Chris Knight (anthropologist)

Chris Knight (born 1942) is a British anthropologist.

Chris Knight, August 2021, during an action in support of Extinction Rebellion

Life

Professional

Following an MPhil in Russian Literature from the University of Sussex in 1975,[1] Knight gained his PhD in 1987 at the University of London for a thesis on Claude Lévi-Strauss's four-volume Mythologiques. He became a lecturer in anthropology at the University of East London in 1989 and a professor at the same institution in 2000.[2] A founding member of the "Radical Anthropology Group" (RAG),[3] Knight is currently a senior research fellow in the Department of Anthropology, University College London.[4]

Since graduating from the University of Sussex in 1966, Knight has been exploring the idea that language emerged in the human species through a process of incremental Darwinian evolution culminating at a certain point in revolutionary change. Becoming human was, from this perspective, a classic instance of a dialectical process, i.e. one in which quantitative change culminates eventually in a qualitative leap. In pursuing this line of thought, Knight takes inspiration not only from modern Darwinian theorists such as Eörs Szathmáry and John Maynard Smith but also from Karl Marx and Friedrich Engels, who in their later years were fascinated by what was then the new science of anthropology.[5]

In 1996, working with Professor James Hurford, Knight co-founded the EVOLANG series of international conferences on the origins of language, since when he has become a prominent figure in debates on this topic. In recognition of his contribution to evolutionary linguistics, Knight was awarded the Evolutionary Linguistics Association's Lifetime Achievement Award at an event held in Vienna in April 2014.[6]

Selected works

Blood Relations: Menstruation and the Origins of Culture
Main article: Blood Relations: Menstruation and the origins of culture
See also: Menstruation and culture and Female cosmetic coalitions

Published in 1991, Knight's first full-length book, Blood Relations: Menstruation and the origins of culture was favourably reviewed in The Times Higher Educational Supplement, The Times Literary Supplement and The London Review of Books; it also received publicity through an interview on the BBC World Service Science Now programme, a debate with Dr. Henrietta Moore on BBC Radio 4 Woman’s Hour, a front-page news report in The Independent on Sunday and Daily Telegraph and coverage in many other periodicals.[7] The Journal of the Royal Anthropological Institute described Blood Relations as 'a very readable, witty, lively treasure-trove of anthropological wisdom and insight.'[8] In April 1998, the Independent on Sunday featured a two-page article on Knight's work by science correspondent Marek Kohn, who described Knight's approach to the origins of language as 'drawing together some of the most dynamic lines of argument in current British evolutionary thought'.[9]

"This book may be the most important ever written on the evolution of human social organization. It brings together observation and theory from social anthropology, primatology, and paleoanthropology in a manner never before equalled. The author, Chris Knight, is up to date on all these fields and has achieved an extraordinary synthesis. His critiques of Claude Lévi-Strauss on totemism and myth are a sheer tour de force".

— Alex Walter, Department of Anthropology, Rutgers University

In 1997, the feminist journalist and historian Barbara Ehrenreich did much to explain and utilise Knight's ideas in her book, Blood Rites: The origins and history of the passions of war.[10] Among major poets, Ted Hughes[11] and Peter Redgrove[12] favourably cite Knight's insights concerning menstrual synchrony and its place in world mythology and folklore.

The sculptor Anish Kapoor draws inspiration from Knight's work, describing how his appreciation of the colour red – in, for example, Kapoor's celebrated sculpture Blood Relations – owes much to Knight's 'wonderful theory' that the world's first art was produced when women began decorating themselves with red ochre cosmetics.[13][14]

Another prominent figure inspired by Knight's book is the Chilean revolutionary activist and artist Cecilia Vicuña. Having studied Knight's work over many years, she associates the blood-red woolen quipus or 'Red Threads' central to much of her recent work with the string figures and images of menstruating goddesses in Aboriginal Australian rock-art as described and interpreted by Knight in his book.[15]

Although Knight's theory of human cultural and symbolic origins remains controversial, in the years since Blood Relations was published it has become central to an increasing body of archaeological research and debate on how symbolic culture first emerged during the evolution of our species.[16][17][18][19][20]

Decoding Chomsky: Science and Revolutionary Politics
Main article: Decoding Chomsky

