Carthage National Museum

Punic ceramic discoveries, note the number of oil lamps unearthed.

The various excavations at the site have uncovered numerous items characterizing the Phoenician civilization. The museum contains items which reveal a distinct connection with the Levant steeped in Egyptian and in particular Greek culture, and the ties of Carthage with Sicily during the Hellenistic period. Testimonies to these connections are many objects of pottery, oil lamps and amulet s discovered in excavating the necropolis.

The museum has a fine collection of Punic ceramics found from the late 19th century. A number of lamps were found during the excavation of pottery kilns dating back to the Third Punic War.[3]

The amulets of Egyptian deities (Isis, Osiris, Horus, and Bès) indicates the importance of ties between the Phoenicians and the Ancient Egypt, the first retaining these cultural elements once they arrived in the Western Mediterranean.

The Sarcophages of the Priest and Priestess

Beautiful sarcophagi, which are dated to the end of the Punic era, have been found in the necropolis. Among these is the sarcophagus of the priest and the priestess, which is on display in the museum. The priest has the right hand raised in a gesture of blessing[4] The left hands of the two figures carry vases containing incense for liturgical purposes.[5]

Masks of glass also represent numerous deities, including objects which were intended to protect the deceased against the evil eye. There are also various items including razors made of bronze and richly decorated with cast patterns, illustrating Egyptian and Greek influences.[6] A number of Punic amulets are also on display.

Incense burner, in the shape of the head of Ba'al

The terracotta perfume-burner in the form of the head of Ba'al Hammon was discovered in a sanctuary in the Salammbô quarter unearthed by Dr Louis Carton shortly after World War I.; at the same time diverse other cultural objects came to light, including representations of Demeter[7]

Limestone stele decorated with a ship from Topheth.

The steles of the topheth are on the other the most important collection that is available. Although stelae were reported in the early research on the site of Carthage, especially during searches of Pricot of Mary (1874), most of which ran with the Magenta 'in 1875, many of the most interesting parts are deposited in the museum after the discovery of the sanctuary in 1921 in addition to the most common steles sandstone's El Haouaria, steles later limestone subject most often varied scenery: ships, palm trees, elephants and even elements portraits strong Hellenistic influence. Sometimes this is an inscription on the stele. Masks shaped in the form of the head of Ba'al Hammon are exposed, particularly a large mask discovered by Dr. Louis Carton in the early 20th century.

The content of the "chapel Cintas' discovery topheth by Pierre Cintas in 1947, is the subject of its own window. Two foundation deposits containing mostly ceramics were discovered, one located at the base of a wall and the other called "hideout" was under the floor of a small vaulted room.[8]

Punic pillars

There are some architectural elements of the Punic city on display, especially fragments of columns and pillars and structures.

Also outlined is a Phoenician inscription on black marble called "registration édilitaire", found in 1954.[9]

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  Limestone elephant stele
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  Stele with palms
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  Mask and Punic steles
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  Part of the furniture in the Cintas chapel, at the topheth
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  Grand marble sarcophagus
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  Punic oil lamps
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  Punic oil lamps and ceramics
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  Jewelry

Artefacts from the siege of 149-146

The history of the Roman city of Carthage begins with a disaster, the will to destroy a rival dating from 146, which has some moving testimonies from the period on showcase. Common items on display are bullets, swords and stone catapults. A skeleton of one of fighters who died violently, is also exposed.

Bas-relief of a woman

Roman bust

Elements of the official Roman art were discovered on the Byrsa hill, including sculptures and bas reliefs depicting victory. These excavated items have been interpreted as a commemoration of the victory over the Parthians in 166, during the reign of Marcus Aurelius and presented on a triumphal arch or monument portal.[10][11]

In addition, works from the reign of Augustus are presented including numerous busts. A remarkable representation of Auriga, holding a whip and a jug, a symbol of victory, is also exposed. This recent discovery is a valuable testimony to the attention of the Roman circus in the city, which was the second in size after the Circus Maximus in Rome.[12]

Although the collections of mosaics of the museum are not comparable to those of Bardo National Museum, the fact remains that genuine masterpieces are found in the museum. Among the recent discoveries, are from the panels found in a private spa located in Sidi Ghrib, near Tunis. It represents a topless woman running through a rose garden surrounded by water.[13] On the same site a panel of marble and limestone was discovered showing the activity of a matron at the end of the bath. It shows the individual seated on the toilet, surrounded by two servants, one of which holds a mirror and the other carrying a basket with various jewels. At the ends of the mosaic, the artist presents the bath accessories: a pair of sandals, a basket of laundry, a jug, etc.[14]

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  Roman funerary statues
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  Roman amphora
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  Grand relief of the victory
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  Roman Imperial statue
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  Sidi Ghrib: Rosegarden mosaic
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  Sidi Ghrib:Matron on the toilet mosaic

Mosaic of the four evangelists, discovered in the vicus castrorum

The mosaic of the four evangelists discovered in Carthage represents each of the four evangelists. In the center is a sphere in which integrates a cross. This work symbolizes the triumph of Christianity and its distribution to the four cardinal points by Liliane Ennabli.[15]

Ceramic tile with Christian motifs

Features of African Christianity at the time, such as ceramic tiles decorated with religious motifs were also excavated and are on display. Many of them are relatively large with decorative details which were intended to depict of the themes of the Old Testament including Daniel and the Lion's Den.

A large number of funerary inscriptions discovered by Alfred Louis Delattre are displayed in the Carthage museum, found during his excavation of the main basilica.

The famous Lady of Carthage mosaic

The famous "Lady of Carthage" mosaic dated back probably to the 6th century, is traditionally regarded as a portrait of a Byzantine empress.[16] The technique of alternating mosaic tiles and glass tiles, the fineness of the design and elegance of the subject makea it a major piece of art mosaic from the Late Antiquity.