Bruce Brubaker

Bruce Brubaker is a musician, artist, concert pianist, and writer from the United States.

Bruce Brubaker in 1995

Concepts

Brubaker's work uses and combines Western classical music with postmodern artistic, literary, theatrical, and philosophical ideas.[1][2] He is associated with the twenty-first century revitalization of classical music (sometimes termed "alternative classical").[3] With over 150 million plays on Spotify, Brubaker reaches a large music audience online. Brubaker's recordings have been remixed by prominent electronic musicians, including Plaid, Max Cooper, Donato Dozzy, Akufen, Francesco Tristano, Arandel, and others.[4][5][6] The New York Times wrote: "Few pianists approach Philip Glass's music with the level of devotion and insight that Bruce Brubaker brings to it, precisely the reason he gets so much expressivity out of it."[7] He has performed at London’s Barbican Hall, the Philharmonie de Paris, New York’s David Geffen Hall, and at BOZAR in Brussels. He has created and performed multidisciplinary artworks at the Festival de La Roque-d'Anthéron,[8] the Institute of Contemporary Art, Boston,[9] Princeton's Institute for Advanced Study,[10] the Irving S. Gilmore International Keyboard Festival,[11] Columbia University,[12] and at the Juilliard School. Brubaker is an advisor to Yamaha’s artificial intelligence project “Dear Glenn.”[13]

Brubaker has published articles about music and semiotics,[14] and performance as research.[15] His blog "PianoMorphosis" appears at ArtsJournal.com.[16] Brubaker advocates the treatment of written music as "text". He has sometimes performed and recorded new music without the direct input of the composer.[17] Brubaker has said: "The piano is a tool that can be used in different ways. Classical music can be taken as material for new art."[18] Brubaker has argued that technology is returning music to a pre-composer condition, and equalizing or blurring the roles of listener, performer, and composer. In a conversation with Philip Glass in Princeton, Brubaker referred to "the demise of the composer". Brubaker said: "Now, it's becoming a little less clear who creates a work, who plays the work, and who listens to the work. Those roles used to seem to be so clear – you know, Beethoven wrote it, Brendel played it, and the audience at Carnegie heard it. But I don't think that quite works anymore."[19]

Background

Brubaker was born in Des Moines, Iowa, in the United States and educated at the Juilliard School[20] where his primary teacher was pianist Jacob Lateiner.[21][22] At Juilliard, he also studied with Milton Babbitt and Felix Galimir, and with Louis Krasner at Tanglewood. As a concert pianist, he has appeared performing Mozart with the Los Angeles Philharmonic at the Hollywood Bowl,[23] Haydn's music at the Wigmore Hall,[24] Alvin Curran's music at Kings Place in London,[25] Messiaen's music and Philip Glass's music at New York City's (Le) Poisson Rouge nightclub,[26] Brahms's music at Leipzig's Gewandhaus, and extemporizing simultaneous performances with his former student Francesco Tristano[27] and jazz legend Ran Blake.

He received a fellowship grant from the National Endowment from the Arts,[28] and was named Young Musician of the Year by Musical America. Brubaker was a National Merit Scholar. He has performed at New York's Zankel Hall, Antwerp's Queen Elizabeth Hall,[20] the Gaîté lyrique in Paris, the Tanglewood Festival, and the Sónar festival in Barcelona.

Recording

Brubaker's solo piano recordings survey a range of American music by Philip Glass,[5] John Adams, Alvin Curran, William Duckworth, Meredith Monk, Nico Muhly, and John Cage.[29] Brubaker has premiered piano music by Cage, Mark-Anthony Turnage, Nico Muhly,[30] and Daron Hagen. He has collaborated with Meredith Monk.[31] In 2012, Brubaker, together with Ursula Oppens, recorded Monk's piano music.[32] His album Codex includes multiple readings of Terry Riley's Keyboard Study No. 2 and Renaissance keyboard pieces from the Codex Faenza.

Curator and teacher

For nine years, Brubaker was a faculty member at the Juilliard School[33] where he originated an interdisciplinary performance program in 2001, producing new work with dancers, actors, and musicians. Students from Brubaker's piano repertory class at Juilliard include many distinguished pianists: Francesco Tristano, Simone Dinnerstein, Shai Wosner, Helen Huang, Vicky Chow, David Greilsammer, Elizabeth Joy Roe, Greg Anderson, Vikingur Olafsson, Stewart Goodyear, Adam Nieman, Soyeon Lee, Terrence Wilson, Christopher Guzman, Eric Huebner. At Juilliard, he gave public presentations with Philip Glass, Meredith Monk, and Milton Babbitt.[34] In 2000, he produced "Piano Century", an eleven-concert retrospective of 20th-century piano music.[35] Since 2004, Brubaker is a faculty member at Boston's New England Conservatory where he has curated several projects in collaboration with the Boston Symphony and Harvard University.[34][36] At New England Conservatory, Brubaker has appeared in public conversations with Alvin Curran, Meredith Monk, Tim Page, Salvatore Sciarrino and Russell Sherman. He serves as Curator of Piano Programming at New England Conservatory.

