Criterion Collection
• Don’t Look Back essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010 ISBN 0826429777, pages 623-624