The Mollusk

Starting with the release of their 1994 album Chocolate and Cheese, Aaron Freeman and Mickey Melchiondo—known by their stage names Gene and Dean Ween, respectively—began to significantly enhance their approach to studio recording. While their earlier albums were almost entirely recorded by Freeman and Melchiondo themselves at their home using a 4-track recorder, Chocolate and Cheese marked the first time the band produced an album in a professional recording studio. It also notably began their transition from a duo to a more traditional band with the addition of drummer Claude Coleman, allowing Freeman and Melchiondo to experiment with a wider range of musical styles than they could with the drum machine they had used on previous releases.[3]

Though Ween's 1996 album 12 Golden Country Greats was their first record to feature a full-fledged band on each track, the songs were recorded with various Nashville session musicians, so it was viewed by the band as more of a spin-off album, in the vein of The Beach Boys' Christmas Album, than a true follow-up to Chocolate and Cheese.[4] The Mollusk was the debut album for keyboardist Glenn McClelland, and, with bassist Dave Dreiwitz joining shortly before the album’s release, the band finally evolved into the final five-man incarnation that continues to this day.[5]

The cover art for The Mollusk was created by Storm Thorgerson, the graphic designer who designed many of Pink Floyd's album covers, including The Dark Side of the Moon. Thorgerson liked the album so much that, although he was only hired to do the cover art, he decided to do the related promo and poster art, including all of the initial print ads associated with The Mollusk, for no extra charge.[6]

After recording 1994's Chocolate and Cheese in a professional studio, Gene and Dean Ween decided they wanted to return to their early method of recording albums at home.[7] In 1995, they relocated their recording equipment to a rented beach house on the shore of Holgate, New Jersey,[8] and the equipment and some of the early materials for the album were nearly lost when a water pipe burst in the house while it was unoccupied. At this point, the band put this album on hold and made plans to record 1996's 12 Golden Country Greats in Nashville. After recording 12 Golden Country Greats in 1995 and releasing and touring behind it, Ween completed the remaining tracking of The Mollusk at various inland locations. The album was finished in 1996 and released on June 24, 1997.[7]

Professional ratings

Review scores
Source	Rating
AllMusic	[9]
Entertainment Weekly	C[10]
OndaRock	8.5/10[11]
Pitchfork Media	9.7/10[12]
Rolling Stone	[13]
The Rolling Stone Album Guide	[14]

Consequence of Sound included the album on their list of the 50 best albums from 1997.[15]

Notes

• "I'm Dancing in the Show Tonight" is a re-working of the 1953 Christmas song, "Are My Ears on Straight?", which was initially recorded by then-10-year-old Gayla Peevey and released as the B-side of "I Want a Hippopotamus for Christmas".

The Mollusk Sessions is a compilation album released digitally for free trading by the band in 2007.[19] It contains a combination of demo tracks from The Mollusk and songs recorded for the album which were cut prior to pressing.