Cath Palug

Cath Palug's birth origins are given in "The Powerful Swineherds" in the Welsh Triads (Trioedd Ynys Prydein, end of the 13th century).

According to this source, it started life as a black kitten (lit "whelp"), given birth by the great white sow Henwen at the black rock in Llanfair.[lower-alpha 4] There the kitten was cast into the sea, but it crossed the Menai Strait and was found on Ynys Môn (Angelsey), where the sons of Palug raised it, not realizing Cath Palug was to become one of the three great plagues of the island.[8][9]

Cath Palug was fought and slain by Cai (Sir Kay), or so it is implied, in the incomplete poem "Pa Gur yv y Porthaur" ("What man is the porter"), found in the Llyfr Du Caerfyrddin (The Black Book of Carmarthen, written before 1250).[10] Kay had gone to destroy lleown (possibly meaning 'lions') in Môn (Anglesey). In the encounter, nine score (180) warriors were killed by the cat.[10][11][12]

The fragmentary poem states that Kay's shield is mynud against the cat, which has been construed in various ways,[lower-alpha 5] but plausibly interpreted as "polished against Palug's cat".[13] This description coincides with the Middle English story in the Lambeth manuscript,[14] in which Arthur raises a shield (presumably mirrored) causing the cats to attack their own shadows reflected in it.[15]

In the early 13th century, the Anglo-Norman poet André de Coutance rebuked the French for having written a vindictive poem (or poems[22]) describing King Arthur's death by a cat. André indignantly added that this was an utter lie.[4][23]

This passage in André's work Li Romanz des Franceis ("The Romance of the French") has been excerpted and commented in various studies.[24][25][4][26][lower-alpha 8] André's short résumé of the French work was that Chapalu kicked Arthur into a bog, afterwards killed Arthur, swam to England and became king in his place.[4]

A French original is thought to have existed[28] to the fragmentary, Middle German poem Manuel und Amande written between 1170 and the beginning of the 13th century. It implies that slain by a sort of a "fish-cat",[5] or strictly according to the text, it was a fish which at the same time "had the form of a cat (katze gestalt)".[29][30][32] This was considered to be a work in the same tradition as the French works that told of Arthur's dishonorable demise, such as polemicized against by André the Norman.[lower-alpha 6][25][24]

L'Estoire de Merlin ("The story of Merlin", written in the 13th century). A man fishing in the lake of Lausanne swears that he will dedicate to God the first creature that he catches, but fails to keep his oath. At the third cast of his line he catches a black kitten, which he takes home, only for it to grow to gigantic proportions. The giant cat then kills the fisherman, his entire family, and subsequently any traveller unwise enough to come near the lake. It is, however, finally killed by King Arthur.[33][7]

Galeran de Bretagne ("Galeran of Brittany", written in the 13th century) is another work that refers to Arthur's combat with the cat. According to the summary given by Emile Freymond (and by Gaston Paris), Galeran of Brittany beats his German opponent Guynant, and the latter tries to rile up the Breton by repeating the contrueve ('idle lie') that the great cat killed Arthur in a pitched battle.[34][35]

There is some issue of dissent regarding this interpretation. The text can be read in the converse, so that the German knight says Arthur had killed the cat. Freymond noted that while this was grammatically possible, it was not an allowable interpretation in the context.[36] Gaston Paris agreed on this point.[35] However, John Beston (2008) translated the portion at issue as "the proverb about King Arthur killing the cat".[37]

The oldest chivalric romance in Spanish, The Book of the Knight Zifar speaks of a perilous situation figuratively, as tantamount to King Arthur facing the Gato Paul, which is considered a reference to King Arthur fighting the monstrous cat.[lower-alpha 9][38]

Chapalu is fought by the knight Rainouart in a late version of La Bataille Loquifer in the Guillaume d'Orange cycle (aka La Geste de Garin de Monglane). The epic originally written c. 1170 did not contain the episode, but a late-13th century interpolation to it introduced Arthurian elements.[39]

An extract containing the chapalu portion was published by Antoine Le Roux de Lincy in 1836,[40][lower-alpha 10] Paulin Paris wrote summaries based on a different manuscript.[lower-alpha 11]

Chapalu here was the son born after the lutin Gringalet[lower-alpha 12][lower-alpha 13] raped the fée Brunehold[lower-alpha 14] while she bathed in the fountain of Oricon. Although Chapalu was beautiful, his mother could not bear her shame and turned him into a hideously shaped monster, and this curse could only be lifted when he has sucked a few drops of Rainouart's blood.[42][44]

The description of the Chapalu after his metamorphosis was that he had a cat's head with red eyes,[45] a horse's body, a griffon's talons (or dragon's feet),[42] and a lion's tail.[44][46][47]

Rainouart is then brought to Avalon by three fées,[48] and Arthur the king of Avalon commands Chapalu to fight this newcomer. In the ensuing battle, Chapalu laps some blood from his opponent's heel, and his human form is restored.[49][44]

Ogier the Dane appears in Jean d'Outremeuse's Ly Myreur des Histors where he fights the chapalu (turns out to be the metamorphosis of his squire Benoit, or else the monster from which Benoit's soul must be liberated).[50][51][52] The narrative is similar to Renoart's Avalon adventure according to La Bataille Loquifer, [51] and there is "no doubt" Jean knew the chanson in question.[52]

According to the Myreur, Ogier was traveling in the year 896 to succor Guillaume d'Orange when he was shipwrecked with his horse Passevent on an isle (Ysle de Trist, 9 days sailing from Cyprus), and combats with the Chapalu (capalu).[51] A fight ensues between Ogier and beasts, including the Chapalu, but this is actually Ogier's squire Benoit (or his soul) trapped in monster form due to enchantment, and Ogier is required to tap the creature between the eyes to lift the curse. Ogier subsequently fights Arthur and Gawain, until Morgan le Fay is summoned by her son Auberon (Alberon) to interrupt the fight.[51][50]

A similar narrative is incorporated into late reworked versions of the Ogier romance (except Gawain goes without mention).[51] The reworkings (or Rifacimenti) exist in decasyllabic form (Rifacimento A) and alexandrines (B).[50] The decasyllabic Roman d'Ogier (c. 1310) summarized by Togeby, and here too, the capalu was a knight transformed into a lutin by the fées, and he offers to become Ogier's squire.[53]