Ch'ella mi creda

"Ch'ella mi creda" is a tenor aria from act 3 of the opera La fanciulla del West by Giacomo Puccini. It is the tenor aria sung by Dick Johnson (a.k.a. the bandit "Ramerrez") before he is to be executed by a lynch mob of gold prospectors led by Sheriff Jack Rance. In the aria, Johnson asks them not to tell Minnie, whom he loves, that he has been killed. Instead, he asks them to "let her believe" (the title phrase, "ch'ella mi creda") that he is far away, on the road to redemption from his bandit past.

Act 3 of Fanciulla, immediately following the aria "Ch'ella mi creda", with Enrico Caruso, Emmy Destinn, and Pasquale Amato, from the 1910 premiere.

The aria was sung for the first time by Enrico Caruso, at the world premiere of La fanciulla del West at the Metropolitan Opera in New York on 10 December 1910. It is said that during World War I, Italian soldiers sang this aria to maintain their spirits.[1][2] The aria is also popular as a piece in concerts and excerpt albums.

At the Metropolitan Opera's 125th anniversary gala on March 15, 2009, Plácido Domingo sang the aria in a recreation of the scene as it had been performed by Caruso at the premiere nearly 100 years earlier. David Belasco's set and the original costumes were recreated for the event.[3] The production designers of the gala told The New York Times that the image of Caruso in La fanciulla del West (see inset) in the act 3 scene in which "Ch'ella mi creda" is sung was the first image from the Met's past that the team set out to recreate for the gala.[4]

Libretto

References
  1. Osborne, Charles (1982). The Complete Operas of Puccini: A Critical Guide. Da Capo Press. p. 195.
  2. Sadie, Stanley; Laura Williams Macy. The Grove Book of Operas.
  3. Silverman, Mike. "Met Opera celebrates 125 years with lavish gala". Retrieved 3 May 2015.
  4. Gurewitsch, Matthew (4 March 2009). "Before the Gala, So Much Groundwork". The New York Times. Retrieved 3 May 2015. 'When Plácido steps into that picture,' Mr. Crouch said, 'we'll be trying to tap into a line of energy that goes all the way back to the original production. We're trying to get as close as we can.
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