Chad Taylor (drummer)

Taylor was born in Tempe, Arizona and was brought up in a musical household. His father, once an aspiring concert pianist, exposed his young son to Duke Ellington, Bach, Thelonious Monk, and Mozart.[5] By age 8, Taylor started taking guitar lessons.[6] At 10, he relocated with his mother and sister to Chicago where he continued his studies on guitar as well as starting snare drum lessons.[5] In 1988 Taylor began studying jazz drumming and classical percussion in High School and took ensemble classes at The Bloom School of Jazz.[6] Through the help and encouragement of bassist Dennis Carrol, Taylor started performing in Chicago with Rob Mazurek.[5] Upon graduating from Lane Tech in 1991, Chad received a full scholarship to study classical guitar at Millikin University.[6] After attending his freshman year he decided to focus on jazz drumming and the following year transferred to the School of Jazz division of The New School in New York City.[6]

In 1997 Taylor moved back to Chicago into an apartment with bassist Joshua Abrams. Abrams introduced Taylor to Fred Anderson who Taylor started performing with regularly at The Velvet Lounge and also to David Boykin who asked Taylor to join his ensemble the Outet with Nicole Mitchell. In addition, Abrams and Taylor started the collective Sticks and Stones with Matana Roberts that hosted the weekly jam session at The Velvet Lounge.[7] Taylor also reconnected with Rob Mazurek. Rob Mazurek invited him along with Jeff Parker to perform at a weekly composers workshop at The Green Mill which eventually developed into The Chicago Underground ensemble.[8] In 1998 the first Chicago Underground Duo recording, 12 Degrees of Freedom[9] was released on the Thrill Jockey label.[10] Taylor was the drummer on Sam Prekop's 1999 self titled release Sam Prekop as well as the 2005 release Who’s Your New Professor.[11] In 2001 Taylor moved back to New York where bassist Tom Abbs introduced him to Cooper-Moore.[12] The core ensemble consisted of Jemeel Moondoc, Tom Abbs and Steve Swell.[13] The same year Taylor started working with Jeff Parker's Trio with Chris Lopes on bass, releasing Like-Coping in 2003.[14]

In 2002, Taylor recorded Titration, his debut as a leader for Delmark Records.[15] The core ensemble consisted of Jemeel Moondoc, Tom Abbs and Steve Swell. The same year Taylor started working with Jeff Parker's Trio with Chris Lopes on bass, releasing Like-Coping in 2003[14] and The Relatives in 2005. In 2004 Taylor started working with guitarist Marc Ribot in his band Spiritual Unity with Roy Campbell and Henry Grimes. Taylor produced Ribot's 2014 album Live At The Vanguard.[16]

In 2009 Taylor started working with the folk/rock band Iron & Wine and was the toured with the band from 2010 to 2012. Taylor was the drummer on the 2011 release Kiss Each Other Clean.[17]

In 2011 Taylor began the master's program in Jazz History and Research at Rutgers University under the direction of Lewis Porter. His master thesis was an examination of form and process in the music of Henry Threadgill’s Zooid.

In 2012 Taylor joined a collaboration with Darius Jones, Sean Conly and Alex Harding called Grass Roots, they recorded and released their self titled album on AUM Fidelity.[18] In 2013 Taylor started working with bassist Eric Revis in his Quartet which released Sing Me Some Cry.[19] After finishing the masters program at Rutgers University in 2015 Taylor started teaching adjunct classes in music theory, jazz history and music appreciation. He also taught music history at Berkeley College in NYC.[20] Taylor produced a solo work called Myths and Morals.[21] Taylor started working with James Brandon Lewis in 2016 and the two started performing as a duo and released Radiant Imprints in 2018 and Live in Willisau in 2020.[22] In addition, he joined Jaimie Branch's Fly or Die ensemble in 2016.[23] In 2019, Taylor formed a new ensemble with tenor saxophonist Brian Settles and pianist Neil Podgurski, which released The Daily Biological for Cuneiform Records in 2020.[24]

Taylor was included in the "Rising Star" category of DownBeat Magazine's 2020 Critics Poll.[25] Taylor received the most votes in the 2020 El Intruso's International Poll for percussion.[26] In 2020, The Daily Biological by the Chad Taylor Trio was selected in NPR's jazz critics poll and was also included in JazzTimes's Top 40 New Jazz Releases.[27][28]