In 1994, Brubaker founded SummerMusic now held at Drake University in his hometown of Des Moines; he returns annually to lead it.[37]

Discography

Brubaker records for ECM, InFiné, Arabesque,[38] and Bedroom Community.

  • Brahms, Wagner, Steuermann, music for piano by Brahms, Wagner, and Eduard Steuermann, Vital Music, 1994
  • glass cage, music for piano by Philip Glass and John Cage, Arabesque, 2000
  • Inner Cities, music for piano by John Adams and Alvin Curran, Arabesque, 2004
  • Hope Street Tunnel Blues, music for piano by Philip Glass and Alvin Curran, Arabesque, 2007
  • Time Curve, music for piano by Glass and William Duckworth, Arabesque, 2009
  • Drones & Piano EP, music for piano and electronics by Nico Muhly, Bedroom Community, 2012[39]
  • Drones & Viola EP, with Nadia Sirota, viola, music for viola and piano by Nico Muhly, Bedroom Community, 2012[40]
  • Drones, with Nadia Sirota, viola, Pekka Kuusisto, violin, Nico Muhly, piano, Bedroom Community, 2012
  • Piano Songs, music for solo piano and 2 pianos by Meredith Monk, including arrangements by Brubaker, ECM, 2014
  • Glass Piano, music for piano by Philip Glass, including arrangements by Brubaker, InFiné (Warp Records), 2015
  • Glass Piano: Versions, remixes by Plaid, Francesco Tristano, Akufen, John Beltran, Biblo, and Julian Earle, InFiné (Warp Records), 2015
  • Revelations, music for solo piano and chamber music by Su Lian Tan, Arsis, 2017
  • Codex, music from Codex Faenza and six versions of Terry Riley's Keyboard Study No. 2, InFiné (Warp Records), 2018
  • Codex Versions, remixes by Max Cooper, Olga Bell, and Arandel, InFiné (Warp Records), 2018
  • Glassforms, music by Philip Glass, Bruce Brubaker, and Max Cooper, InFiné, 2020
  • Glassforms Versions, music by Philip Glass, Bruce Brubaker, Max Cooper, Donato Dozzy, Laurel Halo, Tegh, and Daniele Di Gregorio, InFiné, 2021

Arrangements and transcriptions

John Adams: “Pat’s Aria” (from Nixon in China) (transcribed for piano by Bruce Brubaker)
Brian Eno: Music for Airports (transcribed for piano by Bruce Brubaker and Simon Hanes)
Brian Eno: By This River (transcribed for piano by Bruce Brubaker)
Brian Eno: The Chill Air (transcribed for piano by Bruce Brubaker)
Brian Eno: The Big Ship (transcribed for piano by Bruce Brubaker)
Brian Eno: Failing Light (transcribed for piano by Bruce Brubaker)
Philip Glass: “Knee Play 4” (from Einstein on the Beach) (transcribed for solo piano by Bruce Brubaker)
(Gustav Mahler:) Bruce Brubaker’s Mahler’s Ninth Symphony (piano, violin, viola, cello)
Olivier Messiaen: Prelude No. 1, “La colombe” (transcribed for flute and piano by Bruce Brubaker, for Paula Robison)
Meredith Monk: Totentanz (transcribed for 2 pianos by Bruce Brubaker)
Meredith Monk: Parlour Games (transcribed for 2 pianos by Bruce Brubaker)
Meredith Monk: Urban March (Shadow) (transcribed for 2 pianos by Bruce Brubaker)
Meredith Monk: Tower (transcribed for 2 pianos by Bruce Brubaker)

