Buzz Spector

In his art practice, Spector uses the book both as both subject and object, and he focuses on the relationship between public history, individual memory, and perception.[6] As an object and a carrier of language, the book has potential for double meaning.[7] Spector's art examines the content of books and the relationship between author and text, while also turning the books into sculptural objects.[8] He modifies books through stacking, tearing, re-binding, and arranging.[8] His 1991 sculptural work Malevich: With Eight Red Rectangles exemplifies his making process. Echoing the shape and layout of Kazimir Malevich's 1915 Suprematist Composition (with Eight Red Rectangles), eight books are displayed on the ground. Each references a red rectangle from the original painting, and is bound in a red cover.[7] Behind the books is a white wall with the negative shape of the books cut out, as if the red rectangles had fallen from the painting and become books on the floor. When talking about Malevich's painting with David Pagel in 1993, Spector says, "Whatever [the painting] addressed in terms of a philosophical transcendence in 1915, it does not speak to anymore.... That's why I treated the Malevich motif as so many empty spaces..."[7] In the same interview, when asked about the use of books in the sculpture, Spector says, "We don't see Modernist abstract paintings anymore than we see Mondrian or maybe any artist. We read about them. We look at the Malevich and recall what we read. All art absorbs language.... Language absorbs art. And it doesn't matter that the books are blank. It only matters that they are books."[7]

In 1988, he held his first solo exhibition at the Art Institute of Chicago: The Library of Babel, an installation.[2] Transgressions was a 1990 joint exhibition with sculptor Donald Lipski at the Corcoran Museum of Art in Washington, D.C. Other solo exhibitions include the 1991 Cold Fashioned Room, shown at The Mattress Factory in Pittsburgh.[2]

Unfinished Business (2020-2021) was a group show at the Museum of Contemporary Art in Chicago which featured works by Alexander Calder, Charlotte Posenenske, Gedi Sibony, Jesús Rafael Soto, Buzz Spector, Daniel Spoerri, and Rosemarie Trockel.[9] The show focused on works in a state of continual completeness.

Spector's 2020-2021 show at the Saint Louis Art Museum, titled Buzz Spector: Alterations, included postcards, drawings, altered books, and collages.[10] Curated by Gretchen L. Wagner, the show also focused on Spector's torn paper works, where he methodically tears pages of books. In Spector's practice, the destructive act of tearing paper becomes a constructive energy.[10]

His 2022 solo show at the Rockford Art Museum in Rockford, Illinois included large-format Polaroid photographs, prints, and drawings, all of which dated back to the 1970s.[11]