Knight's more recent book, Decoding Chomsky is a sustained exploration of Noam Chomsky's approach to science and its relationship to politics. Its publication in October 2016 sparked instant public controversy. A reviewer for the US The Chronicle of Higher Education hailed it as perhaps 'the most in-depth meditation on "the Chomsky problem" ever published', recommending it as 'a compelling read'.[21] In Britain, The New Scientist described Knight's controversial account as 'trenchant and compelling.'[22] Chomsky responded dismissively to Knight's book in both The New York Times[23] and The London Review of Books.[24]

Other books

Activism

Initially a supporter of the Militant tendency in the Labour Party, Chris Knight was later a founder editor of the journal Labour Briefing[25] (he remains on the board)[26] and has a long record of political activism.[27] Although sometimes described as an anarchist,[28] Knight defines himself intellectually as working within the tradition of Marxism.[29]

During the 1984-1985 miners' strike, Knight was involved in setting up a group called Pit Dragon with the aim of bringing together writers and artists in support of the miners. Roland Muldoon of the CAST theatre company played a significant role in the organisation's success, as did the children's writer Michael Rosen. According to the New Musical Express, writing at the time: 'Pit Dragon has managed to harness the talents of every worthwhile artist on the seamier side of the London cabaret circuit and the potential to develop into the most dynamic political/cultural organisation since Rock Against Racism.' In February 1985, the group planned an unusual way of turning a mass picket into a lively cultural occasion. Knight had the idea of inviting fire-eaters, tightrope walkers, poets, comedians, jugglers and musicians to meet at the gates of Neasden Power Station in Brent, North London. The police were warned in advance, the artists staged their performances on the picket line and not one truck even attempted to get through. The picket was counted a success when the power station was shut down for the day.[30][31]

Reminiscent of the carnivalesque atmosphere outside the Neasden Power Station was the mass picket held in Liverpool to celebrate the first anniversary of the Liverpool dockers' strike and lock-out which had begun late in 1995. Linking up with activists in the anti-car movement Reclaim the Streets, Knight used his position in the London Support Group to introduce the dockers to these 'Kill the Car' environmentalists.[32] Realizing they had much in common, the two culturally different groups spent the summer of 1996 working on an ambitious plan. On 28 September, a 10,000 strong celebratory cultural event and street party was held on the quayside, followed at break of dawn next morning by a mass picket and symbolic roof-top occupation of what the dockers termed 'the rat house' – the Mersey Docks and Harbour Company headquarters and nearby gantries.[33]

For twelve months, Britain's mainstream media outlets had effectively ignored the long-running dispute. But the dockers' alliance with musicians and environmentalists now drew global attention to their cause, giving them new courage and inspiring them to continue their strike into its second year. The dispute now gathered momentum in such a way that by late January 1997, trade unionists in over a hundred ports and cities across the world had linked up with environmentalists and others in making the action global. In the end, the dockers' picket line proved to be not only global in reach but a record-breaker in lasting for more than two years.[34]

Since the early decades of the twentieth century, industrial militancy by dockers had been uniquely internationalist for reasons intrinsic to their particular trade. Once a tanker has been forced by pickets to unload elsewhere, other ports get drawn into the dispute. And so it was that in the months building up to the 'Battle of Seattle', the slogan invented for their own reasons by Liverpool's militant dockers – 'Another World Is Possible' – began hitting the headlines across the world.[32]

Among the roots of the 'Battle of Seattle' which broke out in November 1999 were the cultural events sponsored by Knight and his Reclaim the Streets friends in Liverpool on the opposite side of the world. Seattle had been the port where, two years earlier, an alliance between dockers, musicians, environmentalists and others had combined forces in support of an internationalist cause. 'Save the Whales' and 'Save the Turtles' activists had long been working alongside 'Save Our Jobs' trade unionists. These developments in Seattle ensured that when the World Trade Organization decided to hold its 1999 Convention in the city, activists across the area were primed for unusually creative and imaginative resistance to the WTO's globalisation project. Seattle and its surroundings had by this stage become effectively a powder keg.

During the build-up to the 2009 G-20 Summit in London, Knight was involved in a street theatre group known as The Government of the Dead. Statements he made at this time in an interview[25] for the London Evening Standard[35] (and the PM programme[36]) led the Corporate Management Team at the University of East London to charge him with 'advocating violence' and 'bringing the university into disrepute'. He was suspended and, despite a petition signed by over 700 academics and others,[37] 'summarily dismissed' on 22 July 2009.