References

  1. Da Costa, Damian, "The Post-postmodern Pianist", The New York Observer, May 5, 2009
  2. Dyer, Richard, "New England Conservatory pianist makes a minimalist effort", The Boston Globe, October 3, 2004
  3. Rinaldi, Ray Mark, "'Alt-classical' music: Pianist Bruce Brubaker performs Nico Muhly's 'Drones & Piano' at DU's Newman Center", The Denver Post, January 18, 2013
  4. "Out Now Glass Piano Versions" infine-music.com
  5. Kosman, Joshua, "CD Reviews: Bruce Brubaker", San Francisco Chronicle, September 2, 2007
  6. Duclos, Roland, "Glass dans le miroir de Brubaker" Bachtrack February 4, 2017.
  7. Smith, Steve, "Modern Pieces, Classically Performed", The New York Times, June 7, 2008.
  8. Lamare, Didier, "Bruce Brubaker, Glass Piano", demi-cadratin.fr, August 7, 2015.
  9. Eichler, Jeremy, "Classical picks", The Boston Globe, February 2, 2007, pg. D5
  10. Program listings, 2004–2005 Archived April 18, 2012, at the Wayback Machine, Institute for Advanced Study, Princeton
  11. "Commissions", Irving S. Gilmore Keyboard Festival
  12. Griffiths, Paul, "Music Review: One Minimalist Color After Another", The New York Times, October 24, 1998.
  13. https://www.yamaha.com/en/about/ai/dear_glenn/
  14. Brubaker, Bruce, "Time is Time: Temporal Signification in Music", in Unfolding Time: Studies in Temporality in Twentieth-Century Music, Leuven: Leuven University Press, 2009; ISBN 9789058677358
  15. Abstract of Brubaker Bruce, "Questions Not Answers: The Performer as Researcher" Archived May 19, 2014, at the Wayback Machine, Dutch Journal of Music Theory (Tijdschrift voor Muziektheorie), XII:1, 2007.
  16. "PianoMorphosis – Bruce Brubaker on all things piano", artsjournal.com
  17. Brubaker, Bruce, "Don't Ask", ArtsJournal.com, November 1, 2011.
  18. Theiner, Manny, "Under the Wire: Pianist Bruce Brubaker ranges from minimalism to Chopin", Pittsburgh City Paper, October 22, 2009.
  19. "Hearing and Seeing: Philip Glass speaks with Bruce Brubaker and Jon Magnussen" Archived May 11, 2012, at the Wayback Machine, Institute for Advanced Study, Princeton.
  20. Crispin, Darla, editor, "Bruce Brubaker [biography]" in Unfolding Time: Studies in Temporality in Twentieth-Century Music, p. 195, Leuven: University of Leuven Press, 2009, ISBN 9789058677358
  21. Fox, Margalit, "Jacob Lateiner, Pianist and Scholar, Dies at 82", The New York Times, December 14, 2010
  22. Brubaker, Bruce, "Strengen Sachlichkeit: The Teaching of Jacob Lateiner", in Pianist, Scholar, Connoisseur: Essays in Honor of Jacob Lateiner, Pendragon Press, 2000, pp. 187–221 ISBN 9781576470015
  23. "People – Bruce Brubaker", WQXR
  24. Griffiths, Paul, "Control Offers Clarity: Bruce Brubaker, Wigmore Hall", The Times (London), March 23, 1990
  25. Kilbey, Paul, "Bruce Brubaker Plays Alvin Curran at Kings Place", Bachtrack, May 24, 2013
  26. Kozinn, Allan, "A Prolific Composer Pauses, Briefly, for His Birthday", The New York Times, January 30, 2012
  27. "Bruce Brubaker and Francesco Tristano Live" WQXR
  28. Bruce Brubaker bio at (Le) Poisson Rouge website Archived January 27, 2012, at the Wayback Machine
  29. Kosman, Joshua, "CD Review: Bruce Brubaker, 'Time Curve'", San Francisco Chronicle, August 2, 2009
  30. Robinson, Harlow, "Brubaker recital proves eclectic, hypnotic, and timeless", Boston Globe, February 12, 2011
  31. Sheridan, Molly, "New York: Our Lady of Late", NewMusicBox, November 15, 2005
  32. Weininger, David, "The Keyboard and Meredith Monk", The Boston Globe, March 30, 2012
  33. Jeffryes, Jai, "Profile of Bruce Brubaker" Archived 2012-04-14 at the Wayback Machine, NewYorkPianist.net, December 15, 2008
  34. faculty biography pages at New England Conservatory, necmusic.edu
  35. Tommasini, Anthony, "Wafting through the 1930s on Piano Notes", The New York Times, November 25, 1999
  36. Brubaker, Bruce, "Surrounded by this Incredible Vortex of Musical Expression: A Conversation with Gunther Schuller", Perspectives of New Music, vol. 49, no. 1 (Winter 2011), pp. 172–181.
  37. "Drake University Press Release, "Drake University to host SummerMusic"". News.drake.edu. 10 September 2012.
  38. "Bruce Brubaker recordings at Arabesque website". Archived from the original on 2011-07-05. Retrieved 2012-04-17.
  39. Jones, Lucy, "Classical music dead? Nico Muhly proves it isn't", The Daily Telegraph (London), May 28, 2012
  40. "Noco Muhly: Drones & Piano/Drones & Viola/Drones & Violin (Bedroom Community)", themilkfactory.co.uk, September 6, 2012
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