Sir Charles Sedley, 5th Baronet

Sir Charles Sedley, 5th Baronet (March 1639 – 20 August 1701), was an English noble, dramatist and politician. He was principally remembered for his wit and profligacy.[1]

"Charles Sedley" redirects here. For other uses, see Charles Sedley (disambiguation).

Sir Charles Sedley

Life

He was the son of Sir John Sedley, 2nd Baronet, of Aylesford in Kent, and his wife Elizabeth, daughter of Sir Henry Savile. The Sedleys (also sometimes spelt Sidley) had been prominent in Kent since at least 1337. Sedley's grandfather, William Sedley, was knighted in 1605 and created a baronet in 1611. He was the founder of the Sidleian Lectures of Natural Philosophy at Oxford.

Sedley was educated at Wadham College, Oxford, but left without taking a degree. There his tutor was the poet Walter Pope. The second surviving son of Sir John Sedley and Elizabeth, William, succeeded to the baronetcy in 1645.

Charles Sedley inherited the title (5th baronet) in 1656 when his brother William died. By his first wife Lady Katherine Savage, daughter of John, 2nd Earl Rivers he had only one legitimate child, Catherine, Countess of Dorchester, mistress of James II. The couple lived in Great Queen Street. After his first wife had been sent to a convent in Ghent on account of a serious mental condition, Sedley in vain tried to obtain a divorce.

He met Ann Ayscough, probably around 1670, by whom he had two illegitimate sons, William and Charles Sedley. William died in infancy, and the brother Charles was knighted by William III after the coronation in 1689 and created a baronet in 1702.[2] The relationship with Ann Ayscough lasted to the end of Sedley's life. Sedley died at Hampstead on 20 August 1701 and was buried at Southfleet Church on the 26th. The Sedley baronetcy became extinct on his death.[3]

Sedley is famous as a patron[4] of literature in the Restoration period, and was the Francophile Lisideius of Dryden's Essay of Dramatic Poesy.[5][6] However, it was above all Sedley's wit that his contemporaries admired him for.[7]

Sedley was reputed as a notorious rake and libertine, part of the "Merry Gang" of courtiers which included the Earl of Rochester and Lord Buckhurst. In 1663 an indecent frolic in Bow Street, for which he was fined 2,000 marks, made Sedley notorious.

From the balcony of Oxford Kate's Tavern he, Lord Buckhurst and Sir Thomas Ogle shocked and delighted a crowd of onlookers with their blasphemous and obscene antics. According to Samuel Pepys, Sedley 'showed his nakedness - and abusing of scripture and as it were from thence preaching a mountebank sermon from the pulpit, saying that there he had to sell such a pouder as should make all the cunts in town run after him, 1000 people standing underneath to see and hear him, and that being done he took a glass of wine and washed his prick in it and then drank it off, and then took another and drank the King's health.' This behaviour provoked a riot amongst the onlookers and condemnation in the courts, where the Lord Chief Justice gave his opinion that it was because of wretches like him "that God's anger and judgement hang over us".[8]

Sedley was member of parliament for New Romney in Kent, and took an active and useful part in politics. A speech of his on the civil list after the Revolution is cited by Macaulay as proof that his reputation as a man of wit and ability was deserved. His bon mot at the expense of James II is well known.[5] The king had seduced his daughter and created her countess of Dorchester, whereupon Sedley said: "As the king has made my daughter a countess, the least I can do, in common gratitude, is to assist in making his Majesty's daughter (Mary) a queen". Sedley is also occasionally associated with a notorious gang of unbridled revellers who called themselves Ballers and who were active between 1660 and 1670. It was probably Sedley who wrote the Ballers' Oath on their behalf.[9]

Sedley's parliamentary career started in the 1660s but around 1677/78 he joined the Whig cause. When Charles II died in 1685, Sedley was illegally excluded from the parliament of his successor James II, which convened in May 1685. There can be no doubt that Sedley opposed the Catholic James and supported William of Orange in the crucial year of 1688.[10] Sedley was returned in the second Parliament of William, elected in March 1690. More speeches and parliamentary motions followed in 1690, including discussions on the Bill for regulating trials for High Treason, which sheds light on Sedley's political commitment after the Revolution. Sedley's speeches were included in the 1702 edition of The Miscellaneous Works. Sedley kept his seat in Parliament until his death in 1701.

Family

Charles Sedley inherited the title (5th baronet) in 1656 when his brother William died. By his first wife, Lady Katherine Savage, daughter of John Savage, 2nd Earl Rivers, he had only one legitimate child, Catherine, Countess of Dorchester, who later became a mistress of James II of England. After his first wife had been sent to a convent in Ghent on account of a serious mental condition, Sedley tried in vain to obtain a divorce.

He met Ann Ayscough, probably around 1670, by whom he had two illegitimate sons, William and Charles Sedley. William died in infancy, and the brother Charles was knighted by William III of Orange after the coronation in 1689 and created a baronet in 1702. The relationship with Ann Ayscough lasted until the end of Sedley's life.

Legacy

His reputation as a wit and dissolute was partially responsible for the Sedleys of William Makepeace Thackeray's Vanity Fair.[1]

Works

Poems

His most famous song, "Phyllis is My Only Joy", is much more widely known now than the author's name.[5] While Sedley chiefly produced light amatory verse and pastoral dialogues in the 1670s, he turned to satirical epigrams in the 1680s and 1690s. His Epigrams: or, Court Characters are modelled on the works of Martial. In his epigram "To Nysus", for example, Sedley describes the function of satire and emphasizes the aggressive mode of satire: "Let us write satyr than, and at our ease / Vex the ill-natur'd Fools we cannot please."[11] At the same time, Sedley translated other specimens of ancient poetry, such as Virgil's Georgics IV, the eighth Ode of the second Book of Horace and three elegies from Ovid's Amores. Dryden included Sedley's translations from Ovid in the Miscellany of 1684.

A number of his poems have been set to music: "Phyllis is My Only Joy" in a glee by John William Hobbs (1799-1877),[12] "Not, Celia, that I Juster Am" in a solo song by the English composer Elizabeth Turner (1700-1756),[13][14] and "Hears Not My Phillis" (Knotting Song, Z.371) in a solo song by the English composer Henry Purcell (1659-1695).[15] In 1692 Sedley wrote the birthday ode for Queen Mary, "Love’s goddess sure was blind", which was also set to music by Purcell.[16] The poem was printed in The Gentleman’s Journal of May 1692.[17]

Plays

His first comedy, The Mulberry-Garden (1668), sustains Sedley's contemporary reputation for wit in conversation. The best, but most licentious, of his comedies is Bellamira: or, The Mistress (1687), an imitation of the Eunuchus of Terence, in which the heroine is supposed to represent Barbara Villiers, Duchess of Cleveland, the mistress of Charles II. While The Mulberry-Garden exuberantly praises the achievements of the Restoration, Bellamira displays a dark cynicism which has to be accounted for within a changed historical context. His two tragedies, Antony and Cleopatra (1677) and The Tyrant King of Crete (1702), an adaptation of Henry Killigrew's Pallantus and Eudora, have little merit. He also produced The Grumbler (1702), an adaptation of Le Grondeur of Brueys and Palaprat.[5] However, many contents of Sedley's posthumous edition are spurious.[18] Apart from the prologues of his own plays, Sedley wrote at least four more prologues to comedies, the best-known of which was written for Shadwell's Epsom Wells.[19]

Editions
  • Pompey the Great (1664); adaptation and translation of Corneille's La mort de Pompée (1644); together with Charles Sackville (later Earl of Dorset), Sidney Godolphin, Edmund Waller, and Sir Edward Filmer.
  • The Mulberry-Garden (1668); party modelled on Molière's L'École des Maris (1661).
  • Antony and Cleopatra (1677)
  • Bellamira: or, The Mistress (1687); partly modelled on Terence's Eunuchus
  • Beauty the Conquerour: or, The Death of Marc Antony (posthumous 1702)
  • The Miscellaneous Works of the Honourable Sir Charles Sedley (London, 1702).
  • The Works of the Honourable Sir Charles Sedley, 2 vols (London, 1722).
  • The Works of the Honourable Sir Charles Sedley, 2 vols (London, 1776).
  • (possibly by Sedley) The Tyrant King of Crete; shortened version of Henry Killigrew's Pallantus and Eudora.
  • (possibly by Sedley) The Grumbler; translation of a French farce Le Grondeur
  • The Poetical and Dramatic Works of Sir Charles Sedley, ed. Vivian de Sola Pinto. 2 vols (London, 1928; repr. New York: AMS Press, 1969).
  • Sir Charles Sedley's "The Mulberry-Garden" (1668) and "Bellamira: or, The Mistress" (1687): An Old-Spelling Critical Edition with an Introduction and a Commentary, ed. Holger Hanowell, Münster Monographs on English Literature (Frankfurt am Main: Peter Lang, 2001).

References

Citations
  1. Harden, Edgar F. (ed.), Selected Letters of William Makepeace Thackeray, p. 150.
  2. Burke's Extinct and Dormant Baronetcies, p483
  3. Burke's Extinct and Dormant Baronetcies
  4. See "The Mulberry-Garden" and "Bellamira", ed. Hanowell, pp. xxxi-xxxii.
  5. Chisholm 1911.
  6. Frank L. Huntley, "On the Persons in Dryden's Essay of Dramatic Poesy, in: Essential Articles for the Study of John Dryden, ed. H.T. Swedenberg Jr. (Hamden, CO, 1966), pp. 83-90.
  7. The Diary of Samuel Pepys, ed. Latham and Matthews, Vol. V, p. 288 and Vol. VIII, p. 71. See also the presentation of Sedley in Gerard Langbaine, An Account of the Dramatick Poets. The English Stage: Attack and Defense 1577-1730, ed. Arthur Freeman (New York and London, 1973).
  8. Fergus Linnane (2006) The Lives of the English Rakes. London, Portrait: 24-5
  9. David M. Vieth, "Sir Charles Sedley and the Ballers' Oath," in: The Scriblerian and the Kit-Cats, 12 (1979), 47-49.
  10. Pinto, Sir Charles Sedley: A Study in the Life, p. 203
  11. "Poetical and Dramatic Works", ed. Pinto, Vol. 1, p. 52, ll.7-8.
  12. 1
  13. 2.
  14. Yelloly, M. (1 February 2005). "'The ingenious Miss Turner': Elizabeth Turner (d 1756), singer, harpsichordist and composer". Early Music. 33 (1): 65–80. doi:10.1093/em/cah041. ISSN 0306-1078.
  15. "Hears not my Phillis how the birds 'The Knotting Song', Z371 - Hyperion Records - CDS, MP3 and Lossless downloads".
  16. Wood, Bruce (2009). Purcell: An Extraordinary Life. London: ABRSM. p. 144. ISBN 9781860962981.
  17. Purcell studies. Curtis Alexander Price. Cambridge [England]: Cambridge University Press. 1995. ISBN 0-521-44174-9. OCLC 30518192.{{cite book}}: CS1 maint: others (link)
  18. See Sir Charles Sedley's "The Mulberry-Garden" (1668) and "Bellamira, or: The Mistress" (1687), ed. Hanowell, p. xxiii
  19. Pierre Danchin, The Prologues and Epilogues of the Restoration 1660-1700, 4 vols (Nancy, 1981).

Bibliography
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