Charles Erskine Scott Wood

Born in Erie, Pennsylvania, Wood graduated from West Point in 1874.[2] He served as a lieutenant with the 21st Infantry Regiment and fought in the Nez Perce War in 1877. He was present at the surrender of Chief Joseph of the Nez Perce. It was Wood who transcribed, and perhaps embellished, Chief Joseph's famous speech, which ended with: "My heart is sick and sad. From where the sun now stands, I will fight no more forever."[3] The two men became close friends.

He raised his family in Portland at a house on King's Hill near the northeast corner of today's Vista Bridge. The site is now occupied by the Portland Garden Club in the Goose Hollow neighborhood. John Reed grew up a few blocks away and was greatly influenced by Wood.[4]

Following his service he became a prominent attorney in Portland, Oregon, where he often defended labor unions and "radicals" including birth control activist Margaret Sanger.[5] He began to write, became a frequent contributor to The Pacific Monthly magazine, and was a leader of Portland's literary community.

In 1896, Wood was Oregon's sole representative on the national committee of the National Democratic Party, known as the Gold Democrats. The party, which had the blessing of Grover Cleveland, championed defense of the gold standard and free trade.

Like many Cleveland Democrats, including his long-time friend Mark Twain, Wood joined the American Anti-Imperialist League. The League called for the United States to grant immediate independence to the Philippines and other territories conquered in the Spanish–American War.

As a lawyer during the early twentieth century, Wood represented dissidents such as Emma Goldman.[6] He wrote articles for radical journals such as Liberty, The Masses, and Mother Earth.[6] He was a philosophical anarchist[7] and declared himself as such before an Industrial Workers of the World audience.[8]

Wood was unflagging in his opposition to state power. He advocated such causes as civil liberties for anti-war protesters, birth control, and anti-imperialism.[6] In 1927, he wrote in Heavenly Discourse that the "city of George Washington is blossoming into quite a nice little seat of empire and centralized bureaucracy. The people have a passion to 'let Uncle Sam do it.' The federal courts are police courts. An entire system with an army of officials has risen on the income tax; another on prohibition. The freedom of the common man, more vital to progress than income or alcohol, has vanished."[9]

Wood advocated for the native peoples, but he also painted them. His love of painting generated numerous studies of landscapes and points of interest along the Oregon and California coastline. He also memorialized some of his favorite places in watercolor including Keats' grave and vistas from his home in Los Gatos, California.

His primary medium was watercolor and graphite. The Huntington Library has a good sampling of his artwork online.[10]

Entry to "The Cats" estate in Los Gatos, California.

From 1925 until his death in 1944, Wood lived with his second wife, Sara Bard Field, in Los Gatos in a house named "The Cats" or the "Cats Estate" located on the hill on southbound Highway 17.[11] The house was built in 1925 on a 34-acre property, with an entry way featuring a wrought iron gate flanked by two large white cat sculptures, named Leo and Leona.[11] Many famous people visited this home, including Charlie Chaplin, Eleanor Roosevelt, and John Steinbeck.[11]

His friends included Ansel Adams, Albert M. Bender, Clarence Darrow, Eugene Debs,[12] Emma Goldman, Chief Joseph, Childe Hassam, Robinson Jeffers, Margaret Sanger, and John Steinbeck.

At the time of his death, Wood was West Point's oldest living graduate.[12] He was the father of Nan Wood Honeyman, Oregon's first U. S. congresswoman.[13]

Wood was portrayed by Sam Elliott in the TV movie I Will Fight No More Forever. In the film, he is a United States captain who fights in the Nez Perce War.

• The Oregon Encyclopedia entry on C.E.S. Wood
• The Oregon Blue Book entry on C.E.S. Wood
• The Lewis & Clark College's Digital Collections of C.E.S. Wood