On 28 April 2011, Knight was one of three people arrested "on suspicion of conspiracy to cause public nuisance and breach of the peace". The three were planning a mock execution of the Duke of York (Prince Andrew) in Central London the following day, to coincide with the wedding of Prince William and Catherine Middleton. All three were later released without charge.[38][39][40][28]

On 30 November 2011, Knight was one of 21 'Occupy London' activists arrested and later charged with public order offences for occupying the Haymarket (Central London) offices of the mining company Xstrata in a protest against the company's diversion of the McArthur River in the Northern Territory of Australia, violating sites held sacred by the Yanyuwa, Mara, Garrawa and Gurdanji Traditional Owners of the region. On 8 August 2012, following a hearing at Westminster Magistrates' Court, Knight and his co-defendants were all found not guilty.[41]

In 2017, Knight supported Ken Livingstone in a controversy over allegedly anti-Semitic remarks made by the former London Mayor in 2016.[42]

Family Background

Knight was born in 1942 in Bury St Edmunds, Suffolk, where his mother Nora Dalton (born 1922, daughter of Philip Dalton and Nora Hennessy) had been serving in the Land Army. His father, Denis Knight, was born in 1921 in Volos, Greece, where Denis' own father, W. L. C. Knight, served as Consul General in Salonika.[43] From 1 September 1941 to 10 January 1947, Denis served in the 44th Royal Tank Regiment as a tank co-driver. He stayed with the same crew in C Squadron throughout, first joining them in Egypt and Palestine in 1942. His first frontline action was in July 1943 as part of Operation Husky, the invasion of Sicily, with especially heavy fighting south of Catania at Primasole Bridge. He continued to be in the thick of it in late 1943 as the Eighth Army pressed up from the heel of Italy along the Adriatic coast. In early 1944 the 44th RTR returned to the UK to prepare for the invasion of Normandy, landing on Gold Beach on D-Day +2. Once again they were in the heart of the action around Caen and Falaise, then through northern France and into Holland where they were a vital part of Operation Market Garden, protecting the land corridor to Arnhem. Their final campaign was the invasion of Germany itself, crossing the Rhine at Xanten on 24 March 1945 – the first British tanks to do so. They continued to face stiff opposition from diehard Nazi troops as they took Bremen, and then on to Hamburg, when hostilities ceased on 5 May 1945. Denis and his tank crew were fortunate to survive – many of their comrades did not.[44][45] In later life, Denis achieved recognition as a significant war-poet,[46] while in 1986 he published an edited collection of essays by William Cobbett.[47] Nora and Denis remained together for life and had five children (Christopher, Kevin, Elizabeth, Peter and Simon). When he was 30, Chris formed a long-term relationship with Ann Bliss. The couple have three children (Rosie, Olivia and Jude) and eight grandchildren.

