Born to Run tours

Throughout 1974, as in previous years, Springsteen toured extensively between recording sessions for Born to Run. He had written the title track early in the year, and is known to have been playing it in concert by May if not earlier. Early versions of album tracks "She's the One" (with parts of what would become "Backstreets") and "Jungleland" (without the Clarence Clemons' later-famous saxophone solo and with an extra section at the end) were beginning to appear in set lists. By the summer of that year, Springsteen's career fortunes had begun to turn; he played his last-ever gig as an opening act on August 3, becoming a headliner from then on. On August 14, he played his last show with David Sancious and Ernest "Boom" Carter in the band.

On September 19 he played his first show, at The Main Point in Bryn Mawr, Pennsylvania, with Max Weinberg and Roy Bittan in the band; this also marked the point from which the band was explicitly billed as the E Street Band.

Violinist and stage foil Suki Lahav joined the band in early October. Shows were played up and down the East Coast to help integrate the new members' sound into the band as well as to provide some income while recording sessions dragged on — finances were often tight and manager Mike Appel often had to borrow money to pay the road crew. An advanced, slightly different mix of "Born to Run" was given to certain progressive rock radio stations throughout November; it made an immediate impression and stimulated interest in Springsteen's first two albums and his concerts. On February 5, 1975, another Main Point show was broadcast in its entirety by Philadelphia's WMMR; "Thunder Road" made its first, work-in-progress appearance under the title "Wings for Wheels", and the 2 hour 40 minute show overall is often regarded by fans as one of Springsteen's best ever. It was frequently bootlegged soon thereafter, beginning a pattern that would continue for much of Springsteen's career.

This tour came to a close on March 9, 1975 after two shows in Washington, D.C.'s Constitution Hall. It is thought that Steven Van Zandt appeared in both shows, but in any case these were the final appearances of Suki Lahav, who moved back to Israel soon thereafter.

The Born to Run Tour proper began more than a month ahead of the album's release date, on July 20, 1975 at the Palace Theatre in Providence, Rhode Island. Van Zandt was now a full-fledged member of the band. "Tenth Avenue Freeze-Out" made its first appearance, but the shows were still dominated by older material. Playing mostly the Northeast, by early August "Backstreets" itself had appeared. Since Springsteen was a prolific songwriter at the time, numerous original songs were performed, many of which would not be released in any official capacity.

Beginning on August 13 was a key 5-night stand at New York City's The Bottom Line club. Columbia Records had put up posters of Springsteen around the city, the audience was heavy with press and music industry types, and an August 15 show was broadcast live by influential WNEW-FM. The shows were judged a success and further paved the way for Springsteen's big time emergence; many years later, Rolling Stone magazine would name the stand as one of the 50 Moments That Changed Rock and Roll.[1] A similar 4-night, 6-show, high-profile stand was conducted beginning October 16 at The Roxy in West Hollywood; in attendance were Jack Nicholson, Warren Beatty, Cher, Ryan O'Neal, and Carole King, as well as various entertainment industry executives. By October 27 the publicity push had reached its climax and Springsteen was on the covers of both Time and Newsweek.

This tour ended with a New Year's Eve 1975 show at the Tower Theatre in Philadelphia. The show was recorded onto multitrack and eventually released as a bootleg. The show includes a rare performance of "Night" along with a ballad version of "Tenth Avenue Freeze-Out."

In November, Springsteen made his first brief foray into Western Europe, performing in London, Stockholm, and Amsterdam. The opening night's performance was captured on video (later released on DVD as Hammersmith Odeon London '75), in which Springsteen appeared visibly uncomfortable, and is said to have torn down promotional posters around the city bearing his image prior to the show.[2] Chastened by the experience, Springsteen would not return to Europe for six years. Ironically, by the 1990s and 2000s, Europe would become a strong and loyal fanbase for Springsteen.

This colorfully named tour began on March 25, 1976; Born in the U.S.A. Tour guides of 1984-85 would state of that date, "The fabled 'Chicken Scratch Tour' begins, taking Springsteen and E Streeters on an extremely meandering route through the south, midwest, and northeast United States." The name was actually given by the band's road crew, due to many of the shows being in secondary markets in the South.

After the April 29 show in Memphis' Ellis Auditorium, Springsteen decided to catch a taxi to Graceland. Upon arrival he had noticed a light on in the house and proceeded to jump the gates and walk to the front door. Security intervened at which point Springsteen asked if Elvis Presley was home, but Presley was in fact in Lake Tahoe. The guards not having any idea who this visitor was, even after Springsteen tried to explain it to them and state that he had been on the covers of Time and Newsweek, politely escorted him to the street. Years later Springsteen would tell the story in concerts and reminisce about what he would have said to Presley had he answered the door.[3]

Then, of this tour's end on May 28, 1976, the officially chronology stated: "Chicken Scratch Tour draws to a merciless conclusion with a show at the U.S. Naval Academy in Annapolis, Maryland, which features a rousing version of Frankie Ford's 'Sea Cruise'."

This likely would have been the end of touring until a new album was out. However, during 1976 the relationship between Springsteen and his now former manager and producer, Mike Appel, had deteriorated, and during July Appel threatened action against Springsteen. Springsteen filed suit against Appel, and Appel countersued.

Meanwhile, in August Springsteen and the band played some local shows, mostly in Red Bank, New Jersey, with The Miami Horns on loan from Southside Johnny and the Asbury Jukes. Two new songs intended for the next album, Darkness on the Edge of Town were performed; "Something in the Night" and "Rendezvous" were both debuted in live form. The first would make the album while the second became a modest hit for Greg Kihn.[4] On September 15, the judge in the lawsuits case ruled that Springsteen was enjoined from any further recording with Columbia Records until Appel's suit was resolved; proceeds from Born to Run sales were also tied up in accounting disputes, leaving touring as Springsteen and the band's primary means of making income.

What the official Springsteen chronology called the U.S. Tour ran from September 26 through November 4, 1976, starting at the Arizona Veterans Memorial Coliseum in Phoenix and ending with a six-night stand at The Palladium in New York. This tour was also with a horn section, also billed as The Miami Horns, but different from the previous group and unrelated to the Asbury Jukes. Along the way Springsteen played his first headlining shows in an arena, The Spectrum in Philadelphia, but he used curtains to partition off part of the venue.

The court cases carried on, with battles being fought over various procedural rulings, and still Springsteen could not enter the studio. So back out he went, for a group of shows that the official chronology does not even attempt to label. This run began on February 7, 1977 at the Palace Theatre in Albany, New York, and continued for 33 shows in the U.S. and Canada.

By now Springsteen was quite disheartened, and before a February 15 show in Detroit, he for the first time in his life did not want to get up on stage. "At that moment, I could see how people get into drinking or into drugs, because the one thing you want at a time like that is to be distracted—in a big way", he later told writer Robert Hilburn. Nonetheless, he rebounded, and eventually this run concluded on March 25, 1977 at the Music Hall in Boston.

Meanwhile, the lawsuits had moved toward their conclusion, and a final settlement was reached on May 28, 1977. Springsteen entered the studio three days later to begin recording sessions for Darkness on the Edge of Town. The Born to Run tours were finally over.