Kiss Me, Kate

The musical was inspired by the on-stage/off-stage battling of husband-and-wife actors Alfred Lunt and Lynn Fontanne during their 1935 production of The Taming of the Shrew, witnessed by future Broadway producer Arnold Saint-Subber. In 1947, he asked the Spewacks (undergoing their own marital woes at the time) to write the script; Bella Spewack in turn enlisted Cole Porter to write the music and lyrics.[3]

Act I

The cast of a musical version of William Shakespeare's The Taming of the Shrew is rehearsing for the opening of the show that evening ("Another Op'nin', Another Show"). Egotistical Fred Graham is the director and producer and is starring as Petruchio, and his movie-star ex-wife, Lilli Vanessi, is playing Katherine. The two seem to be constantly arguing, and Lilli is particularly angry that Fred is pursuing the sexy young actress Lois Lane, who is playing Bianca. After the rehearsal, Lois's boyfriend Bill appears; he is playing Lucentio, but he missed the rehearsal because he was gambling. He tells her that he signed a $10,000 IOU in Fred's name, and Lois reprimands him ("Why Can't You Behave?").

Before the opening, Fred and Lilli meet backstage, and Lilli shows off her engagement ring from Washington insider Harrison Howell, reminding Fred that it's the anniversary of their divorce. They recall the operetta in which they met, which included "Wunderbar", a Viennese waltz; they end up fondly reminiscing and singing and dancing. Two gangsters show up to collect the $10,000 IOU, and Fred replies that he never signed it. The gangsters obligingly say they will give him time to remember it and will return later. In her dressing room, Lilli receives flowers from Fred, and she declares that she is still "So In Love" with him. Fred tries to keep Lilli from reading the card that came with the flowers, which reveals that he really intended them for Lois. However, Lilli takes the card with her onstage, saying she will read it later.

The show begins ("We Open in Venice"). Baptista, Katherine and Bianca's father, will not allow his younger daughter Bianca to marry until his older daughter Katherine is married. However, she is shrewish and ill-tempered, and no man desires to marry her. Three suitors – Lucentio, Hortensio, and Gremio – try to woo Bianca, and she says that she would marry any of them ("Tom, Dick, or Harry"). Petruchio, a friend of Lucentio, expresses a desire to marry into wealth ("I've Come to Wive it Wealthily in Padua").[4] The suitors hatch a plan for him to marry Kate, as Baptista is rich. Kate, however, has no intentions of getting married ("I Hate Men"). Petruchio attempts to woo her ("Were Thine That Special Face"). Offstage, Lilli has an opportunity to read the card. She walks on stage off-cue and begins hitting Fred, who, along with the other actors, tries to remain in character as Baptista gives Petruchio permission to marry Kate. Lilli continues to strike Fred, and he ends up spanking her. Offstage, Lilli furiously declares she is leaving the show. However, the gangsters have reappeared, and Fred tells them that if Lilli quits, he'll have to close the show and won't be able to pay them the $10,000. The gangsters force her to stay at gunpoint. Back onstage, Bianca and Lucentio dance while the chorus performs "We Sing of Love", covering a scene change. The curtain opens, revealing the exterior of a church; Petruchio and Kate have just been married, and they exit the church; the gangsters, dressed in Shakespearean costume, are onstage to make sure that Lilli stays. Petruchio implores for Kate to kiss him, and she refuses. He lifts her over his shoulder and carries her offstage while she pummels his shoulder with her fists ("Kiss Me Kate").

Act II

During the show's intermission, the cast and crew relax in the alley behind the theater. Paul (Fred's assistant) and other crew members lament that it's "Too Darn Hot" to meet their lovers that night. The play continues, and Petruchio tries to 'tame' Katherine and mourns for his now-lost bachelor life ("Where Is the Life That Late I Led?"). Off-stage, Lilli's fiancé Harrison Howell is looking for Lilli. He runs into Lois, and she recognizes him as a former lover but promises not to tell Lilli. Bill is shocked to overhear this, but Lois tells him that even if she is involved with other men, she is faithful to him in her own way ("Always True to You in My Fashion").[4] Lilli tries to explain to Howell that she is being forced to stay at the theatre by the gangsters, but Howell doesn't believe her and wants to discuss wedding plans. Fred insidiously points out how boring Lilli's life with Howell will be compared with the theatre. Bill sings a love song he has written for Lois ("Bianca").

The gangsters discover that their boss has been killed, so the IOU is no longer valid. Lilli leaves—without Howell—as Fred unsuccessfully tries to persuade her to stay ("So in Love" (Reprise)). The gangsters get caught on stage and improvise a tribute to Shakespeare in which they explain that knowing Shakespeare is the key to romance ("Brush Up Your Shakespeare"). The company prepares for the conclusion of the play, the wedding of Bianca and Lucentio, even though they are now missing one of the main characters. However, just in time for Katherine's final speech, Lilli arrives onstage ("I Am Ashamed That Women Are So Simple"). Fred and Lilli wordlessly reconcile on stage, and the play ends ("Kiss Me Kate" (Finale)) with them, as well as Bill and Lois, kissing passionately.

Notes

• In 1998, the original cast recording of the 1948 Broadway production was inducted into the Grammy Hall of Fame.
• For the 1999 revival, "From This Moment On", originally from Porter's 1951 musical Out of This World, was added to Act II between "Always True to You in My Fashion" and "Bianca"; this song had been added to the 1953 film version of Kiss Me Kate.
• For the 2019 revival, "I Am Ashamed That Women Are So Simple" was changed to "I Am Ashamed That People Are So Simple."

A film version of the same name was released in 1953. There have been at least four television productions, the first on Hallmark Hall of Fame in 1958, with Drake and Morison reprising their Broadway roles, the second recorded for the launch of BBC Two in the UK in 1964, starring Howard Keel, Patricia Morison and Millicent Martin, the third in 1968 with then husband-and-wife team Robert Goulet and Carol Lawrence, and the fourth in 2003 on Great Performances, a high-definition shot performance of the London revival with Brent Barrett and Rachel York.

• McBrien, William (2000). Cole Porter. Reprint edition. New York: Knopf. ISBN 0-679-72792-2
• Stempel, Larry (2010). Showtime: A History of the Broadway Musical Theater. New York: W.W. Norton and Company. ISBN 0-393-92906-X
• Information from the TamsWitmark website
• Information from the Imagination website

• ​Kiss Me, Kate​ at the Internet Broadway Database
• Porter information
• PBS article
• Review of original Broadway production at Variety
• 2014 Critical Edition Orchestral score, Vocal score