References
  1. Robin Dunbar, Chris Knight and Camilla Power (eds), The Evolution of Culture: an Interdisciplinary View (Edinburgh: Edinburgh University Press, 1999), p. viii
  2. Richard Rogers and Paul Lewis, "Professor suspended over claims he incited G20 violence" The Guardian, 27 March 2009
  3. A Brief History of RAG. Retrieved 30 April 2011
  4. "UCL – London's Global University".
  5. Frederick Engels, 1884. The Origin of the Family, Private Property and the State
  6. "ELA Lifetime Achievement Award".
  7. Reviews of Chris Knight, 1991. Blood Relations: Menstruation and the origins of culture.
  8. R. E. Davis-Floyd, Journal of the Royal Anthropological Institute.
  9. Marek Kohn, 'Survival of the Chattiest.' Independent on Sunday, 4 April 1998.
  10. Barbara Ehrenreich, 1997. Blood Rites: The origins and history of the passions of war. London: Granta, pp. 104-110.
  11. Ted Hughes, 1992. Shakespeare and the Goddess of Complete Being. London: Faber and Faber.
  12. Shuttle, P. and P. Redgrove, 1978. The Wise Wound. Menstruation and Everywoman. London: Gollancz.
  13. Anish Kapoor, Surge. 2019. Listado de Obras en Exhibitión, p. 82
  14. Interview. Anish Kapoor on vaginas, recovering from breakdown and his violent new work: ‘Freud would have a field day’. Jonathan Jones, The Guardian, September 31, 2021.
  15. Cecilia Vicuna, 2017, Read Thread. The Story of the Red Thread. Sternberg Press.
  16. Knight, C.; Power, C.; Watts, I. (April 1995). "The Human Symbolic Revolution: A Darwinian Account" (PDF). Cambridge Archaeological Journal. 5 (1): 75–114. doi:10.1017/S0959774300001190. S2CID 54701302. Archived from the original (PDF) on 1 August 2020. Retrieved 8 May 2009.
  17. Watts, I. 2009. Red ochre, body painting, and language: interpreting the Blombos ochre. In R. Botha and C. Knight (eds), The Cradle of Language. Oxford: Oxford University Press, pp. 62-92.
  18. Power, C. 2010. Cosmetics, identity and consciousness. Journal of Consciousness Studies 17, No. 7-8, pp. 73-94.
  19. Watts, I. M. Chazan and J. Wilkins, 2016. Early Evidence for Brilliant Ritualized Display: Specularite Use in the Northern Cape (South Africa) between ~500 and ~300 Ka. Current Anthropology Volume 57, Number 3, pp. 287-310.
  20. Dapschauskas, R., Göden, M. B, Sommer, C. and Kandel, A. W., 2022. The Emergence of Habitual Ochre Use in Africa and its Significance for the Development of Ritual Behavior During the Middle Stone Age. Journal of World Prehistory https://doi.org/10.1007/s10963-022-09170-2
  21. Chronicle of Higher Education, 9 October 2016
  22. New Scientist, 2 November 2016
  23. The New York Times, 31 October
  24. London Review of Books 1 June 2017
  25. David Cohen, "Meet Mister Mayhem", Archived 20 January 2011 at the Wayback Machine Evening Standard (ThisIsLondon.com website), 25 March 2009
  26. "About Labour Briefing" Archived 14 October 2010 at the Wayback Machine Retrieved 30 April 2011 (Labour Briefing is the present title)
  27. "The wilderness years: how Labour's left survived to conquer". The Guardian. 3 November 2017.
  28. Knight, C. and C. Power 2012. Arrest for Attempted Street Theatre. Anthropology Today, Vol. 28 No. 1, pp. 24–26.
  29. "Interview for Ready Steady Book". 2 March 2006. Archived from the original on 21 April 2016. Retrieved 30 April 2011.
  30. Diarmaid Kelliher 2021. Making Cultures of Solidarity. London: Routledge, p.75
  31. "Pit Dragon: How an alternative picket-line stopped the coal lorries".
  32. "Reclaim the Streets and the Liverpool dockers – Chris Knight".
  33. "Reclaim the Future! Liverpool, Sept 96 - One Eye on the Road".
  34. Diarmaid Kelliher 2021. Making Cultures of Solidarity. London: Routledge, pp.184-185
  35. Melanie Newman, "UEL suspends 'Mr Mayhem' and cancels alternative G20", Times Higher Education, 2 April 2009
  36. Fiona Hamilton, "Anarchist professor Chris Knight suspended after G20 'threat'", The Times, 26 March 2009
  37. "Petition-as-Word-document" (PDF). December 2022. Retrieved 10 January 2023.
  38. David Batty, "Royal wedding protest: three anti-capitalist activists arrested" The Guardian, 28 April 2011. Retrieved 29 April 2011
  39. Zombie Wedding invitation Archived 29 April 2011 at the Wayback Machine Retrieved 29 April 2011
  40. Robert Booth, Sandra Laville and Shiv Malik, "Royal wedding: police criticised for pre-emptive strikes against protesters" The Guardian, 29 April 2011. Retrieved 30 April 2011
  41. 16 Occupy London activists found not guilty Archived 1 December 2012 at the Wayback Machine
  42. Letter to The Guardian 12-April-2017
  43. Carina E. Ray, 2015. Crossing the Color Line. Race, sex, and the contested politics of colonialism in Ghana. Athens, Ohio: Ohio University Press, p. 144.
  44. Peter Knight, 2005. WW2 People's War, London: BBC. Article ID: 7174721, 7174172.
  45. "About the contributor Peter Knight". BBC. Retrieved 10 January 2023.
  46. Denis Knight, Infantryman at Santa Maria (1943), How Fare the Dead? (1944). In Victor Selwyn, Erik de Mauny and Ian Fletcher (eds), 1989, 'More Poems of the Second World War', Everyman Classic, pp. 126-127. ISBN 0-460-13001-3.
  47. Cobbett in Ireland: A Warning to England [Cobbett's writings edited by Denis Knight]; ISBN 978-0853